No More Learning

This was once a vulgarism, and in 'The Miseries
of Inforced Marriage' the rhyme (printed as prose in Dodsley's Old Plays
by Collier),

'To make my young _mistress_
Delighting in _kisses_,'

is put into the mouth of the clown. Our people say _Injun_ for _Indian_.
The tendency to make this change where _i_ follows _d_ is common. The
Italian _giorno_ and French _jour_ from _diurnus_ are familiar examples.
And yet _Injun_ is one of those depravations which the taste challenges
peremptorily, though it have the authority of Charles Cotton--who rhymes
'_Indies_' with '_cringes_'--and four English lexicographers, beginning
with Dr. Sheridan, bid us say _invidgeous_. Yet after all it is no worse
than the debasement which all our terminations in _tion_ and _tience_
have undergone, which yet we hear with _resignashun_ and _payshunce_,
though it might have aroused both _impat-i-ence_ and _in-dig-na-ti-on_
in Shakespeare's time. When George Herbert tells us that if the sermon
be dull,

'God takes a text and preacheth patience,'

the prolongation of the word seems to convey some hint at the
longanimity of the virtue. Consider what a poor curtal we have made of
Ocean. There was something of his heave and expanse in _o-ce-an_, and
Fletcher knew how to use it when he wrote so fine a verse as the second
of these, the best deep-sea verse I know,--

'In desperate storms stem with a little rudder
The tumbling ruins of the ocean. '

Oceanus was not then wholly shorn of his divine proportions, and our
modern _oshun_ sounds like the gush of small-beer in comparison. Some
other contractions of ours have a vulgar air about them. _More 'n_ for
_more than_, as one of the worst, may stand for a type of such. Yet our
old dramatists are full of such obscurations (elisions they can hardly
be called) of the _th_, making _whe'r_ of _whether_, _where_ of
_whither_, _here_ of _hither_, _bro'r_ of _brother_, _smo'r_ of
_smother_, _mo'r_ of _mother_, and so on. And dear Brer Rabbit, can I
forget him?
Indeed, it is this that explains the word _rare_ (which has
Dryden's support), and which we say of meat where an Englishman would
use _underdone_. I do not believe, with the dictionaries, that it had
ever anything to do with the Icelandic _hrar_ (_raw_), as it plainly has
not in _rareripe_, which means earlier ripe,--President Lincoln said of
a precocious boy that 'he was a _rareripe_. ' And I do not believe it,
for this reason, that the earliest form of the word with us was, and the
commoner now in the inland parts still is, so far as I can discover,
_raredone_. Golding has 'egs reere-rosted,' which, whatever else it
mean, cannot mean _raw_-roasted, I find _rather_ as a monosyllable in
Donne, and still better, as giving the sound, rhyming with _fair_ in
Warner. There is an epigram of Sir Thomas Browne in which the words
_rather than_ make a monosyllable;--

'What furie is't to take Death's part
And rather than by Nature, die by Art! '

The contraction _more'n_ I find in the old play 'Fuimus Troes,' in a
verse where the measure is so strongly accented as to leave it beyond
doubt,--

'A golden crown whose heirs
More than half the world subdue. '

It may be, however, that the contraction is in 'th'orld. ' It is
unmistakable in the 'Second Maiden's Tragedy:'--

'It were but folly,
Dear soul, to boast of _more than_ I can perform. '

Is our _gin_ for _given_ more violent than _mar'l_ for _marvel_, which
was once common, and which I find as late as Herrick? Nay, Herrick has
_gin_ (spelling it _gen_), too, as do the Scotch, who agree with us
likewise in preferring _chimly_ to _chimney_.

I will now leave pronunciation and turn to words or phrases which have
been supposed peculiar to us, only pausing to pick up a single dropped
stitch, in the pronunciation of the word _supreme_, which I had thought
native till I found it in the well-languaged Daniel. I will begin with a
word of which I have never met with any example in any English writer of
authority. We express the first stage of withering in a green plant
suddenly cut down by the verb _to wilt_. It is, of course, own cousin of
the German _welken_, but I have never come upon it in literary use, and
my own books of reference give me faint help. Graff gives _welhen_,
_marcescere_, and refers to _weih_ (_weak_), and conjecturally to A. -S,
_hvelan_.