No More Learning

--
Smiles, glances, sighs, tears, fits, flirtations, airs,
'Gainst such an host what flinty savage dares--
When awful Beauty joins with all her charms,
Who is so rash as rise in rebel arms?

But truce with kings and truce with constitutions,
With bloody armaments and revolutions,
Let majesty your first attention summon,
Ah! ca ira! the majesty of woman!

* * * * *




CXXXII.

MONODY,

ON A LADY FAMED FOR HER CAPRICE.

[The heroine Of this rough lampoon was Mrs. Riddel of Woodleigh Park:
a lady young and gay, much of a wit, and something of a poetess, and
till the hour of his death the friend of Burns himself. She pulled his
displeasure on her, it is said, by smiling more sweetly than he liked
on some "epauletted coxcombs," for so he sometimes designated
commissioned officers: the lady soon laughed him out of his mood. We
owe to her pen an account of her last interview with the poet, written
with great beauty and feeling. ]


How cold is that bosom which folly once fired,
How pale is that cheek where the rouge lately glisten'd!
How silent that tongue which the echoes oft tired,
How dull is that ear which to flattery so listen'd!

If sorrow and anguish their exit await,
From friendship and dearest affection remov'd;
How doubly severer, Maria, thy fate,
Thou diest unwept as thou livedst unlov'd.

Loves, Graces, and Virtues, I call not on you;
So shy, grave, and distant, ye shed not a tear:
But come, all ye offspring of Folly so true,
And flowers let us cull for Maria's cold bier.

We'll search through the garden for each silly flower,
We'll roam through the forest for each idle weed;
But chiefly the nettle, so typical, shower,
For none e'er approach'd her but rued the rash deed.
We'll sculpture the marble, we'll measure the lay;
Here Vanity strums on her idiot lyre;
There keen indignation shall dart on her prey,
Which spurning Contempt shall redeem from his ire.

* * * * *

THE EPITAPH.

Here lies, now a prey to insulting neglect,
What once was a butterfly, gay in life's beam:
Want only of wisdom denied her respect,
Want only of goodness denied her esteem

* * * * *




CXXXIII.

EPISTLE

FROM

ESOPUS TO MARIA.

[Williamson, the actor, Colonel Macdouall, Captain Gillespie, and Mrs.
Riddel, are the characters which pass over the stage in this strange
composition: it is printed from the Poet's own manuscript, and seems a
sort of outpouring of wrath and contempt, on persons who, in his eyes,
gave themselves airs beyond their condition, or their merits. The
verse of the lady is held up to contempt and laughter: the satirist
celebrates her

"Motley foundling fancies, stolen or strayed;"

and has a passing hit at her

"Still matchless tongue that conquers all reply. "]


From those drear solitudes and frowsy cells,
Where infamy with sad repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant 'prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half to whore, no more;
Where tiny thieves not destin'd yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus' fate.

"Alas! I feel I am no actor here! "
'Tis real hangmen, real scourges bear!
Prepare, Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make they hair, tho' erst from gipsy polled,
By barber woven, and by barber sold,
Though twisted smooth with Harry's nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or haughty Chieftain, 'mid the din of arms,
In Highland bonnet woo Malvina's charms;
While sans culottes stoop up the mountain high,
And steal from me Maria's prying eye.
Blest Highland bonnet! Once my proudest dress,
Now prouder still, Maria's temples press.
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war.