No More Learning

The first is that the boy was a 'forger'; the second that he was a
freethinker; the third that he was a free-liver.

To examine these in turn: the first admits of no denial as a question
of fact, but justification may be pleaded which some will accept as a
complete exculpation and others perhaps will hardly comprehend.

Chatterton could only produce poetry in his fifteenth-century vein;
his imagination failed him in modern English. No one who has any
appreciation of Rowley's poems will consider that the _African
Eclogues_ are for a moment comparable with them. If he was to write at
all he must produce antiques, and, as it happened, interest had been
aroused in ancient poetry, largely by the publication of Percy's
_Reliques_ and of the spurious Ossian. Appearing at this juncture,
then, as ancient writings taken from an old chest, his poems would be
read and their value appreciated; while no one would trouble to make
out the professed imitations--not by any means easy reading--of an
attorney's apprentice. Probably if an adequate audience had been
secured in his lifetime, Chatterton would have revealed the secret
when it had served its purpose--just as Walpole confessed to the
authorship of _Otranto_ only when that book had run into a second
edition.

To the second count of the indictment no defence is urged. Chatterton
was too honest and too intelligent to accept traditional dogmatics
without examination.

Finally, he was no free-liver in the sense in which that objectionable
expression is used. Rather he was an ascetic who studied and wrote
poetry half through the night, who ate as little as he slept, and
would make his dinner off 'a tart and a glass of water. ' He was
devoted to his mother and sister and to his poetry; and what spare
time was not occupied with the latter he seems to have spent largely
with the former. The attempt to represent him as a sort of
provincial Don Juan--though in the precocious licence of a few of his
acknowledged writings he has even given it some colour himself--cannot
be reconciled with the recorded facts of his life.

Equally ill judged is that picture which is presented by Professor
Masson and other writers less important--of a truant schoolboy,
a pathetic figure, who had petulantly cast away from him the
consolations of religion. Monsieur Callet, his French biographer, knew
better than this: 'Il fallait l'admirer, lui, non le plaindre,' is the
last word on Chatterton.
[Footnote 1: An extraordinary production for a boy of twelve, but we
need not suppose that if 'Elenoure and Juga' were written in 1764 and
not published until 1769 no alterations and improvements were made by
its author in the period between these dates. ]

[Footnote 2: From the engraving in Tyrwhitt's edition. ]

[Footnote 3: See Southey and Cottle's edition, quoted in Skeat, ii, p.
123. ]

[Footnote 4: Dean Milles has a delightful account of the reception
accorded to Rowley in the Chatterton household. Neither mother nor
sister would appear to have understood a line of the poems, but
Mary Chatterton (afterwards Mrs. Newton) remembered she had been
particularly wearied with a 'Battle of Hastings' of which her brother
would continually and enthusiastically recite portions. ]

[Footnote 5: Wilson believed that Chatterton never sent the _Ryse_,
&c. , at all (see page 173 of his _Chatterton: A Biographical Study_),
but this is disposed of by the fact that the _Ryse of Peyncteyning_ is
the only piece of Chatterton's which contains _Saxon_ words. ]

[Footnote 6: March 28th, 1769. ]

[Footnote 7: _An account of Master William Canynge written by Thos.
Rowlie Priest in_ 1460. Skeat, Vol. III, p. 219; W. Southey's edition,
Vol.