expressive--"The heart
convulsive
anguish
breaks.
breaks.
Robert Forst
Verse 100th is exquisitely beautiful:--
"They, whom wasted blessings tire. "
Verse 110th is I doubt a clashing of metaphors: "to load a span" is, I
am afraid, an unwarrantable expression. In verse 114th, "Cast the
universe in shade," is a fine idea. From the 115th verse to the 142d
is a striking description of the wrongs of the poor African. Verse
120th, "The load of unremitted pain," is a remarkable, strong
expression. The address to the advocates for abolishing the
slave-trade, from verse 143d to verse 208th, is animated with the true
life of genius. The picture of oppression:--
"While she links her impious chain,
And calculates the price of pain;
Weighs agony in sordid scales,
And marks if death or life prevails,"--
is nobly executed.
What a tender idea is in verse 108th! Indeed, that whole description
of home may vie with Thomson's description of home, somewhere in the
beginning of his Autumn. I do not remember to have seen a stronger
expression of misery than is contained in these verses:--
"Condemned, severe extreme, to live
When all is fled that life can give"
The comparison of our distant joys to distant objects is equally
original and striking.
The character and manners of the dealer in the infernal traffic is a
well done though a horrid picture. I am not sure how far introducing
the sailor was right; for though the sailor's common characteristic is
generosity, yet, in this case, he is certainly not only an unconcerned
witness, but, in some degree, an efficient agent in the business.
Verse 224th is a nervous . . .
expressive--"The heart convulsive anguish
breaks. " The description of the captive wretch when he arrives in the
West Indies, is carried on with equal spirit. The thought that the
oppressor's sorrow on seeing the slave pine, is like the butcher's
regret when his destined lamb dies a natural death, is exceedingly
fine.
I am got so much into the cant of criticism, that I begin to be afraid
lest I have nothing except the cant of it; and instead of elucidating
my author, am only benighting myself. For this reason, I will not
pretend to go through the whole poem. Some few remaining beautiful
lines, however, I cannot pass over. Verse 280th is the strongest
description of selfishness I ever saw. The comparison of verses 285th
and 286th is new and fine; and the line, "Your arms to penury you
lend," is excellent. In verse 317th, "like" should certainly be "as"
or "so;" for instance--
"His sway the hardened bosom leads
To cruelty's remorseless deeds:
As (or, so) the blue lightning when it springs
With fury on its livid wings,
Darts on the goal with rapid force,
Nor heeds that ruin marks its course. "
If you insert the word "like" where I have placed "as," you must alter
"darts" to "darting," and "heeds" to "heeding" in order to make it
grammar. A tempest is a favourite subject with the poets, but I do not
remember anything even in Thomson's Winter superior to your verses
from the 347th to the 351st. Indeed, the last simile, beginning with
"Fancy may dress," &c. , and ending with the 350th verse, is, in my
opinion, the most beautiful passage in the poem; it would do honour to
the greatest names that ever graced our profession.
I will not beg your pardon, Madam, for these strictures, as my
conscience tells me, that for once in my life I have acted up to the
duties of a Christian, in doing as I would be done by.
R. B.
"They, whom wasted blessings tire. "
Verse 110th is I doubt a clashing of metaphors: "to load a span" is, I
am afraid, an unwarrantable expression. In verse 114th, "Cast the
universe in shade," is a fine idea. From the 115th verse to the 142d
is a striking description of the wrongs of the poor African. Verse
120th, "The load of unremitted pain," is a remarkable, strong
expression. The address to the advocates for abolishing the
slave-trade, from verse 143d to verse 208th, is animated with the true
life of genius. The picture of oppression:--
"While she links her impious chain,
And calculates the price of pain;
Weighs agony in sordid scales,
And marks if death or life prevails,"--
is nobly executed.
What a tender idea is in verse 108th! Indeed, that whole description
of home may vie with Thomson's description of home, somewhere in the
beginning of his Autumn. I do not remember to have seen a stronger
expression of misery than is contained in these verses:--
"Condemned, severe extreme, to live
When all is fled that life can give"
The comparison of our distant joys to distant objects is equally
original and striking.
The character and manners of the dealer in the infernal traffic is a
well done though a horrid picture. I am not sure how far introducing
the sailor was right; for though the sailor's common characteristic is
generosity, yet, in this case, he is certainly not only an unconcerned
witness, but, in some degree, an efficient agent in the business.
Verse 224th is a nervous . . .
expressive--"The heart convulsive anguish
breaks. " The description of the captive wretch when he arrives in the
West Indies, is carried on with equal spirit. The thought that the
oppressor's sorrow on seeing the slave pine, is like the butcher's
regret when his destined lamb dies a natural death, is exceedingly
fine.
I am got so much into the cant of criticism, that I begin to be afraid
lest I have nothing except the cant of it; and instead of elucidating
my author, am only benighting myself. For this reason, I will not
pretend to go through the whole poem. Some few remaining beautiful
lines, however, I cannot pass over. Verse 280th is the strongest
description of selfishness I ever saw. The comparison of verses 285th
and 286th is new and fine; and the line, "Your arms to penury you
lend," is excellent. In verse 317th, "like" should certainly be "as"
or "so;" for instance--
"His sway the hardened bosom leads
To cruelty's remorseless deeds:
As (or, so) the blue lightning when it springs
With fury on its livid wings,
Darts on the goal with rapid force,
Nor heeds that ruin marks its course. "
If you insert the word "like" where I have placed "as," you must alter
"darts" to "darting," and "heeds" to "heeding" in order to make it
grammar. A tempest is a favourite subject with the poets, but I do not
remember anything even in Thomson's Winter superior to your verses
from the 347th to the 351st. Indeed, the last simile, beginning with
"Fancy may dress," &c. , and ending with the 350th verse, is, in my
opinion, the most beautiful passage in the poem; it would do honour to
the greatest names that ever graced our profession.
I will not beg your pardon, Madam, for these strictures, as my
conscience tells me, that for once in my life I have acted up to the
duties of a Christian, in doing as I would be done by.
R. B.
