Free us, for without be goodly colours, Green of the wood-moss and flower-colours, And
coolness
beneath the trees.
Ezra-Pound-Provenca-English
Like the sea that brooks no voyaging With the winds unleashed and free, Like the sea that he cowed at Genseret Wi' twey words spoke' suddently.
42
they the Goodly They are {QQ]B tQ
Goodly degree
? A master of men was the Goodly Fere,
A mate of the wind and sea,
If they think they ha' slain our Goodly Fere They are fools eternally.
I ha' seen him eat o' the honey-comb Sin' they nailed him to the tree.
PORTRAIT
"
From LaM&reInconnue. "
NOW would I weave her portrait out of all dim
splendour.
Of Provence and far halls of memory,
Lo, there come echoes, faint diversity
Of blended bells at even's end, or
As the distant seas should send her
The tribute of their trembling, ceaselessly Resonant. Outofalldreamsthatbe,
Say, shall I bid the deepest dreams attend her?
Nay ! For I have seen the purplest shadows stand Alway with reverent chere that looked on her, Silence himself is grown her worshipper
And ever doth attend her in that land
Wherein she reigneth, wherefore let there stir Naught but the softest voices, praising her.
THE EYES
Master, for we be a-weary, weary, RESATn,d would feel the fingers of the wind
Upon these lids that lie over us Sodden and lead-heavy.
43
Ballad of fere
? The Eyes
Rest, brother, for lo ! the dawn is without !
The yellow flame paleth And the wax runs low.
Free us, for without be goodly colours, Green of the wood-moss and flower-colours, And coolness beneath the trees.
Free us, for we perish
In this ever-flowing monotony Of ugly print marks, black Upon white parchment.
Free us, for there is one Whose smile more availeth
Than all the age-old knowledge of thy books: And we would look thereon.
NILS LYKKE
BEATUhTatIFarUeL, at a-plucking
infinite memories
my heart, Why will you be ever calling and a-calling,
And a-murmuring in the dark there?
And a-reaching out your long hands Between me and my beloved?
"
And why will you be ever a-casting The black shadow of your beauty On the white face of my beloved
And a-glinting in the pools of her eyes? " 44
? "FAIR HELENA" BY RACKHAM "What I love best in all the world? "
WHEToNthe purple twilight is unbound,
watch her tall
slow, grace
and its wistful And to know her face
loveliness,
is in the shadow there, Just by two stars beneath that cloud
The soft, dim cloud of her hair, And to think my voice
can reach to her
As but the rumour of some tree-bound stream,
Heard just beyond the forest's edge, Until she all forgets I am,
And knows of me
Naught but my dream's felicity.
GREEK EPIGRAM
and night are never weary, DAYNor yet is God of creating
For day and night their torch-bearers, The aube and the crepuscule.
So, when I weary of praising the dawn and the sun-
set,
Let me be no more counted among the immortals; But number me amid the wearying ones,
Let me be a man as the herd,
And as the slave that is given in barter.
45
? HISTRION
r
i N:
great
At times pass through us,
And we are melted into them, and are not Save reflexions of their souls.
Thus am I Dante for a space and am One Francois Villon, ballad-lord and thief Or am such holy ones I may not write, Lest blasphemy be writ against my name; This for an instant and the flame is gone.
'T is as in midmost us there glows a sphere Translucent, molten gold, that is the "I" And into this some form projects itself:
Christus, or John, or eke the Florentine; And as the clear space is not if a form 's
Imposed thereon,
So cease we from all being for the time,
And these, the Masters of the Soul, live on.
PARACELSUS IN EXCELSIS
" "DEING no longer human, why should I -D Pretend humanity or don the frail attire?
