No More Learning

Your sabots tread the roads of chance,
And not one queen of old romance
Carried her velvet shoes and lace
With half your grace.

In place of tatters far too short
Let the proud garments worn at Court
Fall down with rustling fold and pleat
About your feet;

In place of stockings, worn and old,
Let a keen dagger all of gold
Gleam in your garter for the eyes
Of roues wise;

Let ribbons carelessly untied
Reveal to us the radiant pride
Of your white bosom purer far
Than any star;

Let your white arms uncovered shine.
Polished and smooth and half divine;
And let your elfish fingers chase
With riotous grace

The purest pearls that softly glow.
The sweetest sonnets of Belleau,
Offered by gallants ere they fight
For your delight;

And many fawning rhymers who
Inscribe their first thin book to you
Will contemplate upon the stair
Your slipper fair;

And many a page who plays at cards,
And many lords and many bards,
Will watch your going forth, and burn
For your return;

And you will count before your glass
More kisses than the lily has;
And more than one Valois will sigh
When you pass by.

But meanwhile you are on the tramp,
Begging your living in the damp,
Wandering mean streets and alleys o'er,
From door to door;

And shilling bangles in a shop
Cause you with eager eyes to stop,
And I, alas, have not a son
To give to you.

Then go, with no more ornament,
Pearl, diamond, or subtle scent,
Than your own fragile naked grace
And lovely face.




THE SWAN.


Andromache, I think of you! The stream,
The poor, sad mirror where in bygone days
Shone all the majesty of your widowed grief,
The lying Simois flooded by your tears,
Made all my fertile memory blossom forth
As I passed by the new-built Carrousel.
Old Paris is no more (a town, alas,
Changes more quickly than man's heart may change);
Yet in my mind I still can see the booths;
The heaps of brick and rough-hewn capitals;
The grass; the stones all over-green with moss;
The _debris_, and t&e square-set heaps of tiles.

There a menagerie was once outspread;
And there I saw, one morning at the hour
When toil awakes beneath the cold, clear sky,
And the road roars upon the silent air,
A swan who had escaped his cage, and walked
On the dry pavement with his webby feet,
And trailed his spotless plumage on the ground.

And near a waterless stream the piteous swan
Opened his beak, and bathing in the dust
His nervous wings, he cried (his heart the while
Filled with a vision of his own fair lake):
"O water, when then wilt thou come in rain?
Lightning, when wilt thou glitter? "

Sometimes yet
I see the hapless bird--strange, fatal myth--
Like him that Ovid writes of, lifting up
Unto the cruelly blue, ironic heavens,
With stretched, convulsive neck a thirsty face,
As though he sent reproaches up to God!


II.
Paris may change; my melancholy is fixed.
New palaces, and scaffoldings, and blocks,
And suburbs old, are symbols all to me
Whose memories are as heavy as a stone.
And so, before the Louvre, to vex my soul,
The image came of my majestic swan
With his mad gestures, foolish and sublime,
As of an exile whom one great desire
Gnaws with no truce. And then I thought of you,
Andromache! torn from your hero's arms;
Beneath the hand of Pyrrhus in his pride;

Bent o'er an empty tomb in ecstasy;
Widow of Hector--wife of Helenus!
And of the negress, wan and phthisical,
Tramping the mud, and with her haggard eyes
Seeking beyond the mighty walls of fog
The absent palm-trees of proud Africa;
Of all who lose that which they never find;
Of all who drink of tears; all whom grey grief
Gives suck to as the kindly wolf gave suck;
Of meagre orphans who like blossoms fade.
And one old Memory like a crying horn
Sounds through the forest where my soul is lost. . . .
I think of sailors on some isle forgotten;
Of captives; vanquished . . . and of many more.




THE SEVEN OLD MEN.


O swarming city, city full of dreams,
Where in full day the spectre walks and speaks;
Mighty colossus, in your narrow veins
My story flows as flows the rising sap.