No More Learning

If he waken, we waken,
Rapidly levelling eager eyes.
If he sleep, we sleep,
Dropping the eyelid over the eyes.
If the golden apple be taken
The world will be overwise.
Five links, a golden chain, are we,
Hesper, the dragon, and sisters three,
Bound about the golden tree.


III

Father Hesper, Father Hesper, watch, watch, night and day,
Lest the old wound of the world be healed,
The glory unsealed,
The golden apple stol'n away,
And the ancient secret revealed.
Look from west to east along:
Father, old Himala weakens,
Caucasus is bold and strong.
Wandering waters unto wandering waters call;
Let them clash together, foam and fall.
Out of watchings, out of wiles,
Comes the bliss of secret smiles.
All things are not told to all,
Half-round the mantling night is drawn,
Purplefringed with even and dawn.
Hesper hateth Phosphor, evening hateth morn.


IV

Every flower and every fruit the redolent breath
Of this warm seawind ripeneth,
Arching the billow in his sleep;
But the landwind wandereth,
Broken by the highland-steep,
Two streams upon the violet deep:
For the western sun and the western star,
And the low west wind, breathing afar,
The end of day and beginning of night
Make the apple holy and bright,
Holy and bright, round and full, bright and blest,
Mellowed in a land of rest;
Watch it warily day and night;
All good things are in the west,
Till midnoon the cool east light
Is shut out by the round of the tall hillbrow;
But when the fullfaced sunset yellowly
Stays on the flowering arch of the bough,
The luscious fruitage clustereth mellowly,
Goldenkernelled, goldencored,
Sunset-ripened, above on the tree,
The world is wasted with fire and sword,
But the apple of gold hangs over the sea,
Five links, a golden chain, are we,
Hesper, the dragon, and sisters three,
Daughters three,
Bound about
All round about
The gnarled bole of the charmed tree,
The golden apple, the golden apple, the hallowed fruit,
Guard it well, guard it warily,
Watch it warily,
Singing airily,
Standing about the charmed root.






ROSALIND

Not reprinted till 1884 when it was unaltered, as it has remained since:
but the poem appended and printed by Tennyson (in the footnote) has not
been reprinted.

My Rosalind, my Rosalind,
My frolic falcon, with bright eyes,
Whose free delight, from any height of rapid flight,
Stoops at all game that wing the skies,
My Rosalind, my Rosalind,
My bright-eyed, wild-eyed falcon, whither,
Careless both of wind and weather,
Whither fly ye, what game spy ye,
Up or down the streaming wind?


II

The quick lark's closest-carolled strains,
The shadow rushing up the sea,
The lightningflash atween the rain,
The sunlight driving down the lea,
The leaping stream, the very wind,
That will not stay, upon his way,
To stoop the cowslip to the plains,
Is not so clear and bold and free
As you, my falcon Rosalind.
You care not for another's pains,
Because you are the soul of joy,
Bright metal all without alloy.
Life shoots and glances thro' your veins,
And flashes off a thousand ways,
Through lips and eyes in subtle rays.
Your hawkeyes are keen and bright,
Keen with triumph, watching still
To pierce me through with pointed light;
And oftentimes they flash and glitter
Like sunshine on a dancing rill,
And your words are seeming-bitter,
Sharp and few, but seeming-bitter
From excess of swift delight.


III

Come down, come home, my Rosalind,
My gay young hawk, my Rosalind:
Too long you keep the upper skies;
Too long you roam, and wheel at will;
But we must hood your random eyes,
That care not whom they kill,
And your cheek, whose brilliant hue
Is so sparkling fresh to view,
Some red heath-flower in the dew,
Touched with sunrise. We must bind
And keep you fast, my Rosalind,
Fast, fast, my wild-eyed Rosalind,
And clip your wings, and make you love:
When we have lured you from above,
And that delight of frolic flight, by day or night,
From North to South;
We'll bind you fast in silken cords,
And kiss away the bitter words
From off your rosy mouth. [1]


[Footnote 1: Perhaps the following lines may be allowed to stand as a
separate poem; originally they made part of the text, where they were
manifestly superfluous:--

My Rosalind, my Rosalind,
Bold, subtle, careless Rosalind,
Is one of those who know no strife
Of inward woe or outward fear;
To whom the slope and stream of life,
The life before, the life behind,
In the ear, from far and near,
Chimeth musically clear.
My falconhearted Rosalind,
Fullsailed before a vigorous wind,
Is one of those who cannot weep
For others' woes, but overleap
All the petty shocks and fears
That trouble life in early years,
With a flash of frolic scorn
And keen delight, that never falls
Away from freshness, self-upborne
With such gladness, as, whenever
The freshflushing springtime calls
To the flooding waters cool,
Young fishes, on an April morn,
Up and down a rapid river,
Leap the little waterfalls
That sing into the pebbled pool.
My happy falcon, Rosalind;
Hath daring fancies of her own,
Fresh as the dawn before the day,
Fresh as the early seasmell blown
Through vineyards from an inland bay.
My Rosalind, my Rosalind,
Because no shadow on you falls
Think you hearts are tennis balls
To play with, wanton Rosalind? ]







SONG

Who can say
Why To-day
To-morrow will be yesterday?
Who can tell
Why to smell
The violet, recalls the dewy prime
Of youth and buried time?
The cause is nowhere found in rhyme.



KATE

Reprinted without alteration among the 'Juvenilia' in 1895.


I know her by her angry air,
Her brightblack eyes, her brightblack hair,
Her rapid laughters wild and shrill,
As laughter of the woodpecker
From the bosom of a hill.
'Tis Kate--she sayeth what she will;
For Kate hath an unbridled tongue,
Clear as the twanging of a harp.
Her heart is like a throbbing star.
Kate hath a spirit ever strung
Like a new bow, and bright and sharp
As edges of the scymetar.