No More Learning

--"At home in the barton you said 'thee' and 'thou,'
And 'thik oon,' and 'theas oon,' and 't'other'; but now
Your talking quite fits 'ee for high compa-ny! "--
"Some polish is gained with one's ruin," said she.

--"Your hands were like paws then, your face blue and bleak,
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy! "--
"We never do work when we're ruined," said she.

--"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly! "--
"True. There's an advantage in ruin," said she.

--"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town! "--
"My dear--a raw country girl, such as you be,
Isn't equal to that. You ain't ruined," said she.

WESTBOURNE PARK VILLAS, 1866.



THE RESPECTABLE BURGHER
ON "THE HIGHER CRITICISM"


SINCE Reverend Doctors now declare
That clerks and people must prepare
To doubt if Adam ever were;
To hold the flood a local scare;
To argue, though the stolid stare,
That everything had happened ere
The prophets to its happening sware;
That David was no giant-slayer,
Nor one to call a God-obeyer
In certain details we could spare,
But rather was a debonair
Shrewd bandit, skilled as banjo-player:
That Solomon sang the fleshly Fair,
And gave the Church no thought whate'er;
That Esther with her royal wear,
And Mordecai, the son of Jair,
And Joshua's triumphs, Job's despair,
And Balaam's ass's bitter blare;
Nebuchadnezzar's furnace-flare,
And Daniel and the den affair,
And other stories rich and rare,
Were writ to make old doctrine wear
Something of a romantic air:
That the Nain widow's only heir,
And Lazarus with cadaverous glare
(As done in oils by Piombo's care)
Did not return from Sheol's lair:
That Jael set a fiendish snare,
That Pontius Pilate acted square,
That never a sword cut Malchus' ear
And (but for shame I must forbear)
That -- -- did not reappear! . . .
--Since thus they hint, nor turn a hair,
All churchgoing will I forswear,
And sit on Sundays in my chair,
And read that moderate man Voltaire.



ARCHITECTURAL MASKS


I

THERE is a house with ivied walls,
And mullioned windows worn and old,
And the long dwellers in those halls
Have souls that know but sordid calls,
And daily dote on gold.

II

In blazing brick and plated show
Not far away a "villa" gleams,
And here a family few may know,
With book and pencil, viol and bow,
Lead inner lives of dreams.

III

The philosophic passers say,
"See that old mansion mossed and fair,
Poetic souls therein are they:
And O that gaudy box! Away,
You vulgar people there. "



THE TENANT-FOR-LIFE


THE sun said, watching my watering-pot
"Some morn you'll pass away;
These flowers and plants I parch up hot--
Who'll water them that day?

"Those banks and beds whose shape your eye
Has planned in line so true,
New hands will change, unreasoning why
Such shape seemed best to you.

"Within your house will strangers sit,
And wonder how first it came;
They'll talk of their schemes for improving it,
And will not mention your name.

"They'll care not how, or when, or at what
You sighed, laughed, suffered here,
Though you feel more in an hour of the spot
Than they will feel in a year

"As I look on at you here, now,
Shall I look on at these;
But as to our old times, avow
No knowledge--hold my peace! . . .

"O friend, it matters not, I say;
Bethink ye, I have shined
On nobler ones than you, and they
Are dead men out of mind! "



THE KING'S EXPERIMENT


IT was a wet wan hour in spring,
And Nature met King Doom beside a lane,
Wherein Hodge trudged, all blithely ballading
The Mother's smiling reign.

"Why warbles he that skies are fair
And coombs alight," she cried, "and fallows gay,
When I have placed no sunshine in the air
Or glow on earth to-day? "

"'Tis in the comedy of things
That such should be," returned the one of Doom;
"Charge now the scene with brightest blazonings,
And he shall call them gloom.