No More Learning

This also to thy very self sometimes
Repeat thou mayst: "Lo, even good Ancus left
The sunshine with his eyes, in divers things
A better man than thou, O worthless hind;
And many other kings and lords of rule
Thereafter have gone under, once who swayed
O'er mighty peoples. And he also, he--
Who whilom paved a highway down the sea,
And gave his legionaries thoroughfare
Along the deep, and taught them how to cross
The pools of brine afoot, and did contemn,
Trampling upon it with his cavalry,
The bellowings of ocean--poured his soul
From dying body, as his light was ta'en.
And Scipio's son, the thunderbolt of war,
Horror of Carthage, gave his bones to earth,
Like to the lowliest villein in the house.
Add finders-out of sciences and arts;
Add comrades of the Heliconian dames,
Among whom Homer, sceptered o'er them all,
Now lies in slumber sunken with the rest.
Then, too, Democritus, when ripened eld
Admonished him his memory waned away,
Of own accord offered his head to death.
Even Epicurus went, his light of life
Run out, the man in genius who o'er-topped
The human race, extinguishing all others,
As sun, in ether arisen, all the stars.
Wilt thou, then, dally, thou complain to go? --
For whom already life's as good as dead,
Whilst yet thou livest and lookest? --who in sleep
Wastest thy life--time's major part, and snorest
Even when awake, and ceasest not to see
The stuff of dreams, and bearest a mind beset
By baseless terror, nor discoverest oft
What's wrong with thee, when, like a sotted wretch,
Thou'rt jostled along by many crowding cares,
And wanderest reeling round, with mind aswim. "

If men, in that same way as on the mind
They feel the load that wearies with its weight,
Could also know the causes whence it comes,
And why so great the heap of ill on heart,
O not in this sort would they live their life,
As now so much we see them, knowing not
What 'tis they want, and seeking ever and ever
A change of place, as if to drop the burden.
The man who sickens of his home goes out,
Forth from his splendid halls, and straight--returns,
Feeling i'faith no better off abroad.
He races, driving his Gallic ponies along,
Down to his villa, madly,--as in haste
To hurry help to a house afire. --At once
He yawns, as soon as foot has touched the threshold,
Or drowsily goes off in sleep and seeks
Forgetfulness, or maybe bustles about
And makes for town again. In such a way
Each human flees himself--a self in sooth,
As happens, he by no means can escape;
And willy-nilly he cleaves to it and loathes,
Sick, sick, and guessing not the cause of ail.
Yet should he see but that, O chiefly then,
Leaving all else, he'd study to divine
The nature of things, since here is in debate
Eternal time and not the single hour,
Mortal's estate in whatsoever remains
After great death.
And too, when all is said,
What evil lust of life is this so great
Subdues us to live, so dreadfully distraught
In perils and alarms? one fixed end
Of life abideth for mortality;
Death's not to shun, and we must go to meet.
Besides we're busied with the same devices,
Ever and ever, and we are at them ever,
And there's no new delight that may be forged
By living on. But whilst the thing we long for
Is lacking, that seems good above all else;
Thereafter, when we've touched it, something else
We long for; ever one equal thirst of life
Grips us agape. And doubtful 'tis what fortune
The future times may carry, or what be
That chance may bring, or what the issue next
Awaiting us. Nor by prolonging life
Take we the least away from death's own time,
Nor can we pluck one moment off, whereby
To minish the aeons of our state of death.
Therefore, O man, by living on, fulfil
As many generations as thou may:
Eternal death shall there be waiting still;
And he who died with light of yesterday
Shall be no briefer time in death's No-more
Than he who perished months or years before.




BOOK IV




PROEM

I wander afield, thriving in sturdy thought,
Through unpathed haunts of the Pierides,
Trodden by step of none before. I joy
To come on undefiled fountains there,
To drain them deep; I joy to pluck new flowers,
To seek for this my head a signal crown
From regions where the Muses never yet
Have garlanded the temples of a man:
First, since I teach concerning mighty things,
And go right on to loose from round the mind
The tightened coils of dread religion;
Next, since, concerning themes so dark, I frame
Song so pellucid, touching all throughout
Even with the Muses' charm--which, as 'twould seem,
Is not without a reasonable ground:
For as physicians, when they seek to give
Young boys the nauseous wormwood, first do touch
The brim around the cup with the sweet juice
And yellow of the honey, in order that
The thoughtless age of boyhood be cajoled
As far as the lips, and meanwhile swallow down
The wormwood's bitter draught, and, though befooled,
Be yet not merely duped, but rather thus
Grow strong again with recreated health:
So now I too (since this my doctrine seems
In general somewhat woeful unto those
Who've had it not in hand, and since the crowd
Starts back from it in horror) have desired
To expound our doctrine unto thee in song
Soft-speaking and Pierian, and, as 'twere,
To touch it with sweet honey of the Muse--
If by such method haply I might hold
The mind of thee upon these lines of ours,
Till thou dost learn the nature of all things
And understandest their utility.




EXISTENCE AND CHARACTER OF THE IMAGES


But since I've taught already of what sort
The seeds of all things are, and how distinct
In divers forms they flit of own accord,
Stirred with a motion everlasting on,
And in what mode things be from them create,
And since I've taught what the mind's nature is,
And of what things 'tis with the body knit
And thrives in strength, and by what mode uptorn
That mind returns to its primordials,
Now will I undertake an argument--
One for these matters of supreme concern--
That there exist those somewhats which we call
The images of things: these, like to films
Scaled off the utmost outside of the things,
Flit hither and thither through the atmosphere,
And the same terrify our intellects,
Coming upon us waking or in sleep,
When oft we peer at wonderful strange shapes
And images of people lorn of light,
Which oft have horribly roused us when we lay
In slumber--that haply nevermore may we
Suppose that souls get loose from Acheron,
Or shades go floating in among the living,
Or aught of us is left behind at death,
When body and mind, destroyed together, each
Back to its own primordials goes away.

And thus I say that effigies of things,
And tenuous shapes from off the things are sent,
From off the utmost outside of the things,
Which are like films or may be named a rind,
Because the image bears like look and form
With whatso body has shed it fluttering forth--
A fact thou mayst, however dull thy wits,
Well learn from this: mainly, because we see
Even 'mongst visible objects many be
That send forth bodies, loosely some diffused--
Like smoke from oaken logs and heat from fires--
And some more interwoven and condensed--
As when the locusts in the summertime
Put off their glossy tunics, or when calves
At birth drop membranes from their body's surface,
Or when, again, the slippery serpent doffs
Its vestments 'mongst the thorns--for oft we see
The breres augmented with their flying spoils:
Since such takes place, 'tis likewise certain too
That tenuous images from things are sent,
From off the utmost outside of the things.
For why those kinds should drop and part from things,
Rather than others tenuous and thin,
No power has man to open mouth to tell;
Especially, since on outsides of things
Are bodies many and minute which could,
In the same order which they had before,
And with the figure of their form preserved,
Be thrown abroad, and much more swiftly too,
Being less subject to impediments,
As few in number and placed along the front.
For truly many things we see discharge
Their stuff at large, not only from their cores
Deep-set within, as we have said above,
But from their surfaces at times no less--
Their very colours too. And commonly
The awnings, saffron, red and dusky blue,
Stretched overhead in mighty theatres,
Upon their poles and cross-beams fluttering,
Have such an action quite; for there they dye
And make to undulate with their every hue
The circled throng below, and all the stage,
And rich attire in the patrician seats.
And ever the more the theatre's dark walls
Around them shut, the more all things within
Laugh in the bright suffusion of strange glints,
The daylight being withdrawn. And therefore, since
The canvas hangings thus discharge their dye
From off their surface, things in general must
Likewise their tenuous effigies discharge,
Because in either case they are off-thrown
From off the surface.