It is manifestly
appropriate
that the poems belonging to a series--such
as the "Ecclesiastical Sonnets," or those referring to the
"Duddon"--should be brought together, as Wordsworth finally arranged
them; even although we may be aware that some of them were written
subsequently, and placed in the middle of the series.
as the "Ecclesiastical Sonnets," or those referring to the
"Duddon"--should be brought together, as Wordsworth finally arranged
them; even although we may be aware that some of them were written
subsequently, and placed in the middle of the series.
William Wordsworth
When a conjectural one is given in
this edition, the fact is always mentioned.
This chronological method of arrangement, however, has its limits. It is
not possible always to adopt it: nor is it invariably 'necessary', even
in order to obtain a true view of the growth of Wordsworth's mind. In
this--as in so many other things--wisdom lies in the avoidance of
extremes; the extreme of rigid fidelity to the order of time on the one
hand, and the extreme of an irrational departure from it on the other.
While an effort has been made to discover the exact order of the
composition of the poems--and this is shown, not only in the
Chronological Table, but at the beginning of each separate poem--it has
been considered expedient to depart from that order in printing some of
the poems. In certain cases a poem was begun and laid aside, and again
resumed at intervals; and it is difficult to know to what year the
larger part of it should be assigned. When we know the date at which a
poem was commenced, and that it was finished "long afterwards," but have
no clue as to the year, it is assigned to the year in which it was
begun. For example, the 'Address to Kilchurn Castle' was begun in 1803,
but only the first three lines were written then. Wordsworth tells us
that "the rest was added many years after," but when we know not; and
the poem was not published till 1827. In such a case, it is placed in
this edition as if it belonged chronologically to 1803, and retains its
place in the series of Poems which memorialise the Tour in Scotland of
that year. On a similar principle, 'The Highland Girl' is placed in the
same series; although Dorothy Wordsworth tells us, in her Journal of the
Tour, that it was composed "not long after our return from Scotland";
and 'Glen Almain'--although written afterwards at Rydal--retains its
published place in the memorial group. Again the 'Departure from the
Vale of Grasmere, August 1803', is prefixed to the same series; although
it was not written till 1811, and first published in 1827. To give
symmetry to such a Series, it is necessary to depart from the exact
chronological order--the departure being duly indicated.
On the same principle I have followed the 'Address to the Scholars of
the Village School of----', by its natural sequel--'By the Side of the
Grave some Years after', the date of the composition of which is
unknown: and the 'Epistle to Sir George Beaumont' (1811) is followed by
the later Lines, to which Wordsworth gave the most prosaic title--he was
often infelicitous in his titles--'Upon perusing the foregoing Epistle
thirty years after its composition'. A like remark applies to the poem
'Beggars', which is followed by its own 'Sequel', although the order of
date is disturbed; while all the "Epitaphs," translated from Chiabrera,
are printed together.
It is manifestly appropriate that the poems belonging to a series--such
as the "Ecclesiastical Sonnets," or those referring to the
"Duddon"--should be brought together, as Wordsworth finally arranged
them; even although we may be aware that some of them were written
subsequently, and placed in the middle of the series. The sonnets
referring to "Aspects of Christianity in America"--inserted in the 1845
and 1849-50 editions of the collected Works--are found in no previous
edition or version of the "Ecclesiastical Sonnets. " These, along with
some others on the Offices of the English Liturgy, were suggested to
Wordsworth by an American prelate, Bishop Doane, and by Professor Henry
Reed; [2] but we do not know in what year they were written. The
"Ecclesiastical Sonnets"--first called "Ecclesiastical Sketches"--were
written in the years 1820-22. The above additions to them appeared
twenty-five years afterwards; but they ought manifestly to retain their
place, as arranged by Wordsworth in the edition of 1845. The case is
much the same with regard to the "Duddon Sonnets. " They were first
published in 1820: but No. xiv. beginning:
O mountain Stream! the Shepherd and his Cot,
was written in the year 1806, and appears in the edition of 1807. This
sonnet will be printed in the series to which it belongs, and not in its
chronological place. I think it would be equally unjust to remove it
from the group--in which it helps to form a unity--and to print it twice
over. [3] On the other hand, the series of "Poems composed during a Tour
in Scotland, and on the English Border, in the Autumn of 1831"--and
first published in the year 1835, in the volume entitled "Yarrow
Revisited, and Other Poems"--contains two, which Wordsworth himself
tells us were composed earlier; and there is no reason why these poems
should not be restored to their chronological place. The series of
itinerary sonnets, published along with them in the Yarrow volume of
1835, is the record of another Scottish tour, taken in the year 1833;
and Wordsworth says of them that they were "composed 'or suggested'
during a tour in the summer of 1833. " We cannot now discover which of
them were written during the tour, and which at Rydal Mount after his
return; but it is obvious that they should be printed in the order in
which they were left by him, in 1835. It may be noted that almost all
the "Evening Voluntaries" belong to these years--1832 to 1835--when the
author was from sixty-two to sixty-five years of age.
this edition, the fact is always mentioned.
This chronological method of arrangement, however, has its limits. It is
not possible always to adopt it: nor is it invariably 'necessary', even
in order to obtain a true view of the growth of Wordsworth's mind. In
this--as in so many other things--wisdom lies in the avoidance of
extremes; the extreme of rigid fidelity to the order of time on the one
hand, and the extreme of an irrational departure from it on the other.
While an effort has been made to discover the exact order of the
composition of the poems--and this is shown, not only in the
Chronological Table, but at the beginning of each separate poem--it has
been considered expedient to depart from that order in printing some of
the poems. In certain cases a poem was begun and laid aside, and again
resumed at intervals; and it is difficult to know to what year the
larger part of it should be assigned. When we know the date at which a
poem was commenced, and that it was finished "long afterwards," but have
no clue as to the year, it is assigned to the year in which it was
begun. For example, the 'Address to Kilchurn Castle' was begun in 1803,
but only the first three lines were written then. Wordsworth tells us
that "the rest was added many years after," but when we know not; and
the poem was not published till 1827. In such a case, it is placed in
this edition as if it belonged chronologically to 1803, and retains its
place in the series of Poems which memorialise the Tour in Scotland of
that year. On a similar principle, 'The Highland Girl' is placed in the
same series; although Dorothy Wordsworth tells us, in her Journal of the
Tour, that it was composed "not long after our return from Scotland";
and 'Glen Almain'--although written afterwards at Rydal--retains its
published place in the memorial group. Again the 'Departure from the
Vale of Grasmere, August 1803', is prefixed to the same series; although
it was not written till 1811, and first published in 1827. To give
symmetry to such a Series, it is necessary to depart from the exact
chronological order--the departure being duly indicated.
On the same principle I have followed the 'Address to the Scholars of
the Village School of----', by its natural sequel--'By the Side of the
Grave some Years after', the date of the composition of which is
unknown: and the 'Epistle to Sir George Beaumont' (1811) is followed by
the later Lines, to which Wordsworth gave the most prosaic title--he was
often infelicitous in his titles--'Upon perusing the foregoing Epistle
thirty years after its composition'. A like remark applies to the poem
'Beggars', which is followed by its own 'Sequel', although the order of
date is disturbed; while all the "Epitaphs," translated from Chiabrera,
are printed together.
It is manifestly appropriate that the poems belonging to a series--such
as the "Ecclesiastical Sonnets," or those referring to the
"Duddon"--should be brought together, as Wordsworth finally arranged
them; even although we may be aware that some of them were written
subsequently, and placed in the middle of the series. The sonnets
referring to "Aspects of Christianity in America"--inserted in the 1845
and 1849-50 editions of the collected Works--are found in no previous
edition or version of the "Ecclesiastical Sonnets. " These, along with
some others on the Offices of the English Liturgy, were suggested to
Wordsworth by an American prelate, Bishop Doane, and by Professor Henry
Reed; [2] but we do not know in what year they were written. The
"Ecclesiastical Sonnets"--first called "Ecclesiastical Sketches"--were
written in the years 1820-22. The above additions to them appeared
twenty-five years afterwards; but they ought manifestly to retain their
place, as arranged by Wordsworth in the edition of 1845. The case is
much the same with regard to the "Duddon Sonnets. " They were first
published in 1820: but No. xiv. beginning:
O mountain Stream! the Shepherd and his Cot,
was written in the year 1806, and appears in the edition of 1807. This
sonnet will be printed in the series to which it belongs, and not in its
chronological place. I think it would be equally unjust to remove it
from the group--in which it helps to form a unity--and to print it twice
over. [3] On the other hand, the series of "Poems composed during a Tour
in Scotland, and on the English Border, in the Autumn of 1831"--and
first published in the year 1835, in the volume entitled "Yarrow
Revisited, and Other Poems"--contains two, which Wordsworth himself
tells us were composed earlier; and there is no reason why these poems
should not be restored to their chronological place. The series of
itinerary sonnets, published along with them in the Yarrow volume of
1835, is the record of another Scottish tour, taken in the year 1833;
and Wordsworth says of them that they were "composed 'or suggested'
during a tour in the summer of 1833. " We cannot now discover which of
them were written during the tour, and which at Rydal Mount after his
return; but it is obvious that they should be printed in the order in
which they were left by him, in 1835. It may be noted that almost all
the "Evening Voluntaries" belong to these years--1832 to 1835--when the
author was from sixty-two to sixty-five years of age.
