--'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of buffoonery and dress;
A certain lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of buffoonery and dress;
A certain lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.
Byron
XV.
I said that like a picture by Giorgione
Venetian women were, and so they _are_,
Particularly seen from a balcony,
(For beauty's sometimes best set off afar)
And there, just like a heroine of Goldoni,[202A]
They peep from out the blind, or o'er the bar;
And truth to say, they're mostly very pretty,
And rather like to show it, more's the pity!
XVI.
For glances beget ogles, ogles sighs,
Sighs wishes, wishes words, and words a letter,
Which flies on wings of light-heeled Mercuries,
Who do such things because they know no better;
And then, God knows what mischief may arise,
When Love links two young people in one fetter,
Vile assignations, and adulterous beds,
Elopements, broken vows, and hearts, and heads.
XVII.
Shakspeare described the sex in Desdemona
As very fair, but yet suspect in fame,[202B]
And to this day from Venice to Verona
Such matters may be probably the same,
Except that since those times was never known a
Husband whom mere suspicion could inflame
To suffocate a wife no more than twenty,
Because she had a "Cavalier Servente. "[203]
XVIII.
Their jealousy (if they are ever jealous)
Is of a fair complexion altogether,
Not like that sooty devil of Othello's,
Which smothers women in a bed of feather,
But worthier of these much more jolly fellows,
When weary of the matrimonial tether
His head for such a wife no mortal bothers,
But takes at once another, or _another's_.
XIX.
Didst ever see a Gondola? For fear
You should not, I'll describe it you exactly:
'Tis a long covered boat that's common here,
Carved at the prow, built lightly, but compactly,
Rowed by two rowers, each call'd "Gondolier,"
It glides along the water looking blackly,
Just like a coffin clapt in a canoe,
Where none can make out what you say or do.
XX.
And up and down the long canals they go,
And under the Rialto[204] shoot along,
By night and day, all paces, swift or slow,
And round the theatres, a sable throng,
They wait in their dusk livery of woe,--
But not to them do woeful things belong,
For sometimes they contain a deal of fun,
Like mourning coaches when the funeral's done.
XXI.
But to my story.
--'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of buffoonery and dress;
A certain lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.
XXII.
She was not old, nor young, nor at the years
Which certain people call a "_certain age_,"[205]
Which yet the most uncertain age appears,
Because I never heard, nor could engage
A person yet by prayers, or bribes, or tears,
To name, define by speech, or write on page,
The period meant precisely by that word,--
Which surely is exceedingly absurd.
XXIII.
Laura was blooming still, had made the best
Of Time, and Time returned the compliment,
And treated her genteelly, so that, dressed,
She looked extremely well where'er she went;
A pretty woman is a welcome guest,
And Laura's brow a frown had rarely bent;
Indeed, she shone all smiles, and seemed to flatter
Mankind with her black eyes for looking at her.
XXIV.
She was a married woman; 'tis convenient,
Because in Christian countries 'tis a rule
To view their little slips with eyes more lenient;
Whereas if single ladies play the fool,
(Unless within the period intervenient
A well-timed wedding makes the scandal cool)
I don't know how they ever can get over it,
Except they manage never to discover it.
XXV.
Her husband sailed upon the Adriatic,
And made some voyages, too, in other seas,
And when he lay in Quarantine for pratique[206]
(A forty days' precaution 'gainst disease),
His wife would mount, at times, her highest attic,
For thence she could discern the ship with ease:
He was a merchant trading to Aleppo,
His name Giuseppe, called more briefly, Beppo. [207]
XXVI.
He was a man as dusky as a Spaniard,
Sunburnt with travel, yet a portly figure;
Though coloured, as it were, within a tanyard,
He was a person both of sense and vigour--
A better seaman never yet did man yard;
And she, although her manners showed no rigour,
Was deemed a woman of the strictest principle,
So much as to be thought almost invincible. [208]
XXVII.
But several years elapsed since they had met;
Some people thought the ship was lost, and some
That he had somehow blundered into debt,
And did not like the thought of steering home;
And there were several offered any bet,
Or that he would, or that he would not come;
For most men (till by losing rendered sager)
Will back their own opinions with a wager.
XXVIII.
'Tis said that their last parting was pathetic,
As partings often are, or ought to be,
And their presentiment was quite prophetic,
That they should never more each other see,
(A sort of morbid feeling, half poetic,
Which I have known occur in two or three,)
When kneeling on the shore upon her sad knee
He left this Adriatic Ariadne.
XXIX.