No More Learning

What reader but must be
tired with the deaths of a thousand heroes, who are never mentioned
before, nor afterwards, in the poem. Yet, in every battle we are wearied
out with such _Gazette_-returns of the slain and wounded as--

"Hector Priamides when Zeus him glory gave,
Assaeus first, Autonous, he slew;
Ophites, Dolops, Klytis' son beside;
Opheltius also, Agelaus too,
AEsymnus, and the battle-bide
Hipponous, chiefs on Danaian side,
And then, the multitude. "

HOMER'S Iliad, bk. xi. 299, et seq. ,
(W. G. T. BARTER'S translation. )

And corresponding to it is Virgil's AEneid, bk. x. line 747, et seq. :--

"By Caedicus Alcathous was slain;
Sacrator laid Hydaspes on the plain;
Orses the strong to greater strength must yield,
He, with Parthenius, were by Rapo killed.
Then brave Messapus Ericetes slew,
Who from Lycaon's blood his lineage drew. "

DRYDEN'S version.
With, such catalogues is every battle extended; and what can be more
tiresome than such uninteresting descriptions, and their imitations! If
the idea of the battle be raised by such enumeration, still the copy and
original are so near each other that they can never please in two
separate poems. Nor are the greater part of the battles of the AEneid
much more distant than those of the Iliad. Though Virgil with great art
has introduced a Camilla, a Pallas, and a Lausus, still, in many
particulars, and in the action upon the whole, there is such a sameness
with the Iliad, that the learned reader of the AEneid is deprived of the
pleasure inspired by originality. If the man of taste, however, will be
pleased to mark how the genius of a Virgil has managed a war after
Homer, he will certainly be tired with a dozen epic poems in the same
style. Where the siege of a town and battles are the subject of an epic,
there will, of necessity, in the characters and circumstances, be a
resemblance to Homer; and such poem must therefore want originality.
Happily for Tasso, the variation of manners, and his masterly
superiority over Homer in describing his duels, has given to his
Jerusalem an air of novelty. Yet, with all the difference between
Christian and pagan heroes, we have a Priam, an Agamemnon, an Achilles,
etc. , armies slaughtered, and a city besieged. In a word, we have a
handsome copy of the Iliad in the Jerusalem Delivered. If some
imitations, however, have been successful, how many other epics of
ancient and modern times have hurried down the stream of oblivion! Some
of their authors had poetical merit, but the fault was in the choice of
their subjects. So fully is the strife of war exhausted by Homer, that
Virgil and Tasso could add to it but little novelty; no wonder,
therefore, that so many epics on battles and sieges have been suffered
to sink into utter neglect. Camoens, perhaps, did not weigh these
circumstances, but the strength of his poetical genius directed him. He
could not but feel what it was to read Virgil after Homer; and the
original turn and force of his mind led him from the beaten track of
Helen's and Lavinia's, Achilles's and Hector's sieges and slaughters,
where the hero hews down, and drives to flight, whole armies with his
own sword. Camoens was the first who wooed the modern Epic Muse, and she
gave him the wreath of a first lover; a sort of epic poetry unheard of
before; or, as Voltaire calls it, _une nouvelle espece d'epopee_; and
the grandest subject it is (of profane history) which the world has ever
beheld.