No More Learning

Hitherto I had stood
In my own mind remote from social life,
(At least from what we commonly so name,) 515
Like a lone shepherd on a promontory
Who lacking occupation looks far forth
Into the boundless sea, and rather makes
Than finds what he beholds. And sure it is,
That this first transit from the smooth delights 520
And wild outlandish walks of simple youth
To something that resembles an approach
Towards human business, to a privileged world
Within a world, a midway residence
With all its intervenient imagery, 525
Did better suit my visionary mind,
Far better, than to have been bolted forth;
Thrust out abruptly into Fortune's way
Among the conflicts of substantial life;
By a more just gradation did lead on 530
To higher things; more naturally matured,
For permanent possession, better fruits,
Whether of truth or virtue, to ensue.
In serious mood, but oftener, I confess,
With playful zest of fancy did we note 535
(How could we less? ) the manners and the ways
Of those who lived distinguished by the badge
Of good or ill report; or those with whom
By frame of Academic discipline
We were perforce connected, men whose sway 540
And known authority of office served
To set our minds on edge, and did no more.
Nor wanted we rich pastime of this kind,
Found everywhere, but chiefly in the ring
Of the grave Elders, men unsecured, grotesque 545
In character, tricked out like aged trees
Which through the lapse of their infirmity
Give ready place to any random seed
That chooses to be reared upon their trunks.

Here on my view, confronting vividly 550
Those shepherd swains whom I had lately left,
Appeared a different aspect of old age;
How different! yet both distinctly marked,
Objects embossed to catch the general eye,
Or portraitures for special use designed, 555
As some might seem, so aptly do they serve
To illustrate Nature's book of rudiments--
That book upheld as with maternal care
When she would enter on her tender scheme
Of teaching comprehension with delight, 560
And mingling playful with pathetic thoughts.

The surfaces of artificial life
And manners finely wrought, the delicate race
Of colours, lurking, gleaming up and down
Through that state arras woven with silk and gold; 565
This wily interchange of snaky hues,
Willingly or unwillingly revealed,
I neither knew nor cared for; and as such
Were wanting here, I took what might be found
Of less elaborate fabric. At this day 570
I smile, in many a mountain solitude
Conjuring up scenes as obsolete in freaks
Of character, in points of wit as broad,
As aught by wooden images performed
For entertainment of the gaping crowd 575
At wake or fair. And oftentimes do flit
Remembrances before me of old men--
Old humourists, who have been long in their graves,
And having almost in my mind put off
Their human names, have into phantoms passed 580
Of texture midway between life and books.

I play the loiterer: 'tis enough to note
That here in dwarf proportions were expressed
The limbs of the great world; its eager strifes
Collaterally pourtrayed, as in mock fight, 585
A tournament of blows, some hardly dealt
Though short of mortal combat; and whate'er
Might in this pageant be supposed to hit
An artless rustic's notice, this way less,
More that way, was not wasted upon me--590
And yet the spectacle may well demand
A more substantial name, no mimic show,
Itself a living part of a live whole,
A creek in the vast sea; for, all degrees
And shapes of spurious fame and short-lived praise 595
Here sate in state, and fed with daily alms
Retainers won away from solid good;
And here was Labour, his own bond-slave; Hope,
That never set the pains against the prize;
Idleness halting with his weary clog, 600
And poor misguided Shame, and witless Fear,
And simple Pleasure foraging for Death;
Honour misplaced, and Dignity astray;
Feuds, factions, flatteries, enmity, and guile
Murmuring submission, and bald government, 605
(The idol weak as the idolater),
And Decency and Custom starving Truth,
And blind Authority beating with his staff
The child that might have led him; Emptiness
Followed as of good omen, and meek Worth 610
Left to herself unheard of and unknown.

Of these and other kindred notices
I cannot say what portion is in truth
The naked recollection of that time,
And what may rather have been called to life 615
By after-meditation. But delight
That, in an easy temper lulled asleep,
Is still with Innocence its own reward,
This was not wanting. Carelessly I roamed
As through a wide museum from whose stores 620
A casual rarity is singled out
And has its brief perusal, then gives way
To others, all supplanted in their turn;
Till 'mid this crowded neighbourhood of things
That are by nature most unneighbourly, 625
The head turns round and cannot right itself;
And though an aching and a barren sense
Of gay confusion still be uppermost,
With few wise longings and but little love,
Yet to the memory something cleaves at last, 630
Whence profit may be drawn in times to come.

Thus in submissive idleness, my Friend!
The labouring time of autumn, winter, spring,
Eight months! rolled pleasingly away; the ninth
Came and returned me to my native hills. 635


* * * * *

FOOTNOTES ON THE TEXT

[Footnote A: Wordsworth went from York to Cambridge, entering it by the
coach road from the north-west. This was doubtless the road which now
leads to the city from Girton. "The long-roofed chapel of King's
College" must have been seen from that road. --Ed. ]


[Footnote B: The Hoop Inn still exists, not now so famous as in the end
of last century. --Ed. ]


[Footnote C: He entered St. John's College in October 1787. His rooms in
the College were unknown to the officials a dozen years ago, although
they are pretty clearly indicated by Wordsworth in this passage. They
were in the first of the three courts of St. John's; they were above the
College kitchens; and from the window of his bedroom he could look into
the antechapel of Trinity, with its statue of Newton. They have been
recently removed in connection with sundry improvements in the college
kitchen. For details, see the 'Life of Wordsworth' which will follow
this edition of his Works. --Ed.