No More Learning

_250 Or Wise manuscript, Hunt manuscript; Oh editions 1832, 1839.
_254 Science, Poetry, Wise manuscript, Hunt manuscript;
Science, and Poetry editions 1832, 1839.
_257 So Hunt manuscript, edition 1832;
Such they curse their Maker not Wise manuscript, editions 1839.
_263 and]of edition 1832 only.
_274 or]and edition 1832 only.

(Note to end of stanza 67: The following stanza is found (cancelled)
at this place in the Wise manuscript:--

'From the cities where from caves,
Like the dead from putrid graves,
Troops of starvelings gliding come,
Living Tenants of a tomb. '

_282 sows Wise manuscript, Hunt manuscript;
sow editions 1832, 1839.
_297 measured Wise manuscript, Hunt manuscript, edition 1832;
ne'er-said editions 1839.
_322 of unvanquished Wise manuscript;
of an unvanquished Hunt manuscript, editions 1832, 1839.
_346 slay Wise manuscript; Hunt manuscript, editions 1839;
stay edition 1832.
_357 in wars Wise manuscript, Hunt manuscript, edition 1832;
in the wars editions 1839.


NOTE ON THE MASK OF ANARCHY, BY MRS. SHELLEY.

Though Shelley's first eager desire to excite his countrymen to resist
openly the oppressions existent during 'the good old times' had faded
with early youth, still his warmest sympathies were for the people. He
was a republican, and loved a democracy.
He looked on all human beings
as inheriting an equal right to possess the dearest privileges of our
nature; the necessaries of life when fairly earned by labour, and
intellectual instruction. His hatred of any despotism that looked upon
the people as not to be consulted, or protected from want and
ignorance, was intense. He was residing near Leghorn, at Villa
Valsovano, writing "The Cenci", when the news of the Manchester
Massacre reached us; it roused in him violent emotions of indignation
and compassion. The great truth that the many, if accordant and
resolute, could control the few, as was shown some years after, made
him long to teach his injured countrymen how to resist. Inspired by
these feelings, he wrote the "Mask of Anarchy", which he sent to his
friend Leigh Hunt, to be inserted in the Examiner, of which he was
then the Editor.

'I did not insert it,' Leigh Hunt writes in his valuable and
interesting preface to this poem, when he printed it in 1832, 'because
I thought that the public at large had not become sufficiently
discerning to do justice to the sincerity and kind-heartedness of the
spirit that walked in this flaming robe of verse. ' Days of outrage
have passed away, and with them the exasperation that would cause such
an appeal to the many to be injurious. Without being aware of them,
they at one time acted on his suggestions, and gained the day. But
they rose when human life was respected by the Minister in power; such
was not the case during the Administration which excited Shelley's
abhorrence.

The poem was written for the people, and is therefore in a more
popular tone than usual: portions strike as abrupt and unpolished, but
many stanzas are all his own. I heard him repeat, and admired, those
beginning

'My Father Time is old and gray,'

before I knew to what poem they were to belong. But the most touching
passage is that which describes the blessed effects of liberty; it
might make a patriot of any man whose heart was not wholly closed
against his humbler fellow-creatures.

***


PETER BELL THE THIRD.

BY MICHING MALLECHO, ESQ.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punch--some sipping tea;
But, as you by their faces see,
All silent, and all--damned!
"Peter Bell", by W.