No More Learning

They take me a walk: though tired and stiff,
To climb the heights I madly agree;
And, after a tumble or so from the cliff,
They kindly suggest the Sea.

I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool
That skirts the cold cold Sea.

[Picture: As I heavily slip into every pool]




Ye Carpette Knyghte


I have a horse--a ryghte good horse--
Ne doe Y envye those
Who scoure ye playne yn headye course
Tyll soddayne on theyre nose
They lyghte wyth unexpected force
Yt ys--a horse of clothes.

I have a saddel--"Say'st thou soe?
Wyth styrruppes, Knyghte, to boote? "
I sayde not that--I answere "Noe"--
Yt lacketh such, I woote:
Yt ys a mutton-saddel, loe!
Parte of ye fleecye brute.

I have a bytte--a ryghte good bytte--
As shall bee seene yn tyme.
Ye jawe of horse yt wyll not fytte;
Yts use ys more sublyme.
Fayre Syr, how deemest thou of yt?
Yt ys--thys bytte of rhyme.

[Picture: I have a horse]




HIAWATHA'S PHOTOGRAPHING


[In an age of imitation, I can claim no special merit for this slight
attempt at doing what is known to be so easy. Any fairly practised
writer, with the slightest ear for rhythm, could compose, for hours
together, in the easy running metre of 'The Song of Hiawatha. ' Having,
then, distinctly stated that I challenge no attention in the following
little poem to its merely verbal jingle, I must beg the candid reader to
confine his criticism to its treatment of the subject. ]

FROM his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

[Picture: The camera]

This he perched upon a tripod--
Crouched beneath its dusky cover--
Stretched his hand, enforcing silence--
Said, "Be motionless, I beg you! "
Mystic, awful was the process.
All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.
Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.

[Picture: First the Governor, the Father]

Next, his better half took courage;
_She_ would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still? " she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?