No More Learning

The room betrayed the mother--so she felt--
She kissed her boy and questioned "Are you here? "
And with a gesture that he held most dear
Down for a moment by his side she knelt.

Toward the piano they both shyly glanced
For she would sing to him on many a night,
And the child seated in the fading light
Would listen strangely as if half entranced,

His large eyes fastened with a quiet glow
Upon the hand which by her ring seemed bent
And slowly wandering o'er the white keys went
Moving as though against a drift of snow.




DEATH


Before us great Death stands
Our fate held close within his quiet hands.
When with proud joy we lift Life's red wine
To drink deep of the mystic shining cup
And ecstasy through all our being leaps--
Death bows his head and weeps.




THE ASHANTEE
(Jardin d'Acclimatation, Paris)


No vision of exotic southern countries,
No dancing women, supple, brown and tall
Whirling from out their falling draperies
To melodies that beat a fierce mad call;

No sound of songs that from the hot blood rise,
No langorous, stretching, dusky, velvet maids
Flashing like gleaming weapon their bright eyes,
No swift, wild thrill the quickening blood pervades.

Only mouths widening with a still broad smile
Of comprehension, a strange knowing leer
At white men, at their vanity and guile,
An understanding that fills one with fear.

The beasts in cages much more loyal are,
Restlessly pacing, pacing to and fro,
Dreaming of countries beckoning from afar,
Lands where they roamed in days of long ago.

They burn with an unquenched and smothered fire
Consumed by longings over which they brood,
Oblivious of time, without desire,
Alone and lost in their great solitude.




REMEMBRANCE


Expectant and waiting you muse
On the great rare thing which alone
To enhance your life you would choose:
The awakening of the stone,
The deeps where yourself you would lose.

In the dusk of the shelves, embossed
Shine the volumes in gold and browns,
And you think of countries once crossed,
Of pictures, of shimmering gowns
Of the women that you have lost.

And it comes to you then at last--
And you rise for you are aware
Of a year in the far off past
With its wonder and fear and prayer.




MUSIC


What play you, O Boy? Through the garden it stole
Like wandering steps, like a whisper--then mute;
What play you, O Boy? Lo!
your gypsying soul
Is caught and held fast in the pipes of Pan's flute.

And what conjure you? Imprisoned is the song,
It lingers and longs in the reeds where it lies;
Your young life is strong, but how much more strong
Is the longing that through your music sighs.

Let your flute be still and your soul float through
Waves of sound formless as waves of the sea,
For here your song lived and it wisely grew
Before it was forced into melody.

Its wings beat gently, its note no more calls,
Its flight has been spent by you, dreaming Boy!
Now it no longer steals over my walls--
But in my garden I'd woo it to joy.




MAIDEN MELANCHOLY


A young knight comes into my mind
As from some myth of old.

He came! You felt yourself entwined
As a great storm would round you wind.
He went! A blessing undefined
Seemed left, as when church-bells declined
And left you wrapt in prayer.
You fain would cry aloud--but bind
Your scarf about you and tear-blind
Weep softly in its fold.

A young knight comes into my mind
Full armored forth to fare.

His smile was luminously kind
Like glint of ivory enshrined,
Like a home longing undivined,
Like Christmas snows where dark ways wind,
Like sea-pearls about turquoise twined,
Like moonlight silver when combined
With a loved book's rare gold.




MAIDENS AT CONFIRMATION

(Paris in May, 1903)


The white veiled maids to confirmation go
Through deep green garden paths they slowly wind;
Their childhood they are leaving now behind:
The future will be different, they know.

Oh!