He is trebly a fool because (1) he loves, (2) he expresses his love in
verse, (3) he thereby enables some one to set the verse to music and
by singing it to re-awaken the passion which composition had lulled to
sleep.
verse, (3) he thereby enables some one to set the verse to music and
by singing it to re-awaken the passion which composition had lulled to
sleep.
John Donne
_Because
thou hast beene my helpe, Therefore in the shadow of thy wings will I
rejoice. _)
l. 45. _A patterne of your love. _ The 'of our love' of 1633 _might_
mean 'for our love', but it is clear from the manner in which
this stanza is given in _D_ that the copyist has misunderstood the
construction--'our love' follows from the assumption that 'Countries,
Townes, Courts' is the subject to 'Beg'. The colon and the capital
letter would not make such a view impossible, as they might be given a
merely emphasizing value; or if regarded as imperative the 'Beg' might
be taken as in the third person: 'Countries, Townes, Courts--let them
beg,' &c. Compare:
The God of Souldiers:
With the consent of supreame Jove, informe
Thy thoughts with Noblenesse.
Shakespeare, _Cor. _ V. iii. 70-2 (Simpson, _Shakespearian
Punctuation_, p. 98).
But clearly here 'Beg' is in the second person plural, predicate to
'You whom reverend love', and 'your love' is the right reading.
PAGE =16=. THE TRIPLE FOOLE.
He is trebly a fool because (1) he loves, (2) he expresses his love in
verse, (3) he thereby enables some one to set the verse to music and
by singing it to re-awaken the passion which composition had lulled to
sleep.
PAGE =17=. LOVERS INFINITENESS.
This song, which is one of the obviously authentic lyrics which is
not included in the _A18_, _N_, _TC_ collection, would seem to have
undergone some revision after its first issue. The version given in
_A25_, from which _Cy_ is copied, would seem to be the original,
at least the readings of ll. 25-6 and ll. 29-30 do not look like
corruptions. The reading 'beget' at l. 25 gives a better rhyme to
'yet' than 'admit'. In l. 29 _A25_ has obviously interchanged 'thine'
and 'mine'. The slightly different version of _JC_ gives the correct
order. The generally careful _D_, _H49_, _Lec_ group has an unusually
faulty text of this poem. Among other mistakes it reads (with _S96_)
'Thee' for 'them' in l. 32.
'Lovers Infiniteness' is a strange title.
thou hast beene my helpe, Therefore in the shadow of thy wings will I
rejoice. _)
l. 45. _A patterne of your love. _ The 'of our love' of 1633 _might_
mean 'for our love', but it is clear from the manner in which
this stanza is given in _D_ that the copyist has misunderstood the
construction--'our love' follows from the assumption that 'Countries,
Townes, Courts' is the subject to 'Beg'. The colon and the capital
letter would not make such a view impossible, as they might be given a
merely emphasizing value; or if regarded as imperative the 'Beg' might
be taken as in the third person: 'Countries, Townes, Courts--let them
beg,' &c. Compare:
The God of Souldiers:
With the consent of supreame Jove, informe
Thy thoughts with Noblenesse.
Shakespeare, _Cor. _ V. iii. 70-2 (Simpson, _Shakespearian
Punctuation_, p. 98).
But clearly here 'Beg' is in the second person plural, predicate to
'You whom reverend love', and 'your love' is the right reading.
PAGE =16=. THE TRIPLE FOOLE.
He is trebly a fool because (1) he loves, (2) he expresses his love in
verse, (3) he thereby enables some one to set the verse to music and
by singing it to re-awaken the passion which composition had lulled to
sleep.
PAGE =17=. LOVERS INFINITENESS.
This song, which is one of the obviously authentic lyrics which is
not included in the _A18_, _N_, _TC_ collection, would seem to have
undergone some revision after its first issue. The version given in
_A25_, from which _Cy_ is copied, would seem to be the original,
at least the readings of ll. 25-6 and ll. 29-30 do not look like
corruptions. The reading 'beget' at l. 25 gives a better rhyme to
'yet' than 'admit'. In l. 29 _A25_ has obviously interchanged 'thine'
and 'mine'. The slightly different version of _JC_ gives the correct
order. The generally careful _D_, _H49_, _Lec_ group has an unusually
faulty text of this poem. Among other mistakes it reads (with _S96_)
'Thee' for 'them' in l. 32.
'Lovers Infiniteness' is a strange title.
