An examination of other passages, where there is no antithesis, goes to
show that the lengthened form of the pronoun is most frequent before a
pause (as vii.
show that the lengthened form of the pronoun is most frequent before a
pause (as vii.
Milton
What the principle in the use of the double vowel
exactly was (and it is found to affect the other monosyllabic pronouns)
it is not so easy to discover, though roughly it is clear the
reduplication was intended to mark emphasis. For example, in the speech
of the Divine Son after the battle in heaven (vi. 810-817) the pronouns
which the voice would naturally emphasize are spelt with the double
vowel:
Stand onely and behold
Gods indignation on these Godless pourd
By mee; not you but mee they have despis'd,
Yet envied; against mee is all thir rage,
Because the Father, t'whom in Heav'n supream
Kingdom and Power and Glorie appertains,
Hath honourd me according to his will.
Therefore to mee thir doom he hath assign'd.
In the Son's speech offering himself as Redeemer (iii. 227-249) where
the pronoun all through is markedly emphasized, it is printed mee the
first four times, and afterwards me; but it is noticeable that these
first four times the emphatic word does not stand in the stressed place
of the verse, so that a careless reader might not emphasize it, unless
his attention were specially led by some such sign:
Behold mee then, mee for him, life for life
I offer, on mee let thine anger fall;
Account mee man.
In the Hymn of Creation (v. 160-209) where ye occurs fourteen times, the
emphasis and the metric stress six times out of seven coincide, and the
pronoun is spelt yee; where it is unemphatic, and in an unstressed
place, it is spelt ye. Two lines are especially instructive:
Speak yee who best can tell, ye Sons of light (l. 160);
and
Fountains and yee, that warble, as ye flow,
Melodious murmurs, warbling tune his praise (l. 195).
In v. 694 it marks, as the voice by its emphasis would mark in
reading, a change of subject:
So spake the false Arch-Angel, and infus'd
Bad influence into th' unwarie brest
Of his Associate; hee (i. e. the associate) together calls,
&c.
An examination of other passages, where there is no antithesis, goes to
show that the lengthened form of the pronoun is most frequent before a
pause (as vii. 95); or at the end of a line (i. 245, 257); or when a
foot is inverted (v. 133); or when as object it precedes its verb (v.
612; vii. 747), or as subject follows it (ix. 1109; x. 4). But as we
might expect under circumstances where a purist could not correct his
own proofs, there are not a few inconsistencies. There does not seem,
for example, any special emphasis in the second wee of the following
passage:
Freely we serve.
Because wee freely love, as in our will
To love or not; in this we stand or fall (v. 538).
On the other hand, in the passage (iii. 41) in which the poet
speaks of his own blindness:
Thus with the Year
Seasons return, but not to me returns
Day, &c.
where, if anywhere, we should expect mee, we do not find it, though it
occurs in the speech eight lines below. It should be added that this
differentiation of the pronouns is not found in any printed poem of
Milton's before Paradise Lost, nor is it found in the Cambridge
autograph.
exactly was (and it is found to affect the other monosyllabic pronouns)
it is not so easy to discover, though roughly it is clear the
reduplication was intended to mark emphasis. For example, in the speech
of the Divine Son after the battle in heaven (vi. 810-817) the pronouns
which the voice would naturally emphasize are spelt with the double
vowel:
Stand onely and behold
Gods indignation on these Godless pourd
By mee; not you but mee they have despis'd,
Yet envied; against mee is all thir rage,
Because the Father, t'whom in Heav'n supream
Kingdom and Power and Glorie appertains,
Hath honourd me according to his will.
Therefore to mee thir doom he hath assign'd.
In the Son's speech offering himself as Redeemer (iii. 227-249) where
the pronoun all through is markedly emphasized, it is printed mee the
first four times, and afterwards me; but it is noticeable that these
first four times the emphatic word does not stand in the stressed place
of the verse, so that a careless reader might not emphasize it, unless
his attention were specially led by some such sign:
Behold mee then, mee for him, life for life
I offer, on mee let thine anger fall;
Account mee man.
In the Hymn of Creation (v. 160-209) where ye occurs fourteen times, the
emphasis and the metric stress six times out of seven coincide, and the
pronoun is spelt yee; where it is unemphatic, and in an unstressed
place, it is spelt ye. Two lines are especially instructive:
Speak yee who best can tell, ye Sons of light (l. 160);
and
Fountains and yee, that warble, as ye flow,
Melodious murmurs, warbling tune his praise (l. 195).
In v. 694 it marks, as the voice by its emphasis would mark in
reading, a change of subject:
So spake the false Arch-Angel, and infus'd
Bad influence into th' unwarie brest
Of his Associate; hee (i. e. the associate) together calls,
&c.
An examination of other passages, where there is no antithesis, goes to
show that the lengthened form of the pronoun is most frequent before a
pause (as vii. 95); or at the end of a line (i. 245, 257); or when a
foot is inverted (v. 133); or when as object it precedes its verb (v.
612; vii. 747), or as subject follows it (ix. 1109; x. 4). But as we
might expect under circumstances where a purist could not correct his
own proofs, there are not a few inconsistencies. There does not seem,
for example, any special emphasis in the second wee of the following
passage:
Freely we serve.
Because wee freely love, as in our will
To love or not; in this we stand or fall (v. 538).
On the other hand, in the passage (iii. 41) in which the poet
speaks of his own blindness:
Thus with the Year
Seasons return, but not to me returns
Day, &c.
where, if anywhere, we should expect mee, we do not find it, though it
occurs in the speech eight lines below. It should be added that this
differentiation of the pronouns is not found in any printed poem of
Milton's before Paradise Lost, nor is it found in the Cambridge
autograph.
