No More Learning

Accursed be your ambitions and
calculations, importunate mortals who study the arts of slaughter near
the sanctuary of Death himself! Did you but know how easy the prize to
win, how facile the end to reach, and how all save Death is naught, not
so greatly would you fatigue yourselves, O ye laborious alive; nor would
you so often vex the slumber of them that long ago reached the End--the
only true end of life detestable! "




THE DESIRE TO PAINT.


Unhappy perhaps is the man, but happy the artist, who is torn with this
desire.

I burn to paint a certain woman who has appeared to me so rarely, and so
swiftly fled away, like some beautiful, regrettable thing the traveller
must leave behind him in the night. It is already long since I saw her.

She is beautiful, and more than beautiful: she is overpowering. The
colour black preponderates in her; all that she inspires is nocturnal
and profound. Her eyes are two caverns where mystery vaguely stirs and
gleams; her glance illuminates like a ray of light; it is an explosion
in the darkness.

I would compare her to a black sun if one could conceive of a dark star
overthrowing light and happiness. But it is the moon that she makes one
dream of most readily; the moon, who has without doubt touched her with
her own influence; not the white moon of the idylls, who resembles a
cold bride, but the sinister and intoxicating moon suspended in the
depths of a stormy night, among the driven clouds; not the discreet
peaceful moon who visits the dreams of pure men, but the moon torn from
the sky, conquered and revolted, that the witches of Thessaly hardly
constrain to dance upon the terrified grass.

Her small brow is the habitation of a tenacious will and the love of
prey. And below this inquiet face, whose mobile nostrils breathe in the
unknown and the impossible, glitters, with an unspeakable grace, the
smile of a large mouth; white, red, and delicious; a mouth that makes
one dream of the miracle of some superb flower unclosing in a volcanic
land.

There are women who inspire one with the desire to woo them and win
them; but she makes one wish to die slowly beneath her steady gaze.




THE GLASS-VENDOR.
These are some natures purely contemplative and antipathetic to action,
who nevertheless, under a mysterious and inexplicable impulse, sometimes
act with a rapidity of which they would have believed themselves
incapable. Such a one is he who, fearing to find some new vexation
awaiting him at his lodgings, prowls about in a cowardly fashion before
the door without daring to enter; such a one is he who keeps a letter
fifteen days without opening it, or only makes up his mind at the end of
six months to undertake a journey that has been a necessity for a year
past. Such beings sometimes feel themselves precipitately thrust towards
action, like an arrow from a bow.

The novelist and the physician, who profess to know all things, yet
cannot explain whence comes this sudden and delirious energy to indolent
and voluptuous souls; nor how, incapable of accomplishing the simplest
and most necessary things, they are at some certain moment of time
possessed by a superabundant hardihood which enables them to execute the
most absurd and even the most dangerous acts.

One of my friends, the most harmless dreamer that ever lived, at one
time set fire to a forest, in order to ascertain, as he said, whether
the flames take hold with the easiness that is commonly affirmed. His
experiment failed ten times running, on the eleventh it succeeded only
too well.

Another lit a cigar by the side of a powder barrel, _in order to see, to
know, to tempt Destiny_, for a jest, to have the pleasure of suspense,
for no reason at all, out of caprice, out of idleness. This is a kind of
energy that springs from weariness and reverie; and those in whom it
manifests so stubbornly are in general, as I have said, the most
indolent and dreamy beings.

Another so timid that he must cast down his eyes before the gaze of any
man, and summon all his poor will before he dare enter a cafe or pass
the pay-box of a theatre, where the ticket-seller seems, in his eyes,
invested with all the majesty of Minos, AEcus, and Rhadamanthus, will at
times throw himself upon the neck of some old man whom he sees in the
street, and embrace him with enthusiasm in sight of an astonished crowd.
Why? Because--because this countenance is irresistibly attractive to
him? Perhaps; but it is more legitimate to suppose that he himself does
not know why.

I have been more than once a victim to these crises and outbreaks which
give us cause to believe that evil-meaning demons slip into us, to make
us the ignorant accomplices of their most absurd desires. One morning I
arose in a sullen mood, very sad, and tired of idleness, and thrust as
it seemed to me to the doing of some great thing, some brilliant
act--and then, alas, I opened the window.

(I beg you to observe that in some people the spirit of mystification is
not the result of labour or combination, but rather of a fortuitous
inspiration which would partake, were it not for the strength of the
feeling, of the mood called hysterical by the physician and satanic by
those who think a little more profoundly than the physician; the mood
which thrusts us unresisting to a multitude of dangerous and
inconvenient acts. )

The first person I noticed in the street was a glass-vendor whose shrill
and discordant cry mounted up to me through the heavy, dull atmosphere
of Paris.