No More Learning

thrice welcome, warm heart and fine brain,
You bring back the happiest spirit from Spain, 1440
And the gravest sweet humor, that ever were there
Since Cervantes met death in his gentle despair;
Nay, don't be embarrassed, nor look so beseeching,
I sha'n't run directly against my own preaching,
And, having just laughed at their Raphaels and Dantes,
Go to setting you up beside matchless Cervantes;
But allow me to speak what I honestly feel,--
To a true poet-heart add the fun of Dick Steele,
Throw in all of Addison, _minus_ the chill, 1449
With the whole of that partnership's stock and good-will,
Mix well, and while stirring, hum o'er, as a spell,
The fine _old_ English Gentleman, simmer it well,
Sweeten just to your own private liking, then strain,
That only the finest and clearest remain,
Let it stand out of doors till a soul it receives
From the warm lazy sun loitering down through green leaves,
And you'll find a choice nature, not wholly deserving
A name either English or Yankee,--just Irving.

'There goes,--but _stet nominis umbra_,--his name
You'll be glad enough, some day or other, to claim, 1460
And will all crowd about him and swear that you knew him
If some English critic should chance to review him.
The old _porcos ante ne projiciatis_
MARGARITAS, for him you have verified gratis;
What matters his name? Why, it may be Sylvester,
Judd, Junior, or Junius, Ulysses, or Nestor,
For aught _I_ know or care; 'tis enough that I look
On the author of "Margaret," the first Yankee book
With the _soul_ of Down East in 't, and things farther East,
As far as the threshold of morning, at least, 1470
Where awaits the fair dawn of the simple and true,
Of the day that comes slowly to make all things new.
'T has a smack of pine woods, of bare field and bleak hill,
Such as only the breed of the Mayflower could till;
The Puritan's shown in it, tough to the core,
Such as prayed, smiting Agag on red Marston Moor:
With an unwilling humor, half choked by the drouth
In brown hollows about the inhospitable mouth;
With a soul full of poetry, though it has qualms
About finding a happiness out of the Psalms; 1480
Full of tenderness, too, though it shrinks in the dark,
Hamadryad-like, under the coarse, shaggy bark;
That sees visions, knows wrestlings of God with the Will,
And has its own Sinais and thunderings still. '

Here, 'Forgive me, Apollo,' I cried, 'while I pour
My heart out to my birthplace: O loved more and more
Dear Baystate, from whose rocky bosom thy sons
Should suck milk, strong-will-giving, brave, such as runs
In the veins of old Greylock--who is it that dares 1489
Call thee pedler, a soul wrapped in bank-books and shares?
It is false! She's a Poet! I see, as I write,
Along the far railroad the steam-snake glide white,
The cataract-throb of her mill-hearts, I hear,
The swift strokes of trip-hammers weary my ear,
Sledges ring upon anvils, through logs the saw screams,
Blocks swing to their place, beetles drive home the beams:--
It is songs such as these that she croons to the din
Of her fast-flying shuttles, year out and year in,
While from earth's farthest corner there comes not a breeze
But wafts her the buzz of her gold-gleaning bees: 1500
What though those horn hands have as yet found small time
For painting and sculpture and music and rhyme?
These will come in due order; the need that pressed sorest
Was to vanquish the seasons, the ocean, the forest,
To bridle and harness the rivers, the steam,
Making those whirl her mill-wheels, this tug in her team,
To vassalize old tyrant Winter, and make
Him delve surlily for her on river and lake;--
When this New World was parted, she strove not to shirk
Her lot in the heirdom, the tough, silent Work, 1510
The hero-share ever from Herakles down
To Odin, the Earth's iron sceptre and crown:
Yes, thou dear, noble Mother! if ever men's praise
Could be claimed for creating heroical lays,
Thou hast won it; if ever the laurel divine
Crowned the Maker and Builder, that glory is thine!
Thy songs are right epic, they tell how this rude
Rock-rib of our earth here was tamed and subdued;
Thou hast written them plain on the face of the planet
In brave, deathless letters of iron and granite; 1520
Thou hast printed them deep for all time; they are set
From the same runic type-fount and alphabet
With thy stout Berkshire hills and the arms of thy Bay,--
They are staves from the burly old Mayflower lay.
If the drones of the Old World, in querulous ease,
Ask thy Art and thy Letters, point proudly to these,
Or, if they deny these are Letters and Art,
Toil on with the same old invincible heart;
Thou art rearing the pedestal broad-based and grand
Whereon the fair shapes of the Artist shall stand, 1530
And creating, through labors undaunted and long,
The theme for all Sculpture and Painting and Song!

'But my good mother Baystate wants no praise of mine,
She learned from _her_ mother a precept divine
About something that butters no parsnips, her _forte_
In another direction lies, work is her sport
(Though she'll curtsey and set her cap straight, that she will,
If you talk about Plymouth and red Bunker's hill).
Dear, notable goodwife!
by this time of night,
Her hearth is swept neatly, her fire burning bright, 1540
And she sits in a chair (of home plan and make) rocking,
Musing much, all the while, as she darns on a stocking,
Whether turkeys will come pretty high next Thanksgiving,
Whether flour'll be so dear, for, as sure as she's living,
She will use rye-and-injun then, whether the pig
By this time ain't got pretty tolerable big,
And whether to sell it outright will be best,
Or to smoke hams and shoulders and salt down the rest,--
At this minute, she'd swop all my verses, ah, cruel!
For the last patent stove that is saving of fuel; 1550
So I'll just let Apollo go on, for his phiz
Shows I've kept him awaiting too long as it is. '

'If our friend, there, who seems a reporter, is done
With his burst of emotion, why, I will go on,'
Said Apollo; some smiled, and, indeed, I must own
There was something sarcastic, perhaps, in his tone;--

'There's Holmes, who is matchless among you for wit;
A Leyden-jar always full-charged, from which flit
The electrical tingles of hit after hit;
In long poems 'tis painful sometimes, and invites 1560
A thought of the way the new Telegraph writes,
Which pricks down its little sharp sentences spitefully
As if you got more than you'd title to rightfully,
And you find yourself hoping its wild father Lightning
Would flame in for a second and give you a fright'ning.
He has perfect sway of what I call a sham metre,
But many admire it, the English pentameter,
And Campbell, I think, wrote most commonly worse,
With less nerve, swing, and fire in the same kind of verse,
Nor e'er achieved aught in't so worthy of praise 1570
As the tribute of Holmes to the grand _Marseillaise_.
You went crazy last year over Bulwer's New Timon;--
Why, if B. , to the day of his dying, should rhyme on,
Heaping verses on verses and tomes upon tomes,
He could ne'er reach the best point and vigor of Holmes.
His are just the fine hands, too, to weave you a lyric
Full of fancy, fun, feeling, or spiced with satiric
In a measure so kindly, you doubt if the toes
That are trodden upon are your own or your foes'.

'There is Lowell, who's striving Parnassus to climb 1580
With a whole bale of _isms_ tied together with rhyme,
He might get on alone, spite of brambles and boulders,
But he can't with that bundle he has on his shoulders,
The top of the hill he will ne'er come nigh reaching
Till he learns the distinction 'twixt singing and preaching;
His lyre has some chords that would ring pretty well,
But he'd rather by half make a drum of the shell,
And rattle away till he's old as Methusalem,
At the head of a march to the last new Jerusalem. 1589

'There goes Halleck, whose Fanny's a pseudo Don Juan,
With the wickedness out that gave salt to the true one,
He's a wit, though, I hear, of the very first order,
And once made a pun on the words soft Recorder;
More than this, he's a very great poet, I'm told,
And has had his works published in crimson and gold,
With something they call "Illustrations," to wit,
Like those with which Chapman obscured Holy Writ,[4]
Which are said to illustrate, because, as I view it,
Like _lucus a non_, they precisely don't do it;
Let a man who can write what himself understands 1600
Keep clear, if he can, of designing men's hands,
Who bury the sense, if there's any worth having,
And then very honestly call it engraving,
But, to quit _badinage_, which there isn't much wit in,
Halleck's better, I doubt not, than all he has written;
In his verse a clear glimpse you will frequently find,
If not of a great, of a fortunate mind,
Which contrives to be true to its natural loves
In a world of back-offices, ledgers, and stoves.
When his heart breaks away from the brokers and banks, 1610
And kneels in his own private shrine to give thanks,
There's a genial manliness in him that earns
Our sincerest respect (read, for instance, his "Burns"),
And we can't but regret (seek excuse where we may)
That so much of a man has been peddled away.

'But what's that? a mass-meeting? No, there come in lots
The American Bulwers, Disraelis, and Scotts,
And in short the American everything elses,
Each charging the others with envies and jealousies;--
By the way, 'tis a fact that displays what profusions 1620
Of all kinds of greatness bless free institutions,
That while the Old World has produced barely eight
Of such poets as all men agree to call great,
And of other great characters hardly a score
(One might safely say less than that rather than more),
With you every year a whole crop is begotten,
They're as much of a staple as corn is, or cotton;
Why, there's scarcely a huddle of log-huts and shanties
That has not brought forth its own Miltons and Dantes; 1629
I myself know ten Byrons, one Coleridge, three Shelleys,
Two Raphaels, six Titians (I think), one Apelles,
Leonardos and Rubenses plenty as lichens,
One (but that one is plenty) American Dickens,
A whole flock of Lambs, any number of Tennysons,--
In short, if a man has the luck to have any sons,
He may feel pretty certain that one out of twain
Will be some very great person over again.
There is one inconvenience in all this, which lies
In the fact that by contrast we estimate size,[5]
And, where there are none except Titans, great stature 1640
Is only the normal proceeding of nature.
What puff the strained sails of your praise will you furl at, if
The calmest degree that you know is superlative?
At Rome, all whom Charon took into his wherry must,
As a matter of course, be well _issimust_ and _errimust_,
A Greek, too, could feel, while in that famous boat he tost,
That his friends would take care he was [Greek: istost] and
[Greek: otatost],
And formerly we, as through graveyards we past,
Thought the world went from bad to worst fearfully fast;
Let us glance for a moment, 'tis well worth the pains, 1650
And note what an average graveyard contains;
There lie levellers levelled, duns done up themselves,
There are booksellers finally laid on their shelves,
Horizontally there lie upright politicians,
Dose-a-dose with their patients sleep faultless physicians,
There are slave-drivers quietly whipped under ground,
There bookbinders, done up in boards, are fast bound,
There card-players wait till the last trump be played,
There all the choice spirits get finally laid,
There the babe that's unborn is supplied with a berth, 1660
There men without legs get their six feet of earth,
There lawyers repose, each wrapped up in his case,
There seekers of office are sure of a place,
There defendant and plaintiff get equally cast,
There shoemakers quietly stick to the last,
There brokers at length become silent as stocks,
There stage-drivers sleep without quitting their box,
And so forth and so forth and so forth and so on,
With this kind of stuff one might endlessly go on;
To come to the point, I may safely assert you 1670
Will find in each yard every cardinal virtue;[6]
Each has six truest patriots: four discoverers of ether,
Who never had thought on 't nor mentioned it either;
Ten poets, the greatest who ever wrote rhyme:
Two hundred and forty first men of their time:
One person whose portrait just gave the least hint
Its original had a most horrible squint:
One critic, most (what do they call it?