thou sea-fugue, writ from east to west,
Love, Love alone can pore
On thy dissolving score
Of harsh half-phrasings,
Blotted ere writ,
And double erasings
Of chords most fit.
Love, Love alone can pore
On thy dissolving score
Of harsh half-phrasings,
Blotted ere writ,
And double erasings
Of chords most fit.
Sidney Lanier
Shall woman scorch for a single sin
That her betrayer may revel in,
And she be burnt, and he but grin
When that the flames begin,
Fair Lady?
Shall ne'er prevail the woman's plea,
`We maids would far, far whiter be
If that our eyes might sometimes see
Men maids in purity,'
Fair Lady?
Shall Trade aye salve his conscience-aches
With jibes at Chivalry's old mistakes --
The wars that o'erhot knighthood makes
For Christ's and ladies' sakes,
Fair Lady?
Now by each knight that e'er hath prayed
To fight like a man and love like a maid,
Since Pembroke's life, as Pembroke's blade,
I' the scabbard, death, was laid,
Fair Lady,
I dare avouch my faith is bright
That God doth right and God hath might.
Nor time hath changed His hair to white,
Nor His dear love to spite,
Fair Lady.
I doubt no doubts: I strive, and shrive my clay,
And fight my fight in the patient modern way
For true love and for thee -- ah me! and pray
To be thy knight until my dying day,
Fair Lady. "
Made end that knightly horn, and spurred away
Into the thick of the melodious fray.
And then the hautboy played and smiled,
And sang like any large-eyed child,
Cool-hearted and all undefiled.
"Huge Trade! " he said,
"Would thou wouldst lift me on thy head
And run where'er my finger led!
Once said a Man -- and wise was He --
`Never shalt thou the heavens see,
Save as a little child thou be. '"
Then o'er sea-lashings of commingling tunes
The ancient wise bassoons,
Like weird
Gray-beard
Old harpers sitting on the high sea-dunes,
Chanted runes:
"Bright-waved gain, gray-waved loss,
The sea of all doth lash and toss,
One wave forward and one across:
But now 'twas trough, now 'tis crest,
And worst doth foam and flash to best,
And curst to blest.
Life! Life!
thou sea-fugue, writ from east to west,
Love, Love alone can pore
On thy dissolving score
Of harsh half-phrasings,
Blotted ere writ,
And double erasings
Of chords most fit.
Yea, Love, sole music-master blest,
May read thy weltering palimpsest.
To follow Time's dying melodies through,
And never to lose the old in the new,
And ever to solve the discords true --
Love alone can do.
And ever Love hears the poor-folks' crying,
And ever Love hears the women's sighing,
And ever sweet knighthood's death-defying,
And ever wise childhood's deep implying,
But never a trader's glozing and lying.
And yet shall Love himself be heard,
Though long deferred, though long deferred:
O'er the modern waste a dove hath whirred:
Music is Love in search of a word. "
____
Baltimore, 1875.
My Springs.
In the heart of the Hills of Life, I know
Two springs that with unbroken flow
Forever pour their lucent streams
Into my soul's far Lake of Dreams.
Not larger than two eyes, they lie
Beneath the many-changing sky
And mirror all of life and time,
-- Serene and dainty pantomime.
Shot through with lights of stars and dawns,
And shadowed sweet by ferns and fawns,
-- Thus heaven and earth together vie
Their shining depths to sanctify.
Always when the large Form of Love
Is hid by storms that rage above,
I gaze in my two springs and see
Love in his very verity.
Always when Faith with stifling stress
Of grief hath died in bitterness,
I gaze in my two springs and see
A Faith that smiles immortally.
Always when Charity and Hope,
In darkness bounden, feebly grope,
I gaze in my two springs and see
A Light that sets my captives free.
Always, when Art on perverse wing
Flies where I cannot hear him sing,
I gaze in my two springs and see
A charm that brings him back to me.
When Labor faints, and Glory fails,
And coy Reward in sighs exhales,
I gaze in my two springs and see
Attainment full and heavenly.
O Love, O Wife, thine eyes are they,
-- My springs from out whose shining gray
Issue the sweet celestial streams
That feed my life's bright Lake of Dreams.