No More Learning

The
embassy of the young Tarquins to the oracle at Delphi is just
such a story as would be told by a poet whose head was full of
the Greek mythology; and the ambiguous answer returned by Apollo
is in the exact style of the prophecies which, according to
Herodotus, lured Croesus to destruction. Then the character of
the narrative changes. From the first mention of Lucretia to the
retreat of Porsena nothing seems to be borrowed from foreign
sources. The villainy of Sextus, the suicide of his victim, the
revolution, the death of the sons of Brutus, the defence of the
bridge, Musius burning his hand, Cloelia swimming through Tiber,
seem to be all strictly Roman. But when we have done with the
Tuscan wars, and enter upon the war with the Latines, we are
again struck by the Greek air of the story. The Battle of the
Lake Regillus is in all respects a Homeric battle, except that
the combatants ride astride on their horses, instead of driving
chariots. The mass of fighting men is hardly mentioned. The
leaders single each other out, and engage hand to hand. The great
object of the warriors on both sides is, as in the Iliad, to
obtain possession of the spoils and bodies of the slain; and
several circumstances are related which forcibly remind us of the
great slaughter round the corpses of Sarpedon and Patroclus.

But there is one circumstance which deserves especial notice.
Both the war of Troy and the war of Regillus were caused by the
licentious passions of young princes, who were therefore
peculiarly bound not to be sparing of their own persons on the
day of battle. Now the conduct of Sextus at Regillus, as
described by Livy, so exactly resembles that of Paris, as
described at the beginning of the third book of the Iliad, that
it is difficult to believe the resemblance accidental. Paris
appears before the Trojan ranks, defying the bravest Greek to
encounter him:--

3 lines from the Iliad, in Greek, probably those
translated by Pope as:

. . .
to the van, before the sons of fame
Whom Troy sent forth, the beauteous Paris came:

Livy introduces Sextus in a similar manner: "Ferocem juvenem
Tarquinium, ostentantem se in prima exsulum acie. " Menelaus
rushes to meet Paris. A Roman noble, eager for vengeance, spurs
his horse towards Sextus. Both the guilty princes are instantly
terror-stricken:--

3 more lines in Greek, Pope's translation being:

. . . [Menelaus] approaching near,
The beauteous champion views with marks of fear,
Smit with a conscious sense, retires behind,
And shuns the fate he well deserv'd to find.

"Tarquinius," says Livy, "retro in agmen suorum infenso cessit
hosti. " If this be a fortuitous coincidence, it is also one of
the most extraordinary in literature.

In the following poem, therefore, images and incidents have been
borrowed, not merely without scruple, but on principle, from the
incomparable battle-pieces of Homer.

The popular belief at Rome, from an early period, seems to have
been that the event of the great day of Regillus was decided by
supernatural agency. Castor and Pollux, it was said, had fought
armed and mounted, at the head of the legions of the
commonwealth, and had afterwards carried the news of the victory
with incredible speed to the city. The well in the Forum at which
they had alighted was pointed out. Near the well rose their
ancient temple. A great festival was kept to their honor on the
Ides of Quintilis, supposed to be the anniversary of the battle;
and on that day sumptuous sacrifices were offered to them at the
public charge. One spot on the margin of Lake Regillus was
regarded during many ages with superstitious awe.