[75] D'Ewes,
_Complete
Journal of the Houses of Lords and Commons_,
p.
p.
Ben Jonson - The Devil's Association
lxxv).
Among the _characters_, of which the seventeenth century writers were
so fond, the projector is a favorite figure. John Taylor,[81] the
water-poet, furnishes us with a cartoon entitled 'The complaint of M.
Tenterhooke the _Projector_ and Sir _T_homas Dodger the Patentee'. In
the rimes beneath the picture the distinction between the projector,
who 'had the Art to cheat the Common-weale', and the patentee, who
was possessed of 'tricks and slights to pass the seale', is brought
out with especial distinctness. Samuel Butler's character[82] of the
projector is of less importance, since it was not published until
1759. The real importance of Jonson's satire lies in the fact that it
appeared in the midst of the most active discussion on the subject of
monopolies. Drummond says that he was 'accused upon' the play, and that
the King 'desired him to conceal it'. [83] Whether the subject which
gave offense was the one which we have been considering or that of
witchcraft, it is, however, impossible to determine.
[73] Letters to John Kempe, 1331, Rymer's _Foedera_; Hulme, _Law
Quarterly Rev. _, vol. 12.
[74] Cunningham, _Eng. Industry_, Part I, p. 75.
[75] D'Ewes, _Complete Journal of the Houses of Lords and Commons_,
p. 646.
[76] Cunningham, p. 21.
[77] Craik 2. 24. Rushworth, _Collection_ 1. 24.
[78] For a more detailed account of the drainage of the Lincolnshire
fens see Cunningham, pp. 112-119.
[79] Cf. Dekker, _Non-dram. Wks. _ 3. 367.
[80] _Muse's Looking Glass_, _O.
Among the _characters_, of which the seventeenth century writers were
so fond, the projector is a favorite figure. John Taylor,[81] the
water-poet, furnishes us with a cartoon entitled 'The complaint of M.
Tenterhooke the _Projector_ and Sir _T_homas Dodger the Patentee'. In
the rimes beneath the picture the distinction between the projector,
who 'had the Art to cheat the Common-weale', and the patentee, who
was possessed of 'tricks and slights to pass the seale', is brought
out with especial distinctness. Samuel Butler's character[82] of the
projector is of less importance, since it was not published until
1759. The real importance of Jonson's satire lies in the fact that it
appeared in the midst of the most active discussion on the subject of
monopolies. Drummond says that he was 'accused upon' the play, and that
the King 'desired him to conceal it'. [83] Whether the subject which
gave offense was the one which we have been considering or that of
witchcraft, it is, however, impossible to determine.
[73] Letters to John Kempe, 1331, Rymer's _Foedera_; Hulme, _Law
Quarterly Rev. _, vol. 12.
[74] Cunningham, _Eng. Industry_, Part I, p. 75.
[75] D'Ewes, _Complete Journal of the Houses of Lords and Commons_,
p. 646.
[76] Cunningham, p. 21.
[77] Craik 2. 24. Rushworth, _Collection_ 1. 24.
[78] For a more detailed account of the drainage of the Lincolnshire
fens see Cunningham, pp. 112-119.
[79] Cf. Dekker, _Non-dram. Wks. _ 3. 367.
[80] _Muse's Looking Glass_, _O.
