The
scene draws up, and discovers Japhet endeavouring to persuade the
Patriarch, with very strong arguments of love and pity, to receive the
sisters, or at least Adah, on board.
scene draws up, and discovers Japhet endeavouring to persuade the
Patriarch, with very strong arguments of love and pity, to receive the
sisters, or at least Adah, on board.
Byron
.
rise into the air with the two sisters.
.
.
.
The
appearance of the land strangled by the ocean will serve by way of
scenery and decorations. The affectionate tenderness of Adah for those
from whom she is parted, and for ever, and her fears contrasting with
the loftier spirit of Aholibamah triumphing in the hopes of a new and
greater destiny will make the dialogue. They, in the meantime, continue
their aerial voyage, everywhere denied admittance in those floating
islands over the sea of space, and driven back by guardian-spirits of
the different planets, till they are at length forced to alight on the
only peak of the earth uncovered by water. Here a parting takes place
between the lovers. . . . The fallen angels are suddenly called, and
condemned, their destination and punishment unknown. The sisters cling
to the rock, the waters mounting higher and higher. Now enter Ark.
The
scene draws up, and discovers Japhet endeavouring to persuade the
Patriarch, with very strong arguments of love and pity, to receive the
sisters, or at least Adah, on board. Adah joins in his entreaties, and
endeavours to cling to the sides of the vessel. The proud and haughty
Aholibamah scorns to pray either to God or man, and anticipates the
grave by plunging into the waters. Noah is still inexorable. [Adah] is
momentarily in danger of perishing before the eyes of the Arkites.
Japhet is in despair. The last wave sweeps her from the rock, and her
lifeless corpse floats past in all its beauty, whilst a sea-bird screams
over it, and seems to be the spirit of her angel lord. I once thought of
conveying the lovers to the moon or one of the planets; but it is not
easy for the imagination to make any unknown world more beautiful than
this; besides, I did not think they would approve of the moon as a
residence. I remember what Fontenelle said of its having no atmosphere,
and the dark spots having caverns where the inhabitants reside. There
was another objection: all the human interest would have been destroyed,
which I have even endeavoured to give my angels. "]
WERNER;
OR,
THE INHERITANCE:
A TRAGEDY.
[_Werner_ was produced, for the first time, at the Park Theatre, New
York, in 1826. Mr. Barry played "Werner. "
_Werner_ was brought out at Drury Lane Theatre, and played, for the
first time, December 15, 1830. Macready appeared as "Werner," J.
appearance of the land strangled by the ocean will serve by way of
scenery and decorations. The affectionate tenderness of Adah for those
from whom she is parted, and for ever, and her fears contrasting with
the loftier spirit of Aholibamah triumphing in the hopes of a new and
greater destiny will make the dialogue. They, in the meantime, continue
their aerial voyage, everywhere denied admittance in those floating
islands over the sea of space, and driven back by guardian-spirits of
the different planets, till they are at length forced to alight on the
only peak of the earth uncovered by water. Here a parting takes place
between the lovers. . . . The fallen angels are suddenly called, and
condemned, their destination and punishment unknown. The sisters cling
to the rock, the waters mounting higher and higher. Now enter Ark.
The
scene draws up, and discovers Japhet endeavouring to persuade the
Patriarch, with very strong arguments of love and pity, to receive the
sisters, or at least Adah, on board. Adah joins in his entreaties, and
endeavours to cling to the sides of the vessel. The proud and haughty
Aholibamah scorns to pray either to God or man, and anticipates the
grave by plunging into the waters. Noah is still inexorable. [Adah] is
momentarily in danger of perishing before the eyes of the Arkites.
Japhet is in despair. The last wave sweeps her from the rock, and her
lifeless corpse floats past in all its beauty, whilst a sea-bird screams
over it, and seems to be the spirit of her angel lord. I once thought of
conveying the lovers to the moon or one of the planets; but it is not
easy for the imagination to make any unknown world more beautiful than
this; besides, I did not think they would approve of the moon as a
residence. I remember what Fontenelle said of its having no atmosphere,
and the dark spots having caverns where the inhabitants reside. There
was another objection: all the human interest would have been destroyed,
which I have even endeavoured to give my angels. "]
WERNER;
OR,
THE INHERITANCE:
A TRAGEDY.
[_Werner_ was produced, for the first time, at the Park Theatre, New
York, in 1826. Mr. Barry played "Werner. "
_Werner_ was brought out at Drury Lane Theatre, and played, for the
first time, December 15, 1830. Macready appeared as "Werner," J.
