Mire opifex numeris veterum primordia rerum,
Atque marem strepitum fidis intendisse Latinæ;
Mox juvenes agitare jocos, et pollice honesto
Egregios lusisse senes.
Atque marem strepitum fidis intendisse Latinæ;
Mox juvenes agitare jocos, et pollice honesto
Egregios lusisse senes.
Tacitus
5.
Section IX.
[a] Agamemnon and Jason were two favourite dramatic subjects with the
Roman poets. After their example, the moderns seem to have been
enamoured with those two Grecian heroes. Racine has displayed the
former, in his tragedy of Iphigenia, and the late Mr. Thomson in a
performance of great merit, entitled Agamemnon. Corneille, and, the
late Mr. Glover, thought Jason and Medea worthy of their talents.
[b] Saleius Bassus has been already mentioned, s. v. note [a]. It may
be added in this place, that the critics of his time concurred in
giving him the warmest praise, not only as a good and excellent man,
but also as an eminent and admirable poet. He was descended from a
family of distinction, but was poor and often distressed. Whether he
or Cæsius Bassus was the friend of Persius, is not perfectly clear. Be
the fact as it may, the satirist describes a fine poet, and his verses
were applicable to either of them:
Jamne lyrâ, et tetrico vivunt tibi pectine chordæ?
Mire opifex numeris veterum primordia rerum,
Atque marem strepitum fidis intendisse Latinæ;
Mox juvenes agitare jocos, et pollice honesto
Egregios lusisse senes.
PERSIUS, sat. vi.
[c] Before the invention of printing, copies were not easily
multiplied. Authors were eager to enjoy their fame, and the pen of the
transcriber was slow and tedious. Public rehearsals were the road to
fame. But an audience was to be drawn together by interest, by
solicitation, and public advertisements. Pliny, in one of his letters,
has given a lively description of the difficulties which the author
had to surmount. This year, he says, has produced poets in great
abundance. Scarce a day has passed in the month of April, without the
recital of a poem. But the greater part of the audience comes with
reluctance; they loiter in the lobbies, and there enter into idle
chat, occasionally desiring to know, whether the poet is in his
pulpit? has he begun? is his preface over? has he almost finished?
They condescended, at last, to enter the room; they looked round with
an air of indifference, and soon retired, some by stealth, and others
with open contempt. Hence the greater praise is due to those authors,
who do not suffer their genius to droop, but, on the contrary, amidst
the most discouraging circumstances, still persist to cultivate the
liberal arts.
Section IX.
[a] Agamemnon and Jason were two favourite dramatic subjects with the
Roman poets. After their example, the moderns seem to have been
enamoured with those two Grecian heroes. Racine has displayed the
former, in his tragedy of Iphigenia, and the late Mr. Thomson in a
performance of great merit, entitled Agamemnon. Corneille, and, the
late Mr. Glover, thought Jason and Medea worthy of their talents.
[b] Saleius Bassus has been already mentioned, s. v. note [a]. It may
be added in this place, that the critics of his time concurred in
giving him the warmest praise, not only as a good and excellent man,
but also as an eminent and admirable poet. He was descended from a
family of distinction, but was poor and often distressed. Whether he
or Cæsius Bassus was the friend of Persius, is not perfectly clear. Be
the fact as it may, the satirist describes a fine poet, and his verses
were applicable to either of them:
Jamne lyrâ, et tetrico vivunt tibi pectine chordæ?
Mire opifex numeris veterum primordia rerum,
Atque marem strepitum fidis intendisse Latinæ;
Mox juvenes agitare jocos, et pollice honesto
Egregios lusisse senes.
PERSIUS, sat. vi.
[c] Before the invention of printing, copies were not easily
multiplied. Authors were eager to enjoy their fame, and the pen of the
transcriber was slow and tedious. Public rehearsals were the road to
fame. But an audience was to be drawn together by interest, by
solicitation, and public advertisements. Pliny, in one of his letters,
has given a lively description of the difficulties which the author
had to surmount. This year, he says, has produced poets in great
abundance. Scarce a day has passed in the month of April, without the
recital of a poem. But the greater part of the audience comes with
reluctance; they loiter in the lobbies, and there enter into idle
chat, occasionally desiring to know, whether the poet is in his
pulpit? has he begun? is his preface over? has he almost finished?
They condescended, at last, to enter the room; they looked round with
an air of indifference, and soon retired, some by stealth, and others
with open contempt. Hence the greater praise is due to those authors,
who do not suffer their genius to droop, but, on the contrary, amidst
the most discouraging circumstances, still persist to cultivate the
liberal arts.
