[Note 38: A Russian annotator
complains
that the poet has
mutilated Dante's famous line.
mutilated Dante's famous line.
Pushkin - Eugene Oneigin
the moon was shining bright
And showed with an uncertain light
Tattiana's beauty, pale with care,
Her tears and her dishevelled hair;
And on the footstool sitting down
Beside our youthful heroine fair,
A kerchief round her silver hair
The aged nurse in ample gown,(37)
Whilst all creation seemed to dream
Enchanted by the moon's pale beam.
[Note 37: It is thus that I am compelled to render a female
garment not known, so far as I am aware, to Western Europe.
It is called by the natives "doushegreika," that is to say,
"warmer of the soul"--in French, chaufferette de l'ame. It
is a species of thick pelisse worn over the "sarafan," or
gown. ]
XXI
But borne in spirit far away
Tattiana gazes on the moon,
And starting suddenly doth say:
"Nurse, leave me. I would be alone.
Pen, paper bring: the table too
Draw near. I soon to sleep shall go--
Good-night. " Behold! she is alone!
'Tis silent--on her shines the moon--
Upon her elbow she reclines,
And Eugene ever in her soul
Indites an inconsiderate scroll
Wherein love innocently pines.
Now it is ready to be sent--
For whom, Tattiana, is it meant?
XXII
I have known beauties cold and raw
As Winter in their purity,
Striking the intellect with awe
By dull insensibility,
And I admired their common sense
And natural benevolence,
But, I acknowledge, from them fled;
For on their brows I trembling read
The inscription o'er the gates of Hell
"Abandon hope for ever here! "(38)
Love to inspire doth woe appear
To such--delightful to repel.
Perchance upon the Neva e'en
Similar dames ye may have seen.
[Note 38: A Russian annotator complains that the poet has
mutilated Dante's famous line. ]
XXIII
Amid submissive herds of men
Virgins miraculous I see,
Who selfishly unmoved remain
Alike by sighs and flattery.
But what astonished do I find
When harsh demeanour hath consigned
A timid love to banishment? --
On fresh allurements they are bent,
At least by show of sympathy;
At least their accents and their words
Appear attuned to softer chords;
And then with blind credulity
The youthful lover once again
Pursues phantasmagoria vain.
XXIV
Why is Tattiana guiltier deemed? --
Because in singleness of thought
She never of deception dreamed
But trusted the ideal she wrought? --
Because her passion wanted art,
Obeyed the impulses of heart? --
Because she was so innocent,
That Heaven her character had blent
With an imagination wild,
With intellect and strong volition
And a determined disposition,
An ardent heart and yet so mild? --
Doth love's incautiousness in her
So irremissible appear?
XXV
O ye whom tender love hath pained
Without the ken of parents both,
Whose hearts responsive have remained
To the impressions of our youth,
The all-entrancing joys of love--
Young ladies, if ye ever strove
The mystic lines to tear away
A lover's letter might convey,
Or into bold hands anxiously
Have e'er a precious tress consigned,
Or even, silent and resigned,
When separation's hour drew nigh,
Have felt love's agitated kiss
With tears, confused emotions, bliss,--
XXVI
With unanimity complete,
Condemn not weak Tattiana mine;
Do not cold-bloodedly repeat
The sneers of critics superfine;
And you, O maids immaculate,
Whom vice, if named, doth agitate
E'en as the presence of a snake,
I the same admonition make.
Who knows? with love's consuming flame
Perchance you also soon may burn,
Then to some gallant in your turn
Will be ascribed by treacherous Fame
The triumph of a conquest new.
The God of Love is after you!
XXVII
A coquette loves by calculation,
Tattiana's love was quite sincere,
A love which knew no limitation,
Even as the love of children dear.
She did not think "procrastination
Enhances love in estimation
And thus secures the prey we seek.
His vanity first let us pique
With hope and then perplexity,
Excruciate the heart and late
With jealous fire resuscitate,
Lest jaded with satiety,
The artful prisoner should seek
Incessantly his chains to break.
And showed with an uncertain light
Tattiana's beauty, pale with care,
Her tears and her dishevelled hair;
And on the footstool sitting down
Beside our youthful heroine fair,
A kerchief round her silver hair
The aged nurse in ample gown,(37)
Whilst all creation seemed to dream
Enchanted by the moon's pale beam.
[Note 37: It is thus that I am compelled to render a female
garment not known, so far as I am aware, to Western Europe.
It is called by the natives "doushegreika," that is to say,
"warmer of the soul"--in French, chaufferette de l'ame. It
is a species of thick pelisse worn over the "sarafan," or
gown. ]
XXI
But borne in spirit far away
Tattiana gazes on the moon,
And starting suddenly doth say:
"Nurse, leave me. I would be alone.
Pen, paper bring: the table too
Draw near. I soon to sleep shall go--
Good-night. " Behold! she is alone!
'Tis silent--on her shines the moon--
Upon her elbow she reclines,
And Eugene ever in her soul
Indites an inconsiderate scroll
Wherein love innocently pines.
Now it is ready to be sent--
For whom, Tattiana, is it meant?
XXII
I have known beauties cold and raw
As Winter in their purity,
Striking the intellect with awe
By dull insensibility,
And I admired their common sense
And natural benevolence,
But, I acknowledge, from them fled;
For on their brows I trembling read
The inscription o'er the gates of Hell
"Abandon hope for ever here! "(38)
Love to inspire doth woe appear
To such--delightful to repel.
Perchance upon the Neva e'en
Similar dames ye may have seen.
[Note 38: A Russian annotator complains that the poet has
mutilated Dante's famous line. ]
XXIII
Amid submissive herds of men
Virgins miraculous I see,
Who selfishly unmoved remain
Alike by sighs and flattery.
But what astonished do I find
When harsh demeanour hath consigned
A timid love to banishment? --
On fresh allurements they are bent,
At least by show of sympathy;
At least their accents and their words
Appear attuned to softer chords;
And then with blind credulity
The youthful lover once again
Pursues phantasmagoria vain.
XXIV
Why is Tattiana guiltier deemed? --
Because in singleness of thought
She never of deception dreamed
But trusted the ideal she wrought? --
Because her passion wanted art,
Obeyed the impulses of heart? --
Because she was so innocent,
That Heaven her character had blent
With an imagination wild,
With intellect and strong volition
And a determined disposition,
An ardent heart and yet so mild? --
Doth love's incautiousness in her
So irremissible appear?
XXV
O ye whom tender love hath pained
Without the ken of parents both,
Whose hearts responsive have remained
To the impressions of our youth,
The all-entrancing joys of love--
Young ladies, if ye ever strove
The mystic lines to tear away
A lover's letter might convey,
Or into bold hands anxiously
Have e'er a precious tress consigned,
Or even, silent and resigned,
When separation's hour drew nigh,
Have felt love's agitated kiss
With tears, confused emotions, bliss,--
XXVI
With unanimity complete,
Condemn not weak Tattiana mine;
Do not cold-bloodedly repeat
The sneers of critics superfine;
And you, O maids immaculate,
Whom vice, if named, doth agitate
E'en as the presence of a snake,
I the same admonition make.
Who knows? with love's consuming flame
Perchance you also soon may burn,
Then to some gallant in your turn
Will be ascribed by treacherous Fame
The triumph of a conquest new.
The God of Love is after you!
XXVII
A coquette loves by calculation,
Tattiana's love was quite sincere,
A love which knew no limitation,
Even as the love of children dear.
She did not think "procrastination
Enhances love in estimation
And thus secures the prey we seek.
His vanity first let us pique
With hope and then perplexity,
Excruciate the heart and late
With jealous fire resuscitate,
Lest jaded with satiety,
The artful prisoner should seek
Incessantly his chains to break.
