The
following
is on neither
subject, and consequently is no song; but will be allowed, I think, to
be two or three pretty good prose thoughts inverted into rhyme.
subject, and consequently is no song; but will be allowed, I think, to
be two or three pretty good prose thoughts inverted into rhyme.
Robert Burns
[274]
How does this please you? As to the point of time for the expression,
in your proposed print from my "Sodger's Return," it must certainly be
at--"She gaz'd. " The interesting dubiety and suspense taking
possession of her countenance, and the gushing fondness, with a
mixture of roguish playfulness, in his, strike me as things of which a
master will make a great deal. In great haste, but in great truth,
yours,
R. B.
FOOTNOTES:
[Footnote 274: Song CCXXXVIII. ]
* * * * *
CCCX.
TO MR. THOMSON.
[In this brief and off-hand way Burns bestows on Thompson one of the
finest songs ever dedicated to the cause of human freedom. ]
_January_, 1795.
I fear for my songs; however, a few may please, yet originality is a
coy feature in composition, and in a multiplicity of efforts in the
same style, disappears altogether. For these three thousand years, we
poetic folks have been describing the spring, for instance; and as the
spring continues the same, there must soon be a sameness in the
imagery, &c. , of these said rhyming folks.
A great critic (Aikin) on songs, says that love and wine are the
exclusive themes for song-writing.
The following is on neither
subject, and consequently is no song; but will be allowed, I think, to
be two or three pretty good prose thoughts inverted into rhyme.
Is there for honest poverty. [275]
I do not give you the foregoing song for your book, but merely by way
of _vive la bagatelle_; for the piece is not really poetry. How will
the following do for "Craigieburn-wood? "--
Sweet fa's the eve on Craigieburn. [276]
Farewell! God bless you!
R. B.
FOOTNOTES:
[Footnote 275: Song CCLXIV. ]
[Footnote 276: Song CCXLV. ]
* * * * *
CCCXI.
TO MR. THOMSON.
[Of this letter, Dr. Currie writes "the poet must have been tipsy
indeed to abuse sweet Ecclefechan at this rate;" it is one of the
prettiest of our Annandale villages, and the birth-place of that
distinguished biographer.
How does this please you? As to the point of time for the expression,
in your proposed print from my "Sodger's Return," it must certainly be
at--"She gaz'd. " The interesting dubiety and suspense taking
possession of her countenance, and the gushing fondness, with a
mixture of roguish playfulness, in his, strike me as things of which a
master will make a great deal. In great haste, but in great truth,
yours,
R. B.
FOOTNOTES:
[Footnote 274: Song CCXXXVIII. ]
* * * * *
CCCX.
TO MR. THOMSON.
[In this brief and off-hand way Burns bestows on Thompson one of the
finest songs ever dedicated to the cause of human freedom. ]
_January_, 1795.
I fear for my songs; however, a few may please, yet originality is a
coy feature in composition, and in a multiplicity of efforts in the
same style, disappears altogether. For these three thousand years, we
poetic folks have been describing the spring, for instance; and as the
spring continues the same, there must soon be a sameness in the
imagery, &c. , of these said rhyming folks.
A great critic (Aikin) on songs, says that love and wine are the
exclusive themes for song-writing.
The following is on neither
subject, and consequently is no song; but will be allowed, I think, to
be two or three pretty good prose thoughts inverted into rhyme.
Is there for honest poverty. [275]
I do not give you the foregoing song for your book, but merely by way
of _vive la bagatelle_; for the piece is not really poetry. How will
the following do for "Craigieburn-wood? "--
Sweet fa's the eve on Craigieburn. [276]
Farewell! God bless you!
R. B.
FOOTNOTES:
[Footnote 275: Song CCLXIV. ]
[Footnote 276: Song CCXLV. ]
* * * * *
CCCXI.
TO MR. THOMSON.
[Of this letter, Dr. Currie writes "the poet must have been tipsy
indeed to abuse sweet Ecclefechan at this rate;" it is one of the
prettiest of our Annandale villages, and the birth-place of that
distinguished biographer.
