' Goethe must have been thinking of
a _German_ bishop!
a _German_ bishop!
Byron
The germ of _Heaven and Earth_
is not in the _Book of Genesis_, but in the _Book of Enoch_.
Medwin, who prints (_Conversations_, 1824, pp. 234-238) what purports to
be the prose sketch of a Second Part of _Heaven and Earth_ (he says that
Byron compared it to Coleridge's promised conclusion of
_Christabel_--"that, and nothing more! "), detects two other strains in
the composition of the "Mystery," an echo of Goethe's Faust and a
"movement" which recalls the _Eumenides_ of AEschylus. Byron told Murray
that his fourth tragedy was "more lyrical and Greek" than he at first
intended, and there is no doubt that with the _Prometheus Vinctus_ he
was familiar, if not at first hand, at least through the medium of
Shelley's rendering. But apart from the "Greek choruses," which "Shelley
made such a fuss about," Byron was acquainted with, and was not
untouched by, the metrical peculiarities of the _Curse of Kehama_, and
might have traced a kinship between his "angels" and Southey's
"Glendoveers," to say nothing of _their_ collaterals, the "glumms" and
"gawreys" of _Peter Wilkins_ (see notes to Southey's _Curse of Kehama_,
Canto VI. , _Poetical Works_, 1838, viii. 231-233).
Goethe was interested in _Heaven and Earth_. "He preferred it," says
Crabb Robinson (_Diary_, 1869, ii. 434), "to all the other serious
poems of Byron. . . . 'A bishop,' he exclaimed, though it sounded almost
like satire, 'might have written it.
' Goethe must have been thinking of
a _German_ bishop! " (For his daughter-in-law's translation of the
speeches of Anah and Aholibamah with their seraph-lovers, see
_Goethe-Jahrbuch_, 1899, pp. 18-21 [Letters, 1901, v. Appendix II. p.
518]. )
_Heaven and Earth_ was reviewed by Jeffrey in the _Edinburgh Review_,
February, 1823, vol. 38, pp. 42-48; by Wilson in _Blackwood's Edinburgh
Magazine_, January, 1823, vol. xiii. pp. 71, 72; and in the _New Monthly
Magazine_, N. S. , 1823, vol. 7, pp. 353-358.
is not in the _Book of Genesis_, but in the _Book of Enoch_.
Medwin, who prints (_Conversations_, 1824, pp. 234-238) what purports to
be the prose sketch of a Second Part of _Heaven and Earth_ (he says that
Byron compared it to Coleridge's promised conclusion of
_Christabel_--"that, and nothing more! "), detects two other strains in
the composition of the "Mystery," an echo of Goethe's Faust and a
"movement" which recalls the _Eumenides_ of AEschylus. Byron told Murray
that his fourth tragedy was "more lyrical and Greek" than he at first
intended, and there is no doubt that with the _Prometheus Vinctus_ he
was familiar, if not at first hand, at least through the medium of
Shelley's rendering. But apart from the "Greek choruses," which "Shelley
made such a fuss about," Byron was acquainted with, and was not
untouched by, the metrical peculiarities of the _Curse of Kehama_, and
might have traced a kinship between his "angels" and Southey's
"Glendoveers," to say nothing of _their_ collaterals, the "glumms" and
"gawreys" of _Peter Wilkins_ (see notes to Southey's _Curse of Kehama_,
Canto VI. , _Poetical Works_, 1838, viii. 231-233).
Goethe was interested in _Heaven and Earth_. "He preferred it," says
Crabb Robinson (_Diary_, 1869, ii. 434), "to all the other serious
poems of Byron. . . . 'A bishop,' he exclaimed, though it sounded almost
like satire, 'might have written it.
' Goethe must have been thinking of
a _German_ bishop! " (For his daughter-in-law's translation of the
speeches of Anah and Aholibamah with their seraph-lovers, see
_Goethe-Jahrbuch_, 1899, pp. 18-21 [Letters, 1901, v. Appendix II. p.
518]. )
_Heaven and Earth_ was reviewed by Jeffrey in the _Edinburgh Review_,
February, 1823, vol. 38, pp. 42-48; by Wilson in _Blackwood's Edinburgh
Magazine_, January, 1823, vol. xiii. pp. 71, 72; and in the _New Monthly
Magazine_, N. S. , 1823, vol. 7, pp. 353-358.
