This
coronation
of poets, it
is said, ceased under the reign of the Emperor Theodosius.
is said, ceased under the reign of the Emperor Theodosius.
Petrarch
It is possible
that King Robert's letter to Petrarch was so laudatory as to require a
flattering answer. But this reverberated praise is rather overstrained.
Petrarch was now intent on obtaining the honour of Poet Laureate. His
wishes were at length gratified, and in a manner that made the offer
more flattering than the crown itself.
Whilst he still remained at Vaucluse, at nine o'clock in the morning of
the 1st of September, 1340, he received a letter from the Roman Senate,
pressingly inviting him to come and receive the crown of Poet Laureate
at Rome. He must have little notion of a poet's pride and vanity, who
cannot imagine the flushed countenance, the dilated eyes, and the
joyously-throbbing heart of Petrarch, whilst he read this letter. To be
invited by the Senate of Rome to such an honour might excuse him for
forgetting that Rome was not now what she had once been, and that the
substantial glory of his appointment was small in comparison with the
classic associations which formed its halo.
As if to keep up the fever of his joy, he received the same day, in the
afternoon, at four o'clock, another letter with the same offer, from
Roberto Bardi, Chancellor of the University of Paris, in which he
importuned him to be crowned as Poet Laureate at Paris. When we consider
the poet's veneration for Rome, we may easily anticipate that he would
give the preference to that city. That he might not, however, offend his
friend Roberto Bardi and the University of Paris, he despatched a
messenger to Cardinal Colonna, asking his advice upon the subject,
pretty well knowing that his patron's opinion would coincide with his
own wishes. The Colonna advised him to be crowned at Rome.
The custom of conferring this honour had, for a long time, been
obsolete. In the earliest classical ages, garlands were given as a
reward to valour and genius. Virgil exhibits his conquerors adorned with
them. The Romans adopted the custom from Greece, where leafy honours
were bestowed on victors at public games.
This coronation of poets, it
is said, ceased under the reign of the Emperor Theodosius. After his
death, during the long subsequent barbarism of Europe, when literature
produced only rhyming monks, and when there were no more poets to crown,
the discontinuance of the practice was a natural consequence.
At the commencement of the thirteenth century, according to the Abbe
Resnel, the universities of Europe began to dispense laurels, not to
poets, but to students distinguished by their learning. The doctors in
medicine, at the famous university of Salerno, established by the
Emperor Frederic II. , had crowns of laurel put upon their heads. The
bachelors also had their laurels, and derived their name from a baculus,
or stick, which they carried.
Cardinal Colonna, as we have said, advised him, "_nothing loth_," to
enjoy his coronation at Rome. Thither accordingly he repaired early in
the year 1341. He embarked at Marseilles for Naples, wishing previously
to his coronation to visit King Robert, by whom he was received with all
possible hospitality and distinction.
Though he had accepted the laurel amidst the general applause of his
contemporaries, Petrarch was not satisfied that he should enjoy this
honour without passing through an ordeal as to his learning, for laurels
and learning had been for one hundred years habitually associated in
men's minds. The person whom Petrarch selected for his examiner in
erudition was the King of Naples. Robert _the Good_, as he was in some
respects deservedly called, was, for his age, a well-instructed man,
and, for a king, a prodigy. He had also some common sense, but in
classical knowledge he was more fit to be the scholar of Petrarch than
his examiner. If Petrarch, however, learned nothing from the King, the
King learned something from Petrarch. Among the other requisites for
examining a Poet Laureate which Robert possessed, was _an utter
ignorance of poetry_. But Petrarch couched his blindness on the subject,
so that Robert saw, or believed he saw, something useful in the divine
art.
that King Robert's letter to Petrarch was so laudatory as to require a
flattering answer. But this reverberated praise is rather overstrained.
Petrarch was now intent on obtaining the honour of Poet Laureate. His
wishes were at length gratified, and in a manner that made the offer
more flattering than the crown itself.
Whilst he still remained at Vaucluse, at nine o'clock in the morning of
the 1st of September, 1340, he received a letter from the Roman Senate,
pressingly inviting him to come and receive the crown of Poet Laureate
at Rome. He must have little notion of a poet's pride and vanity, who
cannot imagine the flushed countenance, the dilated eyes, and the
joyously-throbbing heart of Petrarch, whilst he read this letter. To be
invited by the Senate of Rome to such an honour might excuse him for
forgetting that Rome was not now what she had once been, and that the
substantial glory of his appointment was small in comparison with the
classic associations which formed its halo.
As if to keep up the fever of his joy, he received the same day, in the
afternoon, at four o'clock, another letter with the same offer, from
Roberto Bardi, Chancellor of the University of Paris, in which he
importuned him to be crowned as Poet Laureate at Paris. When we consider
the poet's veneration for Rome, we may easily anticipate that he would
give the preference to that city. That he might not, however, offend his
friend Roberto Bardi and the University of Paris, he despatched a
messenger to Cardinal Colonna, asking his advice upon the subject,
pretty well knowing that his patron's opinion would coincide with his
own wishes. The Colonna advised him to be crowned at Rome.
The custom of conferring this honour had, for a long time, been
obsolete. In the earliest classical ages, garlands were given as a
reward to valour and genius. Virgil exhibits his conquerors adorned with
them. The Romans adopted the custom from Greece, where leafy honours
were bestowed on victors at public games.
This coronation of poets, it
is said, ceased under the reign of the Emperor Theodosius. After his
death, during the long subsequent barbarism of Europe, when literature
produced only rhyming monks, and when there were no more poets to crown,
the discontinuance of the practice was a natural consequence.
At the commencement of the thirteenth century, according to the Abbe
Resnel, the universities of Europe began to dispense laurels, not to
poets, but to students distinguished by their learning. The doctors in
medicine, at the famous university of Salerno, established by the
Emperor Frederic II. , had crowns of laurel put upon their heads. The
bachelors also had their laurels, and derived their name from a baculus,
or stick, which they carried.
Cardinal Colonna, as we have said, advised him, "_nothing loth_," to
enjoy his coronation at Rome. Thither accordingly he repaired early in
the year 1341. He embarked at Marseilles for Naples, wishing previously
to his coronation to visit King Robert, by whom he was received with all
possible hospitality and distinction.
Though he had accepted the laurel amidst the general applause of his
contemporaries, Petrarch was not satisfied that he should enjoy this
honour without passing through an ordeal as to his learning, for laurels
and learning had been for one hundred years habitually associated in
men's minds. The person whom Petrarch selected for his examiner in
erudition was the King of Naples. Robert _the Good_, as he was in some
respects deservedly called, was, for his age, a well-instructed man,
and, for a king, a prodigy. He had also some common sense, but in
classical knowledge he was more fit to be the scholar of Petrarch than
his examiner. If Petrarch, however, learned nothing from the King, the
King learned something from Petrarch. Among the other requisites for
examining a Poet Laureate which Robert possessed, was _an utter
ignorance of poetry_. But Petrarch couched his blindness on the subject,
so that Robert saw, or believed he saw, something useful in the divine
art.
