The portrait does not form part of the preliminary matter,
which consists of twelve pages exclusive of the portrait.
which consists of twelve pages exclusive of the portrait.
John Donne
]
[Footnote 3: e. g. Among Drummond of Hawthornden's
miscellaneous papers; in Harleian MS. 3991; in a manuscript in
Emmanuel College, Cambridge. ]
[Footnote 4: So on the first page, and the opening sentences
of the letter defend the use of the word 'Understanders'.
Nevertheless the second and third pages have the heading,
running across from one to the other, 'The Printer to the
Reader. ']
[Footnote 5: 'Will: Marshall sculpsit' implies that Marshall
executed the plate from which the whole frontispiece is taken,
including portrait and poem, not that he is responsible for
the portrait itself. To judge from its shape the latter would
seem to have been made originally from a medallion. Marshall,
the _Dictionary of National Biography_ says, 'floruit c.
1630,' so could have hardly executed a portrait of Donne in
1591. Mr. Laurence Binyon, of the Print Department of the
British Museum, thinks that the original may have been by
Nicholas Hilyard (see II. p. 134) whom Donne commends in _The
Storme_. The Spanish motto suggests that Donne had already
travelled.
The portrait does not form part of the preliminary matter,
which consists of twelve pages exclusive of the portrait. It
was an insertion and is not found in all the extant copies.
The paper on which it is printed is a trifle smaller than the
rest of the book. ]
[Footnote 6: One or two copies seem to have got into
circulation without the _Errata_. One such, identical in other
respects with the ordinary issue, is preserved in the library
of Mr. Beverley Chew, New York. I am indebted for this
information to Mr. Geoffrey Keynes, of St. Bartholomew's
Hospital, who is preparing a detailed bibliography of Donne's
works. ]
[Footnote 7: Some such arrangement may have been intended by
Donne himself when he contemplated issuing his poems in 1614,
for he speaks, in a letter to Sir Henry Goodyere (see II.
pp. 144-5), of including a letter in verse to the Countess
of Bedford 'amongst the rest to persons of that rank'. The
manuscripts, especially the later and more ambitious, e. g.
_Stephens_ and _O'Flaherty_, show similar groupings; and in
_1633_, though there is no consistent sequence, the poems
fall into irregularly recurring groups. The order of the poems
within each of these groups in _1633_ is generally retained in
_1635_.
[Footnote 3: e. g. Among Drummond of Hawthornden's
miscellaneous papers; in Harleian MS. 3991; in a manuscript in
Emmanuel College, Cambridge. ]
[Footnote 4: So on the first page, and the opening sentences
of the letter defend the use of the word 'Understanders'.
Nevertheless the second and third pages have the heading,
running across from one to the other, 'The Printer to the
Reader. ']
[Footnote 5: 'Will: Marshall sculpsit' implies that Marshall
executed the plate from which the whole frontispiece is taken,
including portrait and poem, not that he is responsible for
the portrait itself. To judge from its shape the latter would
seem to have been made originally from a medallion. Marshall,
the _Dictionary of National Biography_ says, 'floruit c.
1630,' so could have hardly executed a portrait of Donne in
1591. Mr. Laurence Binyon, of the Print Department of the
British Museum, thinks that the original may have been by
Nicholas Hilyard (see II. p. 134) whom Donne commends in _The
Storme_. The Spanish motto suggests that Donne had already
travelled.
The portrait does not form part of the preliminary matter,
which consists of twelve pages exclusive of the portrait. It
was an insertion and is not found in all the extant copies.
The paper on which it is printed is a trifle smaller than the
rest of the book. ]
[Footnote 6: One or two copies seem to have got into
circulation without the _Errata_. One such, identical in other
respects with the ordinary issue, is preserved in the library
of Mr. Beverley Chew, New York. I am indebted for this
information to Mr. Geoffrey Keynes, of St. Bartholomew's
Hospital, who is preparing a detailed bibliography of Donne's
works. ]
[Footnote 7: Some such arrangement may have been intended by
Donne himself when he contemplated issuing his poems in 1614,
for he speaks, in a letter to Sir Henry Goodyere (see II.
pp. 144-5), of including a letter in verse to the Countess
of Bedford 'amongst the rest to persons of that rank'. The
manuscripts, especially the later and more ambitious, e. g.
_Stephens_ and _O'Flaherty_, show similar groupings; and in
_1633_, though there is no consistent sequence, the poems
fall into irregularly recurring groups. The order of the poems
within each of these groups in _1633_ is generally retained in
_1635_.
