, now in the Harvard College Library, Boston, is
the manuscript on which Dr.
the manuscript on which Dr.
John Donne
A note on
the fly-leaf of _RP31_ declares that the manuscript contains 'Sir John
Harringtons poems written in the Reign of Queen Elizabeth', which is
certainly not an accurate description. [27] Some of the poems must have
been written as late as 1610, and they are by various authors,
Wotton, Jonson, Sir Edward Herbert, Sir John Roe, Donne, Beaumont,
and probably others, but names of authors are only occasionally given.
Each manuscript starts with the words 'Prolegomena Quaedam', and the
poem, 'Paynter while there thou sit'st. ' The poems follow the same
order in the two manuscripts, but of poems not by Donne _RP31_
contains several which are not in _H40_, and, on the other hand,
of poems by Donne _H40_ inserts at various places quite a number,
especially of songs, which are not in _RP31_. The latter is, in short,
a miscellaneous collection of Elizabethan and early Jacobean poems,
including several of Donne's; the former, the same collection in which
Donne's poems have become by insertion the principal feature. I have
cited the readings of _H40_ throughout; those of _RP31_ only when
they differ from _H40_, or when I wish to emphasize their agreement.
Wherever derived from, the poems are generally carefully and
intelligently transcribed. They contain some unpublished poems of
Jonson, Sir Edward Herbert, and probably Daniel.
_L74. _ The Lansdowne MS. 740, in the British Museum, is an interesting
collection of Donne's mainly earlier and secular poems, along with
several by contemporaries. [28] The text of the _Satyres_ connects
this collection with _A18_, _N_, _TC_, but it is probably older, as
it contains none of the _Divine Poems_ and no poem written later
than 1610. Its interest, apart from the support which it lends to the
readings of other manuscripts, centres in the evidence it affords as
to the authorship of some of the unauthentic poems which have been
ascribed to Donne.
_S. _ The Stephens MS.
, now in the Harvard College Library, Boston, is
the manuscript on which Dr. Grosart based his edition (though he does
not reproduce it either consistently or with invariable accuracy) in
1873--an unhappy choice even were it legitimate to adopt any
single manuscript in preference to the edition of 1633. Of all the
manuscripts I have examined (I know it only through the collation
made for me and from Dr. Grosart's citations) it is, I think, without
exception the worst, the fullest of obvious and absurd blunders. There
are too in it more evidences of stupid editing than in _P_, whose
blunders are due to careless copying by eye or to dictation, and
therefore more easy to correct.
The manuscript is dated, at the end, '19th July 1620,' and contains
no poems which are demonstrably later than this date, or indeed
than 1610. As, however, it contains several of the _Divine Poems_,
including _La Corona_, but _not_ the _Holy Sonnets_, it affords a
valuable clue to the date of these poems,--of which more elsewhere.
The collection is an ambitious one, and an attempt has been made at
classification. Six Satires are followed by twenty-seven Elegies (one
is torn out) under which head love and funeral elegies are included,
and these by a long series of songs with the _Divine Poems_
interspersed. Some of the songs, as of the elegies, are not by
Donne. [29]
_S96. _ Stowe MS. 961 is a small folio volume in the British Museum,
containing a collection of Donne's poems very neatly and prettily
transcribed. It cannot have been made before 1630 as it contains all
the three hymns written during the poet's last illnesses. Indeed it is
the only manuscript which I have found containing a copy of the _Hymne
to God, my God in my Sicknes_. It is a very miscellaneous collection.
the fly-leaf of _RP31_ declares that the manuscript contains 'Sir John
Harringtons poems written in the Reign of Queen Elizabeth', which is
certainly not an accurate description. [27] Some of the poems must have
been written as late as 1610, and they are by various authors,
Wotton, Jonson, Sir Edward Herbert, Sir John Roe, Donne, Beaumont,
and probably others, but names of authors are only occasionally given.
Each manuscript starts with the words 'Prolegomena Quaedam', and the
poem, 'Paynter while there thou sit'st. ' The poems follow the same
order in the two manuscripts, but of poems not by Donne _RP31_
contains several which are not in _H40_, and, on the other hand,
of poems by Donne _H40_ inserts at various places quite a number,
especially of songs, which are not in _RP31_. The latter is, in short,
a miscellaneous collection of Elizabethan and early Jacobean poems,
including several of Donne's; the former, the same collection in which
Donne's poems have become by insertion the principal feature. I have
cited the readings of _H40_ throughout; those of _RP31_ only when
they differ from _H40_, or when I wish to emphasize their agreement.
Wherever derived from, the poems are generally carefully and
intelligently transcribed. They contain some unpublished poems of
Jonson, Sir Edward Herbert, and probably Daniel.
_L74. _ The Lansdowne MS. 740, in the British Museum, is an interesting
collection of Donne's mainly earlier and secular poems, along with
several by contemporaries. [28] The text of the _Satyres_ connects
this collection with _A18_, _N_, _TC_, but it is probably older, as
it contains none of the _Divine Poems_ and no poem written later
than 1610. Its interest, apart from the support which it lends to the
readings of other manuscripts, centres in the evidence it affords as
to the authorship of some of the unauthentic poems which have been
ascribed to Donne.
_S. _ The Stephens MS.
, now in the Harvard College Library, Boston, is
the manuscript on which Dr. Grosart based his edition (though he does
not reproduce it either consistently or with invariable accuracy) in
1873--an unhappy choice even were it legitimate to adopt any
single manuscript in preference to the edition of 1633. Of all the
manuscripts I have examined (I know it only through the collation
made for me and from Dr. Grosart's citations) it is, I think, without
exception the worst, the fullest of obvious and absurd blunders. There
are too in it more evidences of stupid editing than in _P_, whose
blunders are due to careless copying by eye or to dictation, and
therefore more easy to correct.
The manuscript is dated, at the end, '19th July 1620,' and contains
no poems which are demonstrably later than this date, or indeed
than 1610. As, however, it contains several of the _Divine Poems_,
including _La Corona_, but _not_ the _Holy Sonnets_, it affords a
valuable clue to the date of these poems,--of which more elsewhere.
The collection is an ambitious one, and an attempt has been made at
classification. Six Satires are followed by twenty-seven Elegies (one
is torn out) under which head love and funeral elegies are included,
and these by a long series of songs with the _Divine Poems_
interspersed. Some of the songs, as of the elegies, are not by
Donne. [29]
_S96. _ Stowe MS. 961 is a small folio volume in the British Museum,
containing a collection of Donne's poems very neatly and prettily
transcribed. It cannot have been made before 1630 as it contains all
the three hymns written during the poet's last illnesses. Indeed it is
the only manuscript which I have found containing a copy of the _Hymne
to God, my God in my Sicknes_. It is a very miscellaneous collection.
