= Fleay's
identification
of Fitzdottrel with Coke rests
chiefly on the fact that Coke was Lady Hatton's husband.
chiefly on the fact that Coke was Lady Hatton's husband.
Ben Jonson - The Devil's Association
The fourth and seventh parts are interpolations.
The first stanza of the fourth part, upon which the identification
largely rests, seems not to have been written until the poem was put
together in 1622-3. If it was written at the same time as the other
two stanzas, we cannot expect to find it forming part of a connected
narrative. The events described in the fourth and sixth parts are not
necessarily the same. There is practically no evidence that Lady Hatton
was the Venus of 1608, or that _Charis_ is addressed to any particular
lady.
The other link in Fleay's chain of evidence is of still weaker
substance. The mere repetition of compliments does not necessarily
prove the recipient to be the same person. In fact we find in these
very pieces the same phrases applied indiscriminately to Lady Purbeck,
Lady Frances Howard, Mrs. Fitzdottrel, perhaps to Lady Hatton, and even
to the Earl of Somerset. Of what value, then, can such evidence be?
Fleay's whole theory rests on this poem, and biographical evidence is
unnecessary. It is sufficient to notice that Lady Hatton was a proud
woman, that marriage with so eminent a man as Sir Edward Coke was
considered a great condescension (_Chamberlain's Letters_, Camden Soc. ,
p. 29), and that an amour with Jonson is extremely improbable.
=Fitzdottrel.
= Fleay's identification of Fitzdottrel with Coke rests
chiefly on the fact that Coke was Lady Hatton's husband. The following
considerations are added. Fitzdottrel is a 'squire of Norfolk'. Sir
E. Coke was a native of Norfolk, and had held office in Norwich.
Fitzdottrel's role as sham demoniac is a covert allusion to Coke's
adoption of the popular witch doctrines in the Overbury trial. His
jealousy of his wife was shown in the same trial, where he refused to
read the document of 'what ladies loved what lords', because, as was
popularly supposed, his own wife's name headed the list. Jonson is
taking advantage of Coke's disgrace in November, 1616. He had flattered
him in 1613 (_U. 64_).
Our reasons for rejecting this theory are as follows: (1) The natural
inference is that Jonson would not deliberately attack the man whom
he had highly praised three years before. I do not understand Fleay's
assertion that Jonson was always ready to attack the fallen. (2) The
compliment paid to Coke in 1613 (_U. 64_) was not the flattery of an
hour of triumph. The appointment to the king's bench was displeasing to
Coke, and made at the suggestion of Bacon with the object of removing
him to a place where he would come less often into contact with the
king. (3) Fitzdottrel is a light-headed man of fashion, who spends his
time in frequenting theatres and public places, and in conjuring evil
spirits.
The first stanza of the fourth part, upon which the identification
largely rests, seems not to have been written until the poem was put
together in 1622-3. If it was written at the same time as the other
two stanzas, we cannot expect to find it forming part of a connected
narrative. The events described in the fourth and sixth parts are not
necessarily the same. There is practically no evidence that Lady Hatton
was the Venus of 1608, or that _Charis_ is addressed to any particular
lady.
The other link in Fleay's chain of evidence is of still weaker
substance. The mere repetition of compliments does not necessarily
prove the recipient to be the same person. In fact we find in these
very pieces the same phrases applied indiscriminately to Lady Purbeck,
Lady Frances Howard, Mrs. Fitzdottrel, perhaps to Lady Hatton, and even
to the Earl of Somerset. Of what value, then, can such evidence be?
Fleay's whole theory rests on this poem, and biographical evidence is
unnecessary. It is sufficient to notice that Lady Hatton was a proud
woman, that marriage with so eminent a man as Sir Edward Coke was
considered a great condescension (_Chamberlain's Letters_, Camden Soc. ,
p. 29), and that an amour with Jonson is extremely improbable.
=Fitzdottrel.
= Fleay's identification of Fitzdottrel with Coke rests
chiefly on the fact that Coke was Lady Hatton's husband. The following
considerations are added. Fitzdottrel is a 'squire of Norfolk'. Sir
E. Coke was a native of Norfolk, and had held office in Norwich.
Fitzdottrel's role as sham demoniac is a covert allusion to Coke's
adoption of the popular witch doctrines in the Overbury trial. His
jealousy of his wife was shown in the same trial, where he refused to
read the document of 'what ladies loved what lords', because, as was
popularly supposed, his own wife's name headed the list. Jonson is
taking advantage of Coke's disgrace in November, 1616. He had flattered
him in 1613 (_U. 64_).
Our reasons for rejecting this theory are as follows: (1) The natural
inference is that Jonson would not deliberately attack the man whom
he had highly praised three years before. I do not understand Fleay's
assertion that Jonson was always ready to attack the fallen. (2) The
compliment paid to Coke in 1613 (_U. 64_) was not the flattery of an
hour of triumph. The appointment to the king's bench was displeasing to
Coke, and made at the suggestion of Bacon with the object of removing
him to a place where he would come less often into contact with the
king. (3) Fitzdottrel is a light-headed man of fashion, who spends his
time in frequenting theatres and public places, and in conjuring evil
spirits.
