Cradock's identification of this
brook, or of the garden; partly because, beyond the present garden
square I found, on going up the brook, other garden squares, which
were much more likely to have been the garden belonging to Anne
Tyson's cottage, and because in these garden plots the stream was not
'stripped of his voice,' by the covering of Coniston flags, as is the
case lower down towards the market place; and partly because--as you
notice--you can both hear and see the stream through the interstices
of the flags, and that it can hardly be described (by one who will
listen) as stripped of its voice.
brook, or of the garden; partly because, beyond the present garden
square I found, on going up the brook, other garden squares, which
were much more likely to have been the garden belonging to Anne
Tyson's cottage, and because in these garden plots the stream was not
'stripped of his voice,' by the covering of Coniston flags, as is the
case lower down towards the market place; and partly because--as you
notice--you can both hear and see the stream through the interstices
of the flags, and that it can hardly be described (by one who will
listen) as stripped of its voice.
William Wordsworth
When first attracted by this happy Vale
Hither I came, among old Shepherd Swains
To fix my habitation,'t was a time
Of deepest winter, and from week to week
Pathway, and lane, and public way were clogged
When to the { cares and pleasures of the world
{ attractions of the busy world
Preferring {ease and liberty } I chose
{peace and liberty } I chose
{studious leisure I had chosen
A habitation in this peaceful vale
Sharp season {was it of } continuous storm
{followed by } continuous storm
* * * * *
NOTE II. --THE HAWKSHEAD BECK
(See pp. 188-89, 'The Prelude', book iv. )
Mr. Rawnsley, formerly of Wray Vicarage--now Canon Rawnsley of
Crosthwaite Vicarage, Keswick--sent me the following letter in reference
to:
. . . that unruly child of mountain birth,
The famous brook, who, soon as he was boxed
Within our garden, found himself at once,
As if by trick insidious and unkind,
Stripped of his voice and left to dimple down
. . .
I looked at him and smiled, and smiled again,
. . .
'Ha,' quoth I, 'pretty prisoner, are you there! '
"I was not quite content with Dr.
Cradock's identification of this
brook, or of the garden; partly because, beyond the present garden
square I found, on going up the brook, other garden squares, which
were much more likely to have been the garden belonging to Anne
Tyson's cottage, and because in these garden plots the stream was not
'stripped of his voice,' by the covering of Coniston flags, as is the
case lower down towards the market place; and partly because--as you
notice--you can both hear and see the stream through the interstices
of the flags, and that it can hardly be described (by one who will
listen) as stripped of its voice.
At the same time I was bound to admit that in comparing the voice of
the stream here in the 'channel paved by man's officious care' with
the sound of it up in the fields beyond the vicarage, nearer its
birth-place, it certainly might be said to be softer voiced; and as
the poet speaks of it as 'that unruly child of mountain birth,' it
looks as if he too had realised the difference.
But whilst I thought that the identification of Dr. Cradock and
yourself was very happy (in absence of other possibilities), I had not
thought that Wordsworth would describe the stream as 'dimpling down,'
or address it as a 'pretty prisoner. ' A smaller stream seemed
necessary.
It was, therefore, not a little curious that, in poking about among
the garden plots on the west bank of the stream, fronting (as nearly
as I could judge) Anne Tyson's cottage, to seek for remains of the ash
tree, in which so often the poet--as he lay awake on summer
nights--had watched 'the moon in splendour couched among the leaves,'
rocking 'with every impulse of the breeze,' I not only stumbled upon
the remains of an ash tree--now a 'pollard'--which is evidently
sprung from a larger tree since decayed (and which for all I know may
be one of the actual parts of the ancient tree itself); but also had
the good luck to fall into conversation with a certain Isaac Hodgson,
who volunteered the following information.
First, that Wordsworth, it was commonly said, had lodged part of his
time with one Betty Braithwaite, in the very house called Church Hill
House.
She was a widow, and kept a confectionery shop, and 'did a deal of
baking,' he believed.
Secondly, that there was a little patch of garden at the back of the
house, with a famous spring well--still called Old Betty's Well--in
it, and that only a few paces from where I was then standing by the
pollard ash.
On jumping over the fence I found myself on the western side of the
quaint old Church Hill House, with magnificent views of the whole of
the western side of Hawkshead Vale; grassy swell and wooded rises
taking the eye up to the moorland ridge between us and Coniston.
'But,' said I, 'what about Betty's Well. ' 'Oh,' said my friend,
'that's a noted spring, that never freezes, and always runs; we all
drink of it, and neighbours send to it. Here it is,' he continued;
and, gazing down, I saw a little dripping well of water, lustrous,
clear, coming evidently in continuous force from the springs or secret
channels up hill, pausing for a moment at the trough, thence falling
into a box or 'channel paved by man's officious care,' and in a moment
out of sight and soundless, to pursue its way, 'stripped of its
voice,' towards the main Town beck, that ran at the north-east border
of the garden plot. 'Ha, pretty prisoner,' and the words 'dimple down'
came to my mind at once as appropriate. 'Old Betty's Well gave the
key-note of the 'famous brook'; and 'boxed within our garden' seemed
an appropriate and exact description.
Trace of
'the sunny seat
Round the stone table under the dark pine,'
was there none.
