de la Motte's
translation
of the Iliad into French
verse.
verse.
Camoes - Lusiades
" To marry his soldiers with the natives was the
plan of Albuquerque: his severity, therefore, seems unaccountable,
unless we admit the 'perhaps' of Camoens, _ou de cioso_, perhaps it was
jealousy. --But, whatever incensed the general, the execution of the
soldier was contrary to the laws of every nation;{*} and the honest
indignation of Camoens against one of the greatest of his countrymen,
one who was the grand architect of the Portuguese empire in the East,
affords a noble instance of that manly freedom of sentiment which knows
no right by which king or peer may do injustice to the meanest subject.
Nor can we omit the observation, that the above note of Castera is of a
piece with the French devotion we have already seen him pay to the name
of king, a devotion which breathes the true spirit of the blessed advice
given by Father Paul to the republic of Venice: "When a nobleman commits
an offence against a subject," says the Jesuit, "let every means be
tried to justify him. But, if a subject has offended a nobleman, let him
be punished with the utmost severity. "
{*} Osorius relates the affair of Diaz with some other circumstances;
but with no difference that affects this assertion.
[609] _Not Ammon. _--Campaspe, the most beautiful concubine of Alexander
the Great, was given by that monarch to Apelles, whom he perceived in
love with her. Araspas had strict charge of the fair captive, Panthea.
His attempt on her virtue was forgiven by Cyrus.
[610] _And Flandria's earldom on the knight bestow'd. _--"Baldwin,
surnamed Iron-arm, Grand Forester of Flanders, being in love with
Judith, the daughter of Charles the Bald, and widow of Ethelwolf, king
of England, obtained his desire by force. Charles, though at first he
highly resented, afterwards pardoned his crime, and consented to his
marriage with the princess. "--CASTERA.
* * * * *
This digression in the song of the nymph bears, in manner, a striking
resemblance to the histories which often, even in the heat of battle,
the heroes of Homer relate to each other. That these little episodes
have their beauty and propriety in an epic poem will strongly appear
from a view of M.
de la Motte's translation of the Iliad into French
verse. The four and twenty books of Homer he has contracted into twelve,
and these contain no more lines than about four books of the original. A
thousand embellishments which the warm poetical feelings of Homer
suggested to him are thus thrown out by the Frenchman. But what is the
consequence of this improvement? The work of La Motte is unread, even by
his own countrymen, and despised by every foreigner who has the least
relish for poetry and Homer.
[611] _And midnight horror shakes Medina's shrine. _--Medina, the city
where Mohammed is buried. About six years after GAMA'S discovery of
India, the Sultan of Egypt sent Maurus, the abbot of the monks at
Jerusalem, who inhabit Mount Sion, on an embassy to Pope Julius II. The
sultan, with severe threats to the Christians of the East in case of
refusal, entreated the Pope to desire Emmanuel, king of Portugal, to
send no more fleets to the Indian seas. The Pope sent Maurus to
Emmanuel, who returned a very spirited answer to his holiness, assuring
him that no threats, no dangers, could make him alter his resolutions,
and lamenting that it had not yet been in his power to fulfil his
purpose of demolishing the sepulchre and erasing the memorials of
Mohammed from the earth. This, he says was the first purpose of sending
his fleets to India. It is with great art that Camoens so often reminds
us of the grand design of the expedition of his heroes to subvert
Mohammedanism, and found a Christian empire in the East. But the dignity
which this gives to his poem has already been observed in the preface.
[612] _Where Sheba's sapient queen the sceptre bore. _--The Abyssinians
contend that their country is the Sheba mentioned in the Scripture, and
that the queen who visited Solomon bore a son to that monarch, from whom
their royal family, to the present time, is descended.
[613] _Snatch'd from thy golden throne.
plan of Albuquerque: his severity, therefore, seems unaccountable,
unless we admit the 'perhaps' of Camoens, _ou de cioso_, perhaps it was
jealousy. --But, whatever incensed the general, the execution of the
soldier was contrary to the laws of every nation;{*} and the honest
indignation of Camoens against one of the greatest of his countrymen,
one who was the grand architect of the Portuguese empire in the East,
affords a noble instance of that manly freedom of sentiment which knows
no right by which king or peer may do injustice to the meanest subject.
Nor can we omit the observation, that the above note of Castera is of a
piece with the French devotion we have already seen him pay to the name
of king, a devotion which breathes the true spirit of the blessed advice
given by Father Paul to the republic of Venice: "When a nobleman commits
an offence against a subject," says the Jesuit, "let every means be
tried to justify him. But, if a subject has offended a nobleman, let him
be punished with the utmost severity. "
{*} Osorius relates the affair of Diaz with some other circumstances;
but with no difference that affects this assertion.
[609] _Not Ammon. _--Campaspe, the most beautiful concubine of Alexander
the Great, was given by that monarch to Apelles, whom he perceived in
love with her. Araspas had strict charge of the fair captive, Panthea.
His attempt on her virtue was forgiven by Cyrus.
[610] _And Flandria's earldom on the knight bestow'd. _--"Baldwin,
surnamed Iron-arm, Grand Forester of Flanders, being in love with
Judith, the daughter of Charles the Bald, and widow of Ethelwolf, king
of England, obtained his desire by force. Charles, though at first he
highly resented, afterwards pardoned his crime, and consented to his
marriage with the princess. "--CASTERA.
* * * * *
This digression in the song of the nymph bears, in manner, a striking
resemblance to the histories which often, even in the heat of battle,
the heroes of Homer relate to each other. That these little episodes
have their beauty and propriety in an epic poem will strongly appear
from a view of M.
de la Motte's translation of the Iliad into French
verse. The four and twenty books of Homer he has contracted into twelve,
and these contain no more lines than about four books of the original. A
thousand embellishments which the warm poetical feelings of Homer
suggested to him are thus thrown out by the Frenchman. But what is the
consequence of this improvement? The work of La Motte is unread, even by
his own countrymen, and despised by every foreigner who has the least
relish for poetry and Homer.
[611] _And midnight horror shakes Medina's shrine. _--Medina, the city
where Mohammed is buried. About six years after GAMA'S discovery of
India, the Sultan of Egypt sent Maurus, the abbot of the monks at
Jerusalem, who inhabit Mount Sion, on an embassy to Pope Julius II. The
sultan, with severe threats to the Christians of the East in case of
refusal, entreated the Pope to desire Emmanuel, king of Portugal, to
send no more fleets to the Indian seas. The Pope sent Maurus to
Emmanuel, who returned a very spirited answer to his holiness, assuring
him that no threats, no dangers, could make him alter his resolutions,
and lamenting that it had not yet been in his power to fulfil his
purpose of demolishing the sepulchre and erasing the memorials of
Mohammed from the earth. This, he says was the first purpose of sending
his fleets to India. It is with great art that Camoens so often reminds
us of the grand design of the expedition of his heroes to subvert
Mohammedanism, and found a Christian empire in the East. But the dignity
which this gives to his poem has already been observed in the preface.
[612] _Where Sheba's sapient queen the sceptre bore. _--The Abyssinians
contend that their country is the Sheba mentioned in the Scripture, and
that the queen who visited Solomon bore a son to that monarch, from whom
their royal family, to the present time, is descended.
[613] _Snatch'd from thy golden throne.
