Here stood a
magnificent
Temple, dedicated to Athene.
Aristophanes
, was rebuilt by the Athenians under the name of
Thurium in 444 B. C. Ten diviners had been sent with the Athenian
settlers.
[504] A parody of the dithyrambic style.
[505] Hieronymus, a dithyrambic poet and reputed an infamous pederast.
[506] When guests at the nuptials of Pirithous, King of the Lapithae, and
Hippodamia, they wanted to carry off and violate the bride. That,
according to legend, was the origin of their war against the Lapithae.
Hieronymus is likened to the Centaurs on account of his bestial passion.
[507] A general, incessantly scoffed at by Aristophanes because of his
cowardice.
[508] Aristophanes frequently mentions him as an effeminate and debauched
character.
[509] A celebrated sophist, born at Ceos, and a disciple of Protagoras.
When sent on an embassy by his compatriots to Athens, he there publicly
preached on eloquence, and had for his disciples Euripides, Isocrates and
even Socrates. His "fifty drachmae lecture" has been much spoken of; that
sum had to be paid to hear it.
[510] These three men have already been referred to.
[511] A promontory of Attica (the modern Cape Colonna) about fifty miles
from the Piraeus.
Here stood a magnificent Temple, dedicated to Athene.
[512] The opening portion of the parabasis belongs to a second edition of
the 'Clouds. ' Aristophanes had been defeated by Cratinus and Amipsias,
whose pieces, called the 'Bottle' and 'Connus,' had been crowned in
preference to the 'Clouds,' which, it is said, was not received any
better at its second representation.
[513] Two characters introduced into the 'Daedalians' by Aristophanes in
strong contrast to each other. Some fragments only of this piece remain
to us.
[514] It was only at the age of thirty, according to some, of forty,
according to others, that a man could present a piece in his own name.
The 'Daedalians' had appeared under the auspices of Cleonides and
Chalistrates, whom we find again later as actors in Aristophanes' pieces.
[515] Allusion to the recognition of Orestes by Electra at her brother's
tomb. (_See_ the 'Choephorae' of Aeschylus. )
[516] An image of the penis, drooping in this case, instead of standing,
carried as a phallic emblem in the Dionysiac processions.
[517] A licentious dance.
[518] This coarse way of exciting laughter, says the scholiast, had been
used by Eupolis, the comic writer, a rival of Aristophanes.
[519] In the 'Knights. '
[520] Presented in 421 B. C. The 'Clouds' having been played a second time
in 419 B.
Thurium in 444 B. C. Ten diviners had been sent with the Athenian
settlers.
[504] A parody of the dithyrambic style.
[505] Hieronymus, a dithyrambic poet and reputed an infamous pederast.
[506] When guests at the nuptials of Pirithous, King of the Lapithae, and
Hippodamia, they wanted to carry off and violate the bride. That,
according to legend, was the origin of their war against the Lapithae.
Hieronymus is likened to the Centaurs on account of his bestial passion.
[507] A general, incessantly scoffed at by Aristophanes because of his
cowardice.
[508] Aristophanes frequently mentions him as an effeminate and debauched
character.
[509] A celebrated sophist, born at Ceos, and a disciple of Protagoras.
When sent on an embassy by his compatriots to Athens, he there publicly
preached on eloquence, and had for his disciples Euripides, Isocrates and
even Socrates. His "fifty drachmae lecture" has been much spoken of; that
sum had to be paid to hear it.
[510] These three men have already been referred to.
[511] A promontory of Attica (the modern Cape Colonna) about fifty miles
from the Piraeus.
Here stood a magnificent Temple, dedicated to Athene.
[512] The opening portion of the parabasis belongs to a second edition of
the 'Clouds. ' Aristophanes had been defeated by Cratinus and Amipsias,
whose pieces, called the 'Bottle' and 'Connus,' had been crowned in
preference to the 'Clouds,' which, it is said, was not received any
better at its second representation.
[513] Two characters introduced into the 'Daedalians' by Aristophanes in
strong contrast to each other. Some fragments only of this piece remain
to us.
[514] It was only at the age of thirty, according to some, of forty,
according to others, that a man could present a piece in his own name.
The 'Daedalians' had appeared under the auspices of Cleonides and
Chalistrates, whom we find again later as actors in Aristophanes' pieces.
[515] Allusion to the recognition of Orestes by Electra at her brother's
tomb. (_See_ the 'Choephorae' of Aeschylus. )
[516] An image of the penis, drooping in this case, instead of standing,
carried as a phallic emblem in the Dionysiac processions.
[517] A licentious dance.
[518] This coarse way of exciting laughter, says the scholiast, had been
used by Eupolis, the comic writer, a rival of Aristophanes.
[519] In the 'Knights. '
[520] Presented in 421 B. C. The 'Clouds' having been played a second time
in 419 B.
