No More Learning

In regard to _a_, he shows some inconsistency, sometimes giving a
close and obscure sound, as _hev_ for _have, hendy_ for _handy, ez_ for
_as, thet_ for _that_, and again giving it the broad sound it has in
_father_, as _hansome_ for _handsome. _

5. To the sound _ou_ he prefixes an _e_ (hard to exemplify otherwise
than orally).

The following passage in Shakespeare he would recite thus:--

'Neow is the winta uv eour discontent
Med glorious summa by this sun o'Yock,
An' all the cleouds thet leowered upun eour heouse
In the deep buzzum o' the oshin buried;
Neow air eour breows beound 'ith victorious wreaths;
Eour breused arms hung up fer monimunce;
Eour starn alarums changed to merry meetins,
Eour dreffle marches to delighfle masures.
Grim-visaged war heth smeuthed his wrinkled front,
An' neow, instid o' mountin' bare-bid steeds
To fright the souls o' ferfle edverseries,
He capers nimly in a lady's ch[)a]mber,
To the lascivious pleasin' uv a loot. '

6. _Au_, in such words as _daughter_ and _slaughter_, he pronounces
_ah_.

7. To the dish thus seasoned add a drawl _ad libitum_.

[Mr. Wilbur's notes here become entirely fragmentary. --C. N. ]


[Greek: a]. Unable to procure a likeness of Mr.
Biglow, I thought the
curious reader might be gratified with a sight of the editorial
effigies. And here a choice between two was offered,--the one a profile
(entirely black) cut by Doyle, the other a portrait painted by a native
artist of much promise. The first of these seemed wanting in expression,
and in the second a slight obliquity of the visual organs has been
heightened (perhaps from an over-desire of force on the part of the
artist) into too close an approach to actual _strabismus_. This slight
divergence in my optical apparatus from the ordinary model--however I
may have been taught to regard it in the light of a mercy rather than a
cross, since it enabled me to give as much of directness and personal
application to my discourses as met the wants of my congregation,
without risk of offending any by being supposed to have him or her in my
eye (as the saying is)--seemed yet to Mrs. Wilbur a sufficient objection
to the engraving of the aforesaid painting. We read of many who either
absolutely refused to allow the copying of their features, as especially
did Plotinus and Agesilaus among the ancients, not to mention the more
modern instances of Scioppius, Palaeottus, Pinellus, Velserus, Gataker,
and others, or were indifferent thereto, as Cromwell.

[Greek: b. ] Yet was Caesar desirous of concealing his baldness. _Per
contra_, my Lord Protector's carefulness in the matter of his wart might
be cited. Men generally more desirous of being _improved_ in their
portraits than characters. Shall probably find very unflattered
likenesses of ourselves in Recording Angel's gallery.

[Greek: g. ] Whether any of our national peculiarities may be traced to
our use of stoves, as a certain closeness of the lips in pronunciation,
and a smothered smoulderingness of disposition seldom roused to open
flame? An unrestrained intercourse with fire probably conducive to
generosity and hospitality of soul. Ancient Mexicans used stoves, as the
friar Augustin Ruiz reports, Hakluyt, III. 468,--but Popish priests not
always reliable authority.