Of the other poems in the manuscript, most of which I print in
Appendix C, none are certainly Donne's.
Appendix C, none are certainly Donne's.
John Donne
Gosse in his _Life of John
Donne_, 1899. There can be no doubt of their genuineness. They enlarge
a series of Letters and a series of Sonnets which appear in _1633_ and
in all the best manuscript collections. In their arrangement I have
followed _W_ in preference to _1633_, which is based on _A18_, _N_,
_TC_. Of the letter taken from the Burley MS. there may be greater
doubt in some minds. To me it seems unquestionably Donne's (aut Donne
aut Diabolus), an addition to the series of letters which he wrote
to Sir Henry Wotton between the return of the Islands Expedition and
Essex's return from Ireland. The Burley MS. is a commonplace-book
of Wotton's and includes poems which we know as Donne's, e. g. 'Come,
Madam, come'; some of his Paradoxes with a covering letter; other
letters which from their substance and style seem to be Donne's; and a
number of poems, including this which alone of all the doubtful poems
in the manuscript is initialled 'J. D. ' The manuscript contains work
by Donne. Does this come under that head? Only internal evidence can
decide.
Of the other poems in the manuscript, most of which I print in
Appendix C, none are certainly Donne's.
'Absence heare my protestation' was printed in Donne's lifetime
in Davison's _A Poetical Rhapsody_ (1602, 1608, 1621), but with no
reference to Donne's authorship, although his name was yearly growing
a more popular hostel for wandering, unclaimed poems. [18] It was not
printed in any edition of his poems from _1633_ to _1719_. It is not
found in either of the most trustworthy manuscript collections, _D_,
_H49_, _Lec_, or _A18_, _N_, _TC_. It _is_ found in _B_, _Cy_, _L74_,
_O'F_, _P_, _S96_, but none of these can be counted an authority. In
1711 it was for the first time ascribed to Donne in _The Grove_,
a miscellaneous collection of poems, on the authority of 'an old
Manuscript of Sir John Cotton's of Stratton in Huntington-Shire'.
On the other hand, in one well authenticated manuscript, _HN_, it is
transcribed by William Drummond of Hawthornden from what he describes
as a collection of poems 'belonging to John Don' (not '_by_ Donne'),
and, with another poem, is initialled 'J. H. ' That other poem called
_His Melancholy. _
Love is a foolish melancholy, &c. ,
is by a Manchester manuscript (Farmer-Chetham MS. , ed. Grosart,
_Chetham Society Publications_, lxxxix, xc) assigned to 'Mr. Hoskins',
and in another manuscript (_A10_) it is signed 'H' with the left leg
of H so written as to suggest JH run together. Clearly at any rate
the _onus probandi_ lies with those who say the poem is by Donne.
Internally it has never seemed to me so since I came to know Donne
well.
Donne_, 1899. There can be no doubt of their genuineness. They enlarge
a series of Letters and a series of Sonnets which appear in _1633_ and
in all the best manuscript collections. In their arrangement I have
followed _W_ in preference to _1633_, which is based on _A18_, _N_,
_TC_. Of the letter taken from the Burley MS. there may be greater
doubt in some minds. To me it seems unquestionably Donne's (aut Donne
aut Diabolus), an addition to the series of letters which he wrote
to Sir Henry Wotton between the return of the Islands Expedition and
Essex's return from Ireland. The Burley MS. is a commonplace-book
of Wotton's and includes poems which we know as Donne's, e. g. 'Come,
Madam, come'; some of his Paradoxes with a covering letter; other
letters which from their substance and style seem to be Donne's; and a
number of poems, including this which alone of all the doubtful poems
in the manuscript is initialled 'J. D. ' The manuscript contains work
by Donne. Does this come under that head? Only internal evidence can
decide.
Of the other poems in the manuscript, most of which I print in
Appendix C, none are certainly Donne's.
'Absence heare my protestation' was printed in Donne's lifetime
in Davison's _A Poetical Rhapsody_ (1602, 1608, 1621), but with no
reference to Donne's authorship, although his name was yearly growing
a more popular hostel for wandering, unclaimed poems. [18] It was not
printed in any edition of his poems from _1633_ to _1719_. It is not
found in either of the most trustworthy manuscript collections, _D_,
_H49_, _Lec_, or _A18_, _N_, _TC_. It _is_ found in _B_, _Cy_, _L74_,
_O'F_, _P_, _S96_, but none of these can be counted an authority. In
1711 it was for the first time ascribed to Donne in _The Grove_,
a miscellaneous collection of poems, on the authority of 'an old
Manuscript of Sir John Cotton's of Stratton in Huntington-Shire'.
On the other hand, in one well authenticated manuscript, _HN_, it is
transcribed by William Drummond of Hawthornden from what he describes
as a collection of poems 'belonging to John Don' (not '_by_ Donne'),
and, with another poem, is initialled 'J. H. ' That other poem called
_His Melancholy. _
Love is a foolish melancholy, &c. ,
is by a Manchester manuscript (Farmer-Chetham MS. , ed. Grosart,
_Chetham Society Publications_, lxxxix, xc) assigned to 'Mr. Hoskins',
and in another manuscript (_A10_) it is signed 'H' with the left leg
of H so written as to suggest JH run together. Clearly at any rate
the _onus probandi_ lies with those who say the poem is by Donne.
Internally it has never seemed to me so since I came to know Donne
well.
