In the rest of the poem the
punctuation
is also careful.
John Donne
Donne
made the acquaintance of Lady Elizabeth Stanley when he was Sir Thomas
Egerton's secretary. She must have known him as a wit before his
graver days. Nor would he have apologized for writing to such an old
friend whose prophet he had been in her younger days.
The punctuation of this poem repays careful study. The whole is a
fine example of that periodic style, drawn out from line to line, and
forming sonorous and impressive verse-paragraphs, in which Donne more
than any other poet anticipated Milton. The first sentence closes only
at the thirty-sixth line. The various clauses which lead up to the
close are separated from one another by the full-stop (ll. 8, 24),
the colon (ll. 2, 7 (sonnets:), 34), and the semicolon (ll. 18, 21, 30
where the old edition had a colon), all with distinct values. The only
change I have made (and recorded) is at l. 30 (fantasticall), where
a careful consideration of the punctuation throughout shows that a
semicolon is more appropriate than a colon. The clause which begins
with 'Since' in l. 25 does not close till l. 34, 'understood'.
In the rest of the poem the punctuation is also careful. The only
changes I have made are--ll. 42 'that day;' and 46 'yesterday;' (a
semi-colon for a colon in each case), 61 'mee:' (a colon for a full
stop), and 63 'good;' (a semicolon for a comma).
PAGE =227=. TO THE LADY BEDFORD.
l. 1. _You that are she and you, that's double shee_: The old
punctuation suggests absurdly that the clause 'and you that's double
she' is an independent co-ordinate clause.
l. 7. _Cusco. _ I note in a catalogue, 'South America, a very early
Map, with view of Cusco, the capital of Peru'.
l. 44. _of Iudith. _ 'There is not such a woman from one end of the
earth to the other, both for beauty of face and wisdom of words.
made the acquaintance of Lady Elizabeth Stanley when he was Sir Thomas
Egerton's secretary. She must have known him as a wit before his
graver days. Nor would he have apologized for writing to such an old
friend whose prophet he had been in her younger days.
The punctuation of this poem repays careful study. The whole is a
fine example of that periodic style, drawn out from line to line, and
forming sonorous and impressive verse-paragraphs, in which Donne more
than any other poet anticipated Milton. The first sentence closes only
at the thirty-sixth line. The various clauses which lead up to the
close are separated from one another by the full-stop (ll. 8, 24),
the colon (ll. 2, 7 (sonnets:), 34), and the semicolon (ll. 18, 21, 30
where the old edition had a colon), all with distinct values. The only
change I have made (and recorded) is at l. 30 (fantasticall), where
a careful consideration of the punctuation throughout shows that a
semicolon is more appropriate than a colon. The clause which begins
with 'Since' in l. 25 does not close till l. 34, 'understood'.
In the rest of the poem the punctuation is also careful. The only
changes I have made are--ll. 42 'that day;' and 46 'yesterday;' (a
semi-colon for a colon in each case), 61 'mee:' (a colon for a full
stop), and 63 'good;' (a semicolon for a comma).
PAGE =227=. TO THE LADY BEDFORD.
l. 1. _You that are she and you, that's double shee_: The old
punctuation suggests absurdly that the clause 'and you that's double
she' is an independent co-ordinate clause.
l. 7. _Cusco. _ I note in a catalogue, 'South America, a very early
Map, with view of Cusco, the capital of Peru'.
l. 44. _of Iudith. _ 'There is not such a woman from one end of the
earth to the other, both for beauty of face and wisdom of words.
