He was not an original
thinker, but a great poet who reflects in an interesting way the outlook
of his time.
thinker, but a great poet who reflects in an interesting way the outlook
of his time.
Waley - 170 Chinese Poems
_--Confucius inculcated the duty of public service.
Those to whom this duty was repulsive found support in Taoism, a system
which denied this obligation. The third and fourth centuries A. D.
witnessed a great reaction against state service. It occurred to the
intellectuals of China that they would be happier growing vegetables in
their gardens than place-hunting at Nanking. They embraced the theory
that "by bringing himself into harmony with Nature" man can escape every
evil. Thus Tao (Nature's Way) corresponds to the Nirvana of Buddhism,
and the God of Christian mysticism.
They reduced to the simplest standard their houses, apparel, and food;
and discarded the load of book-learning which Confucianism imposed on
its adherents.
The greatest of these recluses was T'ao Ch'ien (A. D. 365-427), twelve of
whose poems will be found on p. 71, _seq. _ Something of his philosophy
may be gathered from the poem "Substance, Shadow, and Spirit" (p. 73),
his own views being voiced by the last speaker.
He was not an original
thinker, but a great poet who reflects in an interesting way the outlook
of his time.
_Liang and Minor Dynasties. _--This period is known as that of the
"Northern and Southern Courts. " The north of China was in the hands of
the Tungusie Tartars, who founded the Northern Wei dynasty--a name
particularly familiar, since it is the habit of European collectors to
attribute to this dynasty any sculpture which they believe to be earlier
than T'ang. Little poetry was produced in the conquered provinces; the
Tartar emperors, though they patronized Buddhist art, were incapable of
promoting literature. But at Nanking a series of emperors ruled, most of
whom distinguished themselves either in painting or poetry. The Chinese
have always (and rightly) despised the literature of this period, which
is "all flowers and moonlight. " A few individual writers, such as Pao
Chao, stand out as exceptions. The Emperor Yuan-ti--who hacked his way
to the throne by murdering all other claimants, including his own
brother--is typical of the period both as a man and as a poet. A
specimen of his sentimental poetry will be found on p. 90. When at last
forced to abdicate, he heaped together 200,000 books and pictures; and,
setting fire to them, exclaimed: "The culture of the Liang dynasty
perishes with me. "
_T'ang. _--I have already described the technical developments of poetry
during this dynasty. Form was at this time valued far above content.
"Poetry," says a critic, "should draw its materials from the Han and Wei
dynasties.
Those to whom this duty was repulsive found support in Taoism, a system
which denied this obligation. The third and fourth centuries A. D.
witnessed a great reaction against state service. It occurred to the
intellectuals of China that they would be happier growing vegetables in
their gardens than place-hunting at Nanking. They embraced the theory
that "by bringing himself into harmony with Nature" man can escape every
evil. Thus Tao (Nature's Way) corresponds to the Nirvana of Buddhism,
and the God of Christian mysticism.
They reduced to the simplest standard their houses, apparel, and food;
and discarded the load of book-learning which Confucianism imposed on
its adherents.
The greatest of these recluses was T'ao Ch'ien (A. D. 365-427), twelve of
whose poems will be found on p. 71, _seq. _ Something of his philosophy
may be gathered from the poem "Substance, Shadow, and Spirit" (p. 73),
his own views being voiced by the last speaker.
He was not an original
thinker, but a great poet who reflects in an interesting way the outlook
of his time.
_Liang and Minor Dynasties. _--This period is known as that of the
"Northern and Southern Courts. " The north of China was in the hands of
the Tungusie Tartars, who founded the Northern Wei dynasty--a name
particularly familiar, since it is the habit of European collectors to
attribute to this dynasty any sculpture which they believe to be earlier
than T'ang. Little poetry was produced in the conquered provinces; the
Tartar emperors, though they patronized Buddhist art, were incapable of
promoting literature. But at Nanking a series of emperors ruled, most of
whom distinguished themselves either in painting or poetry. The Chinese
have always (and rightly) despised the literature of this period, which
is "all flowers and moonlight. " A few individual writers, such as Pao
Chao, stand out as exceptions. The Emperor Yuan-ti--who hacked his way
to the throne by murdering all other claimants, including his own
brother--is typical of the period both as a man and as a poet. A
specimen of his sentimental poetry will be found on p. 90. When at last
forced to abdicate, he heaped together 200,000 books and pictures; and,
setting fire to them, exclaimed: "The culture of the Liang dynasty
perishes with me. "
_T'ang. _--I have already described the technical developments of poetry
during this dynasty. Form was at this time valued far above content.
"Poetry," says a critic, "should draw its materials from the Han and Wei
dynasties.
