The Project Gutenberg EBook of A Selection From The Lyrical Poems Of
Robert Herrick, by Robert Herrick
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.
Robert Herrick, by Robert Herrick
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.
Robert Herrick
?
The Project Gutenberg EBook of A Selection From The Lyrical Poems Of
Robert Herrick, by Robert Herrick
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: A Selection From The Lyrical Poems Of Robert Herrick
Author: Robert Herrick
Editor: Francis Turner Palgrave
Posting Date: August 22, 2008 [EBook #1211]
Release Date: February, 1998
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK LYRICAL POEMS ***
FROM THE LYRICAL POEMS OF ROBERT HERRICK
By Robert Herrick
Arranged with introduction by Francis Turner Palgrave
PREFACE
ROBERT HERRICK - Born 1591 : Died 1674
Those who most admire the Poet from whose many pieces a selection only
is here offered, will, it is probable, feel most strongly (with
the Editor) that excuse is needed for an attempt of an obviously
presumptuous nature. The choice made by any selector invites challenge:
the admission, perhaps, of some poems, the absence of more, will be
censured:--Whilst others may wholly condemn the process, in virtue of an
argument not unfrequently advanced of late, that a writer's judgment on
his own work is to be considered final. And his book to be taken as he
left it, or left altogether; a literal reproduction of the original text
being occasionally included in this requirement.
If poetry were composed solely for her faithful band of true lovers and
true students, such a facsimile as that last indicated would have claims
irresistible; but if the first and last object of this, as of the other
Fine Arts, may be defined in language borrowed from a different range
of thought, as 'the greatest pleasure of the greatest number,' it is
certain that less stringent forms of reproduction are required and
justified. The great majority of readers cannot bring either leisure or
taste, or information sufficient to take them through a large mass (at
any rate) of ancient verse, not even if it be Spenser's or Milton's.
Manners and modes of speech, again, have changed; and much that was
admissible centuries since, or at least sought admission, has now, by
a law against which protest is idle, lapsed into the indecorous. Even
unaccustomed forms of spelling are an effort to the eye;--a kind of
friction, which diminishes the ease and enjoyment of the reader.
These hindrances and clogs, of very diverse nature, cannot be
disregarded by Poetry. In common with everything which aims at human
benefit, she must work not only for the 'faithful': she has also the
duty of 'conversion. ' Like a messenger from heaven, it is hers to
inspire, to console, to elevate: to convert the world, in a word, to
herself. Every rough place that slackens her footsteps must be made
smooth; nor, in this Art, need there be fear that the way will ever
be vulgarized by too much ease, nor that she will be loved less by the
elect, for being loved more widely.
The Project Gutenberg EBook of A Selection From The Lyrical Poems Of
Robert Herrick, by Robert Herrick
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: A Selection From The Lyrical Poems Of Robert Herrick
Author: Robert Herrick
Editor: Francis Turner Palgrave
Posting Date: August 22, 2008 [EBook #1211]
Release Date: February, 1998
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK LYRICAL POEMS ***
FROM THE LYRICAL POEMS OF ROBERT HERRICK
By Robert Herrick
Arranged with introduction by Francis Turner Palgrave
PREFACE
ROBERT HERRICK - Born 1591 : Died 1674
Those who most admire the Poet from whose many pieces a selection only
is here offered, will, it is probable, feel most strongly (with
the Editor) that excuse is needed for an attempt of an obviously
presumptuous nature. The choice made by any selector invites challenge:
the admission, perhaps, of some poems, the absence of more, will be
censured:--Whilst others may wholly condemn the process, in virtue of an
argument not unfrequently advanced of late, that a writer's judgment on
his own work is to be considered final. And his book to be taken as he
left it, or left altogether; a literal reproduction of the original text
being occasionally included in this requirement.
If poetry were composed solely for her faithful band of true lovers and
true students, such a facsimile as that last indicated would have claims
irresistible; but if the first and last object of this, as of the other
Fine Arts, may be defined in language borrowed from a different range
of thought, as 'the greatest pleasure of the greatest number,' it is
certain that less stringent forms of reproduction are required and
justified. The great majority of readers cannot bring either leisure or
taste, or information sufficient to take them through a large mass (at
any rate) of ancient verse, not even if it be Spenser's or Milton's.
Manners and modes of speech, again, have changed; and much that was
admissible centuries since, or at least sought admission, has now, by
a law against which protest is idle, lapsed into the indecorous. Even
unaccustomed forms of spelling are an effort to the eye;--a kind of
friction, which diminishes the ease and enjoyment of the reader.
These hindrances and clogs, of very diverse nature, cannot be
disregarded by Poetry. In common with everything which aims at human
benefit, she must work not only for the 'faithful': she has also the
duty of 'conversion. ' Like a messenger from heaven, it is hers to
inspire, to console, to elevate: to convert the world, in a word, to
herself. Every rough place that slackens her footsteps must be made
smooth; nor, in this Art, need there be fear that the way will ever
be vulgarized by too much ease, nor that she will be loved less by the
elect, for being loved more widely.
Passing from these general considerations, it is true that a selection
framed in conformity with them, especially if one of our older poets be
concerned, parts with a certain portion of the pleasure which poetry may
confer. A writer is most thoroughly to be judged by the whole of what
he printed.
Robert Herrick, by Robert Herrick
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: A Selection From The Lyrical Poems Of Robert Herrick
Author: Robert Herrick
Editor: Francis Turner Palgrave
Posting Date: August 22, 2008 [EBook #1211]
Release Date: February, 1998
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK LYRICAL POEMS ***
FROM THE LYRICAL POEMS OF ROBERT HERRICK
By Robert Herrick
Arranged with introduction by Francis Turner Palgrave
PREFACE
ROBERT HERRICK - Born 1591 : Died 1674
Those who most admire the Poet from whose many pieces a selection only
is here offered, will, it is probable, feel most strongly (with
the Editor) that excuse is needed for an attempt of an obviously
presumptuous nature. The choice made by any selector invites challenge:
the admission, perhaps, of some poems, the absence of more, will be
censured:--Whilst others may wholly condemn the process, in virtue of an
argument not unfrequently advanced of late, that a writer's judgment on
his own work is to be considered final. And his book to be taken as he
left it, or left altogether; a literal reproduction of the original text
being occasionally included in this requirement.
If poetry were composed solely for her faithful band of true lovers and
true students, such a facsimile as that last indicated would have claims
irresistible; but if the first and last object of this, as of the other
Fine Arts, may be defined in language borrowed from a different range
of thought, as 'the greatest pleasure of the greatest number,' it is
certain that less stringent forms of reproduction are required and
justified. The great majority of readers cannot bring either leisure or
taste, or information sufficient to take them through a large mass (at
any rate) of ancient verse, not even if it be Spenser's or Milton's.
Manners and modes of speech, again, have changed; and much that was
admissible centuries since, or at least sought admission, has now, by
a law against which protest is idle, lapsed into the indecorous. Even
unaccustomed forms of spelling are an effort to the eye;--a kind of
friction, which diminishes the ease and enjoyment of the reader.
These hindrances and clogs, of very diverse nature, cannot be
disregarded by Poetry. In common with everything which aims at human
benefit, she must work not only for the 'faithful': she has also the
duty of 'conversion. ' Like a messenger from heaven, it is hers to
inspire, to console, to elevate: to convert the world, in a word, to
herself. Every rough place that slackens her footsteps must be made
smooth; nor, in this Art, need there be fear that the way will ever
be vulgarized by too much ease, nor that she will be loved less by the
elect, for being loved more widely.
The Project Gutenberg EBook of A Selection From The Lyrical Poems Of
Robert Herrick, by Robert Herrick
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: A Selection From The Lyrical Poems Of Robert Herrick
Author: Robert Herrick
Editor: Francis Turner Palgrave
Posting Date: August 22, 2008 [EBook #1211]
Release Date: February, 1998
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK LYRICAL POEMS ***
FROM THE LYRICAL POEMS OF ROBERT HERRICK
By Robert Herrick
Arranged with introduction by Francis Turner Palgrave
PREFACE
ROBERT HERRICK - Born 1591 : Died 1674
Those who most admire the Poet from whose many pieces a selection only
is here offered, will, it is probable, feel most strongly (with
the Editor) that excuse is needed for an attempt of an obviously
presumptuous nature. The choice made by any selector invites challenge:
the admission, perhaps, of some poems, the absence of more, will be
censured:--Whilst others may wholly condemn the process, in virtue of an
argument not unfrequently advanced of late, that a writer's judgment on
his own work is to be considered final. And his book to be taken as he
left it, or left altogether; a literal reproduction of the original text
being occasionally included in this requirement.
If poetry were composed solely for her faithful band of true lovers and
true students, such a facsimile as that last indicated would have claims
irresistible; but if the first and last object of this, as of the other
Fine Arts, may be defined in language borrowed from a different range
of thought, as 'the greatest pleasure of the greatest number,' it is
certain that less stringent forms of reproduction are required and
justified. The great majority of readers cannot bring either leisure or
taste, or information sufficient to take them through a large mass (at
any rate) of ancient verse, not even if it be Spenser's or Milton's.
Manners and modes of speech, again, have changed; and much that was
admissible centuries since, or at least sought admission, has now, by
a law against which protest is idle, lapsed into the indecorous. Even
unaccustomed forms of spelling are an effort to the eye;--a kind of
friction, which diminishes the ease and enjoyment of the reader.
These hindrances and clogs, of very diverse nature, cannot be
disregarded by Poetry. In common with everything which aims at human
benefit, she must work not only for the 'faithful': she has also the
duty of 'conversion. ' Like a messenger from heaven, it is hers to
inspire, to console, to elevate: to convert the world, in a word, to
herself. Every rough place that slackens her footsteps must be made
smooth; nor, in this Art, need there be fear that the way will ever
be vulgarized by too much ease, nor that she will be loved less by the
elect, for being loved more widely.
Passing from these general considerations, it is true that a selection
framed in conformity with them, especially if one of our older poets be
concerned, parts with a certain portion of the pleasure which poetry may
confer. A writer is most thoroughly to be judged by the whole of what
he printed.
