No More Learning

In the "Reminiscences" of Wordsworth, which the Hon. Mr. Justice
Coleridge wrote for the late Bishop of Lincoln, in 1850, there is the
following reference to 'The Waggoner'. (See 'Memoirs', vol. ii. p. 310. )

"'The Waggoner' seems a very favourite poem of his. He said his object
in it had not been understood. It was a play of the fancy on a
domestic incident, and lowly character. He wished by the opening
descriptive lines to put his reader into the state of mind in which he
wished it to be read. If he failed in doing that, he wished him to lay
it down. He pointed out with the same view, the glowing lines on the
state of exultation in which Ben and his companions are under the
influence of liquor. Then he read the sickening languor of the morning
walk, contrasted with the glorious uprising of Nature, and the songs
of the birds. Here he has added about six most exquisite lines.
"

The lines referred to are doubtless the eight (p. 101), beginning

'Say more; for by that power a vein,'

which were added in the edition of 1836.

The following is Sara Coleridge's criticism of 'The Waggoner'. (See
'Biographia Literaria', vol. ii. pp. 183, 184, edition 1847. )

"Due honour is done to 'Peter Bell', at this time, by students of
poetry in general; but some, even of Mr. Wordsworth's greatest
admirers, do not quite satisfy me in their admiration of 'The
Waggoner', a poem which my dear uncle, Mr. Southey, preferred even to
the former. 'Ich will meine Denkungs Art hierin niemandem aufdringen',
as Lessing says: I will force my way of thinking on nobody, but take
the liberty, for my own gratification, to express it. The sketches of
hill and valley in this poem have a lightness, and spirit--an Allegro
touch--distinguishing them from the grave and elevated splendour which
characterises Mr. Wordsworth's representations of Nature in general,
and from the passive tenderness of those in 'The White Doe', while it
harmonises well with the human interest of the piece; indeed it is the
harmonious sweetness of the composition which is most dwelt upon by
its special admirers. In its course it describes, with bold brief
touches, the striking mountain tract from Grasmere to Keswick; it
commences with an evening storm among the mountains, presents a lively
interior of a country inn during midnight, and concludes after
bringing us in sight of St. John's Vale and the Vale of Keswick seen
by day-break--'Skiddaw touched with rosy light,' and the prospect from
Nathdale Fell 'hoar with the frost-like dews of dawn:' thus giving a
beautiful and well-contrasted Panorama, produced by the most delicate
and masterly strokes of the pencil. Well may Mr.