No More Learning

He wrote to Mrs. Dunlop, saying, "I have
written to you so often without receiving any answer that I would not
trouble you again, but for the circumstances in which I am. An illness
which has long hung about me in all probability will speedily send me
beyond that bourne whence no traveller returns. Your friendship, with
which for many years you honoured me, was a friendship dearest to my
soul: your conversation and your correspondence were at once highly
entertaining and instructive--with what pleasure did I use to break up
the seal! The remembrance yet adds one pulse more to my poor
palpitating heart. Farewell! " A tremor pervaded his frame; his tongue
grew parched, and he was at times delirious: on the fourth day after
his return, when his attendant, James Maclure, held his medicine to
his lips, he swallowed it eagerly, rose almost wholly up, spread out
his hands, sprang forward nigh the whole length of the bed, fell on
his face, and expired. He died on the 21st of July, when nearly
thirty-seven years and seven months old.

The burial of Burns, on the 25th of July, was an impressive and
mournful scene: half the people of Nithsdale and the neighbouring
parts of Galloway had crowded into Dumfries, to see their poet
"mingled with the earth," and not a few had been permitted to look at
his body, laid out for interment. It was a calm and beautiful day, and
as the body was borne along the street towards the old kirk-yard, by
his brethren of the volunteers, not a sound was heard but the measured
step and the solemn music: there was no impatient crushing, no fierce
elbowing--the crowd which filled the street seemed conscious of what
they were now losing for ever. Even while this pageant was passing,
the widow of the poet was taken in labour; but the infant born in that
unhappy hour soon shared his father's grave. On reaching the northern
nook of the kirk-yard, where the grave was made, the mourners halted;
the coffin was divested of the mort-cloth, and silently lowered to its
resting-place, and as the first shovel-full of earth fell on the lid,
the volunteers, too agitated to be steady, justified the fears of the
poet, by three ragged volleys. He who now writes this very brief and
imperfect account, was present: he thought then, as he thinks now,
that all the military array of foot and horse did not harmonize with
either the genius or the fortunes of the poet, and that the tears
which he saw on many cheeks around, as the earth was replaced, were
worth all the splendour of a show which mocked with unintended mockery
the burial of the poor and neglected Burns. The body of the poet was,
on the 5th of June, 1815, removed to a more commodious spot in the
same burial-ground--his dark, and waving locks looked then fresh and
glossy--to afford room for a marble monument, which embodies, with
neither skill nor grace, that well-known passage in the dedication to
the gentlemen of the Caledonian Hunt:--"The poetic genius of my
country found me, as the prophetic bard, Elijah, did Elisha, at the
plough, and threw her inspiring mantle over me. " The dust of the bard
was again disturbed, when the body of Mrs.
Burns was laid, in April,
1834, beside the remains of her husband: his skull was dug up by the
district craniologists, to satisfy their minds by measurement that he
was equal to the composition of "Tam o' Shanter," or "Mary in Heaven. "
This done, they placed the skull in a leaden box, "carefully lined
with the softest materials," and returned it, we hope for ever, to the
hallowed ground.

Thus lived and died Robert Burns, the chief of Scottish poets: in his
person he was tall and sinewy, and of such strength and activity, that
Scott alone, of all the poets I have seen, seemed his equal: his
forehead was broad, his hair black, with an inclination to curl, his
visage uncommonly swarthy, his eyes large, dark and lustrous, and his
voice deep and manly. His sensibility was strong, his passions full to
overflowing, and he loved, nay, adored, whatever was gentle and
beautiful. He had, when a lad at the plough, an eloquent word and an
inspired song for every fair face that smiled on him, and a sharp
sarcasm or a fierce lampoon for every rustic who thwarted or
contradicted him. As his first inspiration came from love, he
continued through life to love on, and was as ready with the lasting
incense of the muse for the ladies of Nithsdale as for the lasses of
Kyle: his earliest song was in praise of a young girl who reaped by
his side, when he was seventeen--his latest in honour of a lady by
whose side he had wandered and dreamed on the banks of the Devon. He
was of a nature proud and suspicious, and towards the close of his
life seemed disposed to regard all above him in rank as men who
unworthily possessed the patrimony of genius: he desired to see the
order of nature restored, and worth and talent in precedence of the
base or the dull. He had no medium in his hatred or his love; he never
spared the stupid, as if they were not to be endured because he was
bright; and on the heads of the innocent possessors of titles or
wealth he was ever ready to shower his lampoons. He loved to start
doubts in religion which he knew inspiration only could solve, and he
spoke of Calvinism with a latitude of language that grieved pious
listeners. He was warm-hearted and generous to a degree, above all
men, and scorned all that was selfish and mean with a scorn quite
romantic. He was a steadfast friend and a good neighbour: while he
lived at Ellisland few passed his door without being entertained at
his table; and even when in poverty, on the Millhole-brae, the poor
seldom left his door but with blessings on their lips.

Of his modes of study he has himself informed us, as well as of the
seasons and the places in which he loved to muse. He composed while he
strolled along the secluded banks of the Doon, the Ayr, or the Nith:
as the images crowded on his fancy his pace became quickened, and in
his highest moods he was excited even to tears. He loved the winter
for its leafless trees, its swelling floods, and its winds which swept
along the gloomy sky, with frost and snow on their wings: but he loved
the autumn more--he has neglected to say why--the muse was then more
liberal of her favours, and he composed with a happy alacrity unfelt
in all other seasons. He filled his mind and heart with the materials
of song--and retired from gazing on woman's beauty, and from the
excitement of her charms, to record his impressions in verse, as a
painter delineates oil his canvas the looks of those who sit to his
pencil. His chief place of study at Ellisland is still remembered: it
extends along the river-bank towards the Isle: there the neighbouring
gentry love to walk and peasants to gather, and hold it sacred, as the
place where he composed Tam O' Shanter.