No More Learning

Exact science and its practical movements are no checks on the greatest
poet, but always his encouragement and support. The outset and remembrance
are there--there the arms that lifted him first and brace him best--there
he returns after all his goings and comings. The sailor and traveller, the
anatomist, chemist, astronomer, geologist, phrenologist, spiritualist,
mathematician, historian, and lexicographer, are not poets; but they are
the lawgivers of poets, and their construction underlies the structure of
every perfect poem. No matter what rises or is uttered, they send the seed
of the conception of it: of them and by them stand the visible proofs of
souls. If there shall be love and content between the father and the son,
and if the greatness of the son is the exuding of the greatness of the
father, there shall be love between the poet and the man of demonstrable
science. In the beauty of poems are the tuft and final applause of science.

Great is the faith of the flush of knowledge, and of the investigation of
the depths of qualities and things. Cleaving and circling here swells the
soul of the poet: yet is president of itself always. The depths are
fathomless, and therefore calm. The innocence and nakedness are resumed--
they are neither modest nor immodest. The whole theory of the special and
supernatural, and all that was twined with it or educed out of it, departs
as a dream. What has ever happened, what happens, and whatever may or shall
happen, the vital laws enclose all: they are sufficient for any case and
for all cases--none to be hurried or retarded--any miracle of affairs or
persons inadmissible in the vast clear scheme where every motion, and every
spear of grass, and the frames and spirits of men and women, and all that
concerns them, are unspeakably perfect miracles, all referring to all, and
each distinct and in its place. It is also not consistent with the reality
of the soul to admit that there is anything in the known universe more
divine than men and women.

Men and women, and the earth and all upon it, are simply to be taken as
they are, and the investigation of their past and present and future shall
be unintermitted, and shall be done with perfect candour. Upon this basis
philosophy speculates, ever looking toward the poet, ever regarding the
eternal tendencies of all toward happiness, never inconsistent with what is
clear to the senses and to the soul.
For the eternal tendencies of all
toward happiness make the only point of sane philosophy. Whatever
comprehends less than that--whatever is less than the laws of light and of
astronomical motion--or less than the laws that follow the thief, the liar,
the glutton, and the drunkard, through this life, and doubtless afterward--
or less than vast stretches of time, or the slow formation of density, or
the patient upheaving of strata--is of no account. Whatever would put God
in a poem or system of philosophy as contending against some being or
influence is also of no account. Sanity and ensemble characterise the great
master:--spoilt in one principle, all is spoilt. The great master has
nothing to do with miracles. He sees health for himself in being one of the
mass--he sees the hiatus in singular eminence. To the perfect shape comes
common ground. To be under the general law is great, for that is to
correspond with it. The master knows that he is unspeakably great, and that
all are unspeakably great--that nothing, for instance, is greater than to
conceive children, and bring them up well--that to be is just as great as
to perceive or tell.

In the make of the great masters the idea of political liberty is
indispensable. Liberty takes the adherence of heroes wherever men and women
exist; but never takes any adherence or welcome from the rest more than
from poets. They are the voice and exposition of liberty. They out of ages
are worthy the grand idea,--to them it is confided, and they must sustain
it. Nothing has precedence of it, and nothing can warp or degrade it. The
attitude of great poets is to cheer up slaves and horrify despots. The turn
of their necks, the sound of their feet, the motions of their wrists, are
full of hazard to the one and hope to the other.