"
In the course of the same amusing correspondence with Boccaccio, which
our poet maintained at this period, he gives an account of an atheist
and blasphemer at Venice, with whom he had a long conversation.
In the course of the same amusing correspondence with Boccaccio, which
our poet maintained at this period, he gives an account of an atheist
and blasphemer at Venice, with whom he had a long conversation.
Petrarch
The most
magnificent festivals were given at Venice on this occasion.
Shortly after these Venetian fetes, we find our poet writing a long
letter to Boccaccio, in which he gives a curious and interesting
description of the Jongleurs of Italy. He speaks of them in a very
different manner from those pictures that have come down to us of the
Provencal Troubadours. The latter were at once poets and musicians, who
frequented the courts and castles of great lords, and sang their
praises. Their strains, too, were sometimes satirical. They amused
themselves with different subjects, and wedded their verses to the sound
of the harp and other instruments. They were called Troubadours from the
word _trobar_, "to invent. " They were original poets, of the true
minstrel breed, similar to those whom Bishop Percy ascribes to England
in the olden time, but about the reality of whom, as a professional
body, Ritson has shown some cause to doubt. Of the Italian Jongleurs,
Petrarch gives us a humble notion. "They are a class," he says, "who
have little wit, but a great deal of memory, and still more impudence.
Having nothing of their own to recite, they snatch at what they can get
from others, and go about to the courts of princes to declaim verses, in
the vulgar tongue, which they have got by heart. At those courts they
insinuate themselves into the favour of the great, and get subsistence
and presents. They seek their means of livelihood, that is, the verses
they recite, among the best authors, from whom they obtain, by dint of
solicitation, and even by bribes of money, compositions for their
rehearsal. I have often repelled their importunities, but sometimes,
touched by their entreaties, I have spent hours in composing productions
for them. I have seen them leave me in rags and poverty, and return,
some time afterwards, clothed in silks, and with purses well furnished,
to thank me for having relieved them.
"
In the course of the same amusing correspondence with Boccaccio, which
our poet maintained at this period, he gives an account of an atheist
and blasphemer at Venice, with whom he had a long conversation. It ended
in our poet seizing the infidel by the mantle, and ejecting him from his
house with unceremonious celerity. This conclusion of their dialogue
gives us a higher notion of Petrarch's piety than of his powers of
argument.
Petrarch went to spend the autumn of 1365 at Pavia, which city Galeazzo
Visconti made his principal abode. To pass the winter till Easter, our
poet returned first to Venice, and then to Padua, according to his
custom, to do the duties of his canonry. It was then that his native
Florence, wishing to recall a man who did her so much honour, thought of
asking for him from the Pope the canonry of either Florence or Fiesole.
Petrarch fully appreciated the shabby kindness of his countrymen. A
republic that could afford to be lavish in all other expenses, limited
their bounty towards him to the begging of a canonicate for him from his
Holiness, though Florence had confiscated his father's property. But the
Pope had other views for him, and had actually appointed him to the
canonry of Carpentras, when a false rumour of his death unhappily
induced the Pontiff to dispose not only of that living, but of Parma and
others which he had resigned to indigent friends.
During the February of 1366 there was great joy in the house of
Petrarch, for his daughter, Francesca, the wife of Francesco di
Brossano, gave birth to a boy, whom Donato degli Albanzani, a
peculiarly-favoured friend of the poet's, held over the baptismal font,
whilst he was christened by the name of Francesco.
Meanwhile, our poet was delighted to hear of reformations in the Church,
which signalized the commencement of Urban V. 's pontificate. After some
hesitation, Petrarch ventured to write a strong advice to the Pope to
remove the holy seat from Avignon to Rome. His letter is long, zealous,
superstitious, and, as usual, a little pedantic. The Pope did not need
this epistle to spur his intentions as to replacing the holy seat at
Rome; but it so happened that he did make the removal no very long time
after Petrarch had written to him.
On the 20th of July, 1366, our poet rose, as was his custom, to his
matin devotions, and reflected that he was precisely then entering on
his sixty-third year.
magnificent festivals were given at Venice on this occasion.
Shortly after these Venetian fetes, we find our poet writing a long
letter to Boccaccio, in which he gives a curious and interesting
description of the Jongleurs of Italy. He speaks of them in a very
different manner from those pictures that have come down to us of the
Provencal Troubadours. The latter were at once poets and musicians, who
frequented the courts and castles of great lords, and sang their
praises. Their strains, too, were sometimes satirical. They amused
themselves with different subjects, and wedded their verses to the sound
of the harp and other instruments. They were called Troubadours from the
word _trobar_, "to invent. " They were original poets, of the true
minstrel breed, similar to those whom Bishop Percy ascribes to England
in the olden time, but about the reality of whom, as a professional
body, Ritson has shown some cause to doubt. Of the Italian Jongleurs,
Petrarch gives us a humble notion. "They are a class," he says, "who
have little wit, but a great deal of memory, and still more impudence.
Having nothing of their own to recite, they snatch at what they can get
from others, and go about to the courts of princes to declaim verses, in
the vulgar tongue, which they have got by heart. At those courts they
insinuate themselves into the favour of the great, and get subsistence
and presents. They seek their means of livelihood, that is, the verses
they recite, among the best authors, from whom they obtain, by dint of
solicitation, and even by bribes of money, compositions for their
rehearsal. I have often repelled their importunities, but sometimes,
touched by their entreaties, I have spent hours in composing productions
for them. I have seen them leave me in rags and poverty, and return,
some time afterwards, clothed in silks, and with purses well furnished,
to thank me for having relieved them.
"
In the course of the same amusing correspondence with Boccaccio, which
our poet maintained at this period, he gives an account of an atheist
and blasphemer at Venice, with whom he had a long conversation. It ended
in our poet seizing the infidel by the mantle, and ejecting him from his
house with unceremonious celerity. This conclusion of their dialogue
gives us a higher notion of Petrarch's piety than of his powers of
argument.
Petrarch went to spend the autumn of 1365 at Pavia, which city Galeazzo
Visconti made his principal abode. To pass the winter till Easter, our
poet returned first to Venice, and then to Padua, according to his
custom, to do the duties of his canonry. It was then that his native
Florence, wishing to recall a man who did her so much honour, thought of
asking for him from the Pope the canonry of either Florence or Fiesole.
Petrarch fully appreciated the shabby kindness of his countrymen. A
republic that could afford to be lavish in all other expenses, limited
their bounty towards him to the begging of a canonicate for him from his
Holiness, though Florence had confiscated his father's property. But the
Pope had other views for him, and had actually appointed him to the
canonry of Carpentras, when a false rumour of his death unhappily
induced the Pontiff to dispose not only of that living, but of Parma and
others which he had resigned to indigent friends.
During the February of 1366 there was great joy in the house of
Petrarch, for his daughter, Francesca, the wife of Francesco di
Brossano, gave birth to a boy, whom Donato degli Albanzani, a
peculiarly-favoured friend of the poet's, held over the baptismal font,
whilst he was christened by the name of Francesco.
Meanwhile, our poet was delighted to hear of reformations in the Church,
which signalized the commencement of Urban V. 's pontificate. After some
hesitation, Petrarch ventured to write a strong advice to the Pope to
remove the holy seat from Avignon to Rome. His letter is long, zealous,
superstitious, and, as usual, a little pedantic. The Pope did not need
this epistle to spur his intentions as to replacing the holy seat at
Rome; but it so happened that he did make the removal no very long time
after Petrarch had written to him.
On the 20th of July, 1366, our poet rose, as was his custom, to his
matin devotions, and reflected that he was precisely then entering on
his sixty-third year.
