" Every wife and
mistress
is to refuse all sexual
favours whatsoever, till the men have come to terms of peace.
favours whatsoever, till the men have come to terms of peace.
Aristophanes
C.
, born at Paros, and the author of odes, satires,
epigrams and elegies. He sang his own shame. 'Twas in an expedition
against Sa? s, not the town in Egypt as the similarity in name might lead
one to believe, but in Thrace, that he had cast away his buckler. "A
mighty calamity truly! " he says without shame. "I shall buy another. "
LYSISTRATA
INTRODUCTION
The 'Lysistrata,' the third and concluding play of the War and Peace
series, was not produced till ten years later than its predecessor, the
'Peace,' viz. in 411 B. C. It is now the twenty-first year of the War, and
there seems as little prospect of peace as ever. A desperate state of
things demands a desperate remedy, and the Poet proceeds to suggest a
burlesque solution of the difficulty.
The women of Athens, led by Lysistrata and supported by female delegates
from the other states of Hellas, determine to take matters into their own
hands and force the men to stop the War. They meet in solemn conclave,
and Lysistrata expounds her scheme, the rigorous application to husbands
and lovers of a self-denying ordinance--"we must refrain from the male
organ altogether.
" Every wife and mistress is to refuse all sexual
favours whatsoever, till the men have come to terms of peace. In cases
where the women _must_ yield 'par force majeure,' then it is to be with
an ill grace and in such a way as to afford the minimum of gratification
to their partner; they are to lie passive and take no more part in the
amorous game than they are absolutely obliged to. By these means
Lysistrata assures them they will very soon gain their end. "If we sit
indoors prettily dressed out in our best transparent silks and prettiest
gewgaws, and with our 'mottes' all nicely depilated, their tools will
stand up so stiff that they will be able to deny us nothing. " Such is the
burden of her advice.
After no little demur, this plan of campaign is adopted, and the
assembled women take a solemn oath to observe the compact faithfully.
Meantime as a precautionary measure they seize the Acropolis, where the
State treasure is kept; the old men of the city assault the doors, but
are repulsed by "the terrible regiment" of women. Before long the device
of the bold Lysistrata proves entirely effective, Peace is concluded, and
the play ends with the hilarious festivities of the Athenian and Spartan
plenipotentiaries in celebration of the event.
This drama has a double Chorus--of women and of old men, and much
excellent fooling is got out of the fight for possession of the citadel
between the two hostile bands; while the broad jokes and decidedly
suggestive situations arising out of the general idea of the plot
outlined above may be "better imagined than described. "
* * * * *
LYSISTRATA
DRAMATIS PERSONAE
LYSISTRATA.
CALONICE.
MYRRHINE.
LAMPITO.
STRATYLLIS.
A MAGISTRATE.
CINESIAS.
epigrams and elegies. He sang his own shame. 'Twas in an expedition
against Sa? s, not the town in Egypt as the similarity in name might lead
one to believe, but in Thrace, that he had cast away his buckler. "A
mighty calamity truly! " he says without shame. "I shall buy another. "
LYSISTRATA
INTRODUCTION
The 'Lysistrata,' the third and concluding play of the War and Peace
series, was not produced till ten years later than its predecessor, the
'Peace,' viz. in 411 B. C. It is now the twenty-first year of the War, and
there seems as little prospect of peace as ever. A desperate state of
things demands a desperate remedy, and the Poet proceeds to suggest a
burlesque solution of the difficulty.
The women of Athens, led by Lysistrata and supported by female delegates
from the other states of Hellas, determine to take matters into their own
hands and force the men to stop the War. They meet in solemn conclave,
and Lysistrata expounds her scheme, the rigorous application to husbands
and lovers of a self-denying ordinance--"we must refrain from the male
organ altogether.
" Every wife and mistress is to refuse all sexual
favours whatsoever, till the men have come to terms of peace. In cases
where the women _must_ yield 'par force majeure,' then it is to be with
an ill grace and in such a way as to afford the minimum of gratification
to their partner; they are to lie passive and take no more part in the
amorous game than they are absolutely obliged to. By these means
Lysistrata assures them they will very soon gain their end. "If we sit
indoors prettily dressed out in our best transparent silks and prettiest
gewgaws, and with our 'mottes' all nicely depilated, their tools will
stand up so stiff that they will be able to deny us nothing. " Such is the
burden of her advice.
After no little demur, this plan of campaign is adopted, and the
assembled women take a solemn oath to observe the compact faithfully.
Meantime as a precautionary measure they seize the Acropolis, where the
State treasure is kept; the old men of the city assault the doors, but
are repulsed by "the terrible regiment" of women. Before long the device
of the bold Lysistrata proves entirely effective, Peace is concluded, and
the play ends with the hilarious festivities of the Athenian and Spartan
plenipotentiaries in celebration of the event.
This drama has a double Chorus--of women and of old men, and much
excellent fooling is got out of the fight for possession of the citadel
between the two hostile bands; while the broad jokes and decidedly
suggestive situations arising out of the general idea of the plot
outlined above may be "better imagined than described. "
* * * * *
LYSISTRATA
DRAMATIS PERSONAE
LYSISTRATA.
CALONICE.
MYRRHINE.
LAMPITO.
STRATYLLIS.
A MAGISTRATE.
CINESIAS.
