I read the book eagerly, and
perceived
that its substantiality
and power were still ahead of any eulogium with which it might have come
commended to me--and, in fact, ahead of most attempts that could be made at
verbal definition of them.
and power were still ahead of any eulogium with which it might have come
commended to me--and, in fact, ahead of most attempts that could be made at
verbal definition of them.
Whitman
*****
Title: Poems By Walt Whitman
Author: Walt Whitman
Release Date: June, 2005 [EBook #8388]
[This file was first posted on July 6, 2003]
Edition: 10
Language: English
*** START OF THE PROJECT GUTENBERG EBOOK, POEMS BY WALT WHITMAN ***
E-text prepared by Andrea Ball, Jon Ingram, Charles Franks, and the Online
Distributed Proofreading Team
POEMS BY WALT WHITMAN
by WALT WHITMAN
SELECTED AND EDITED BY WILLIAM MICHAEL ROSSETTI
A NEW EDITION
"Or si sa il nome, o per tristo o per buono,
E si sa pure al mondo ch'io ci sono. "
--MICHELANGELO.
"That Angels are human forms, or men, I have seen a thousand times. I have
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle. To the first or ultimate
heaven also correspond the forms of man's body, called its members, organs,
and viscera. Thus the corporeal part of man is that in which heaven
ultimately closes, and upon which, as on its base, it rests. "
--SWEDENBORG.
"Yes, truly, it is a great thing for a nation that it get an articulate
voice--that it produce a man who will speak forth melodiously what the
heart of it means. "
--CARLYLE.
"Les efforts de vos ennemis contre vous, leurs cris, leur rage impuissante,
et leurs petits succes, ne doivent pas vous effrayer; ce ne sont que des
egratignures sur les epaules d'Hercule. "
--ROBESPIERRE.
TO WILLIAM BELL SCOTT.
DEAR SCOTT,--Among various gifts which I have received from you, tangible
and intangible, was a copy of the original quarto edition of Whitman's
_Leaves of Grass_, which you presented to me soon after its first
appearance in 1855. At a time when few people on this side of the Atlantic
had looked into the book, and still fewer had found in it anything save
matter for ridicule, you had appraised it, and seen that its value was real
and great. A true poet and a strong thinker like yourself was indeed likely
to see that.
I read the book eagerly, and perceived that its substantiality
and power were still ahead of any eulogium with which it might have come
commended to me--and, in fact, ahead of most attempts that could be made at
verbal definition of them.
Some years afterwards, getting to know our friend Swinburne, I found with
much satisfaction that he also was an ardent (not of course a _blind_)
admirer of Whitman. Satisfaction, and a degree almost of surprise; for his
intense sense of poetic refinement of form in his own works and his
exacting acuteness as a critic might have seemed likely to carry him away
from Whitman in sympathy at least, if not in actual latitude of perception.
Those who find the American poet "utterly formless," "intolerably rough and
floundering," "destitute of the A B C of art," and the like, might not
unprofitably ponder this very different estimate of him by the author of
_Atalanta in Calydon_.
May we hope that now, twelve years after the first appearance of _Leaves of
Grass_, the English reading public may be prepared for a selection of
Whitman's poems, and soon hereafter for a complete edition of them? I trust
this may prove to be the case. At any rate, it has been a great
gratification to me to be concerned in the experiment; and this is enhanced
by my being enabled to associate with it your name, as that of an early and
well-qualified appreciator of Whitman, and no less as that of a dear
friend.
Yours affectionately,
W. M. ROSSETTI.
_October_ 1867.
CONTENTS.
PREFATORY NOTICE
PREFACE TO THE FIRST EDITION OF LEAVES OF GRASS
CHANTS DEMOCRATIC:
STARTING FROM PAUMANOK
AMERICAN FEUILLAGE
THE PAST-PRESENT
YEARS OF THE UNPERFORMED
FLUX
TO WORKING MEN
SONG OF THE BROAD-AXE
ANTECEDENTS
SALUT AU MONDE
A BROADWAY PAGEANT
OLD IRELAND
BOSTON TOWN
FRANCE, THE EIGHTEENTH YEAR OF THESE STATES
EUROPE, THE SEVENTY-SECOND AND SEVENTY-THIRD YEARS OF THESE STATES
TO A FOILED REVOLTER OR REVOLTRESS
DRUM TAPS:
MANHATTAN ARMING
1861
THE UPRISING
BEAT! BEAT! DRUMS!
SONG OF THE BANNER AT DAYBREAK
THE BIVOUAC'S FLAME
BIVOUAC ON A MOUNTAIN SIDE
CITY OF SHIPS
VIGIL ON THE FIELD
THE FLAG
THE WOUNDED
A SIGHT IN CAMP
A GRAVE
THE DRESSER
A LETTER FROM CAMP
WAR DREAMS
THE VETERAN'S VISION
O TAN-FACED PRAIRIE BOY
MANHATTAN FACES
OVER THE CARNAGE
THE MOTHER OF ALL
CAMPS OF GREEN
DIRGE FOR TWO VETERANS
SURVIVORS
HYMN OF DEAD SOLDIERS
SPIRIT WHOSE WORK IS DONE
RECONCILIATION
AFTER THE WAR
WALT WHITMAN:
ASSIMILATIONS
A WORD OUT OF THE SEA
CROSSING BROOKLYN FERRY
NIGHT AND DEATH
ELEMENTAL DRIFTS
WONDERS
MIRACLES
VISAGES
THE DARK SIDE
MUSIC
WHEREFORE?
Title: Poems By Walt Whitman
Author: Walt Whitman
Release Date: June, 2005 [EBook #8388]
[This file was first posted on July 6, 2003]
Edition: 10
Language: English
*** START OF THE PROJECT GUTENBERG EBOOK, POEMS BY WALT WHITMAN ***
E-text prepared by Andrea Ball, Jon Ingram, Charles Franks, and the Online
Distributed Proofreading Team
POEMS BY WALT WHITMAN
by WALT WHITMAN
SELECTED AND EDITED BY WILLIAM MICHAEL ROSSETTI
A NEW EDITION
"Or si sa il nome, o per tristo o per buono,
E si sa pure al mondo ch'io ci sono. "
--MICHELANGELO.
"That Angels are human forms, or men, I have seen a thousand times. I have
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle. To the first or ultimate
heaven also correspond the forms of man's body, called its members, organs,
and viscera. Thus the corporeal part of man is that in which heaven
ultimately closes, and upon which, as on its base, it rests. "
--SWEDENBORG.
"Yes, truly, it is a great thing for a nation that it get an articulate
voice--that it produce a man who will speak forth melodiously what the
heart of it means. "
--CARLYLE.
"Les efforts de vos ennemis contre vous, leurs cris, leur rage impuissante,
et leurs petits succes, ne doivent pas vous effrayer; ce ne sont que des
egratignures sur les epaules d'Hercule. "
--ROBESPIERRE.
TO WILLIAM BELL SCOTT.
DEAR SCOTT,--Among various gifts which I have received from you, tangible
and intangible, was a copy of the original quarto edition of Whitman's
_Leaves of Grass_, which you presented to me soon after its first
appearance in 1855. At a time when few people on this side of the Atlantic
had looked into the book, and still fewer had found in it anything save
matter for ridicule, you had appraised it, and seen that its value was real
and great. A true poet and a strong thinker like yourself was indeed likely
to see that.
I read the book eagerly, and perceived that its substantiality
and power were still ahead of any eulogium with which it might have come
commended to me--and, in fact, ahead of most attempts that could be made at
verbal definition of them.
Some years afterwards, getting to know our friend Swinburne, I found with
much satisfaction that he also was an ardent (not of course a _blind_)
admirer of Whitman. Satisfaction, and a degree almost of surprise; for his
intense sense of poetic refinement of form in his own works and his
exacting acuteness as a critic might have seemed likely to carry him away
from Whitman in sympathy at least, if not in actual latitude of perception.
Those who find the American poet "utterly formless," "intolerably rough and
floundering," "destitute of the A B C of art," and the like, might not
unprofitably ponder this very different estimate of him by the author of
_Atalanta in Calydon_.
May we hope that now, twelve years after the first appearance of _Leaves of
Grass_, the English reading public may be prepared for a selection of
Whitman's poems, and soon hereafter for a complete edition of them? I trust
this may prove to be the case. At any rate, it has been a great
gratification to me to be concerned in the experiment; and this is enhanced
by my being enabled to associate with it your name, as that of an early and
well-qualified appreciator of Whitman, and no less as that of a dear
friend.
Yours affectionately,
W. M. ROSSETTI.
_October_ 1867.
CONTENTS.
PREFATORY NOTICE
PREFACE TO THE FIRST EDITION OF LEAVES OF GRASS
CHANTS DEMOCRATIC:
STARTING FROM PAUMANOK
AMERICAN FEUILLAGE
THE PAST-PRESENT
YEARS OF THE UNPERFORMED
FLUX
TO WORKING MEN
SONG OF THE BROAD-AXE
ANTECEDENTS
SALUT AU MONDE
A BROADWAY PAGEANT
OLD IRELAND
BOSTON TOWN
FRANCE, THE EIGHTEENTH YEAR OF THESE STATES
EUROPE, THE SEVENTY-SECOND AND SEVENTY-THIRD YEARS OF THESE STATES
TO A FOILED REVOLTER OR REVOLTRESS
DRUM TAPS:
MANHATTAN ARMING
1861
THE UPRISING
BEAT! BEAT! DRUMS!
SONG OF THE BANNER AT DAYBREAK
THE BIVOUAC'S FLAME
BIVOUAC ON A MOUNTAIN SIDE
CITY OF SHIPS
VIGIL ON THE FIELD
THE FLAG
THE WOUNDED
A SIGHT IN CAMP
A GRAVE
THE DRESSER
A LETTER FROM CAMP
WAR DREAMS
THE VETERAN'S VISION
O TAN-FACED PRAIRIE BOY
MANHATTAN FACES
OVER THE CARNAGE
THE MOTHER OF ALL
CAMPS OF GREEN
DIRGE FOR TWO VETERANS
SURVIVORS
HYMN OF DEAD SOLDIERS
SPIRIT WHOSE WORK IS DONE
RECONCILIATION
AFTER THE WAR
WALT WHITMAN:
ASSIMILATIONS
A WORD OUT OF THE SEA
CROSSING BROOKLYN FERRY
NIGHT AND DEATH
ELEMENTAL DRIFTS
WONDERS
MIRACLES
VISAGES
THE DARK SIDE
MUSIC
WHEREFORE?
