184), and the
pricking
of the body with
pins and needles (Text, 5.
pins and needles (Text, 5.
Ben Jonson - The Devil's Association
115) and Somers (_Narration_, p.
182) talk in Greek.
The devil in
Fitzdottrel proposes to 'break his necke in jest' (Text, 5. 8. 117),
and a little later to borrow money (5. 8. 119). The same threat is
twice made in the _True Narration_ (pp. 178 and 180). In the second of
these passages Somers is met by an old woman, who tries to frighten him
into giving her money. Otherwise, she declares, 'I will throwe thee
into this pit, and breake thy neck'. The mouse 'that should ha' come
forth' (Text, 5. 8. 144) is mentioned by both narrators (_Detection_,
p. 140; _Narration_, p.
184), and the pricking of the body with
pins and needles (Text, 5. 8. 49) is found in slightly altered form
(_Detection_, p. 135; _Narration_, p. 174). Finally the clapping of the
hands (Text. 5. 8. 76) is a common feature (_Narration_, p. 182). The
last mentioned passage finds a still closer parallel in a couplet from
the contemporary ballad, which Gifford quotes from Hutchinson (p. 249):
And by the clapping of his Hands
He shew'd the starching of our Bands.
Of the apparatus supplied by Merecraft for the imposture, the soap,
nutshell, tow, and touchwood (Text, 5. 3. 3-5), the bladders and
bellows (Text, 5. 5.
Fitzdottrel proposes to 'break his necke in jest' (Text, 5. 8. 117),
and a little later to borrow money (5. 8. 119). The same threat is
twice made in the _True Narration_ (pp. 178 and 180). In the second of
these passages Somers is met by an old woman, who tries to frighten him
into giving her money. Otherwise, she declares, 'I will throwe thee
into this pit, and breake thy neck'. The mouse 'that should ha' come
forth' (Text, 5. 8. 144) is mentioned by both narrators (_Detection_,
p. 140; _Narration_, p.
184), and the pricking of the body with
pins and needles (Text, 5. 8. 49) is found in slightly altered form
(_Detection_, p. 135; _Narration_, p. 174). Finally the clapping of the
hands (Text. 5. 8. 76) is a common feature (_Narration_, p. 182). The
last mentioned passage finds a still closer parallel in a couplet from
the contemporary ballad, which Gifford quotes from Hutchinson (p. 249):
And by the clapping of his Hands
He shew'd the starching of our Bands.
Of the apparatus supplied by Merecraft for the imposture, the soap,
nutshell, tow, and touchwood (Text, 5. 3. 3-5), the bladders and
bellows (Text, 5. 5.
