]
[Footnote H: This and the next stanza were omitted from the edition of
1827, but restored in 1832.
[Footnote H: This and the next stanza were omitted from the edition of
1827, but restored in 1832.
William Wordsworth
l.
147.
--Ed.
]
[Footnote E: Compare 'The Prelude', book iv. l. 47:
'the sunny seat
Round the stone table under the dark pine. '
Ed. ]
[Footnote F: In the dialect of the North, a hawker of earthen-ware is
thus designated. --W. W. 1819 (second edition). ]
[Footnote G: Compare 'The Prelude', book v. l. 448:
'At last, the dead man, 'mid that beauteous scene
Of trees and hills and water, bolt upright
Rose, with his ghastly face, a spectre shape
Of terror. '
Ed.
]
[Footnote H: This and the next stanza were omitted from the edition of
1827, but restored in 1832. --Ed. ]
[Footnote I: The notion is very general, that the Cross on the back and
shoulders of this Animal has the origin here alluded to. --W. W. 1819. ]
[Footnote J: I cannot suffer this line to pass, without noticing that it
was suggested by Mr. Haydon's noble Picture of Christ's Entry into
Jerusalem. --W. W. 1820. Into the same picture Haydon "introduced
Wordsworth bowing in reverence and awe. " See the essay on "The Portraits
of Wordsworth" in a later volume, and the portrait itself, which will be
reproduced in the volume containing the 'Life' of the poet. --Ed. ]
[Footnote K: The first and second editions of 'Peter Bell' (1819)
contained, as frontispiece, an engraving by J. C.
[Footnote E: Compare 'The Prelude', book iv. l. 47:
'the sunny seat
Round the stone table under the dark pine. '
Ed. ]
[Footnote F: In the dialect of the North, a hawker of earthen-ware is
thus designated. --W. W. 1819 (second edition). ]
[Footnote G: Compare 'The Prelude', book v. l. 448:
'At last, the dead man, 'mid that beauteous scene
Of trees and hills and water, bolt upright
Rose, with his ghastly face, a spectre shape
Of terror. '
Ed.
]
[Footnote H: This and the next stanza were omitted from the edition of
1827, but restored in 1832. --Ed. ]
[Footnote I: The notion is very general, that the Cross on the back and
shoulders of this Animal has the origin here alluded to. --W. W. 1819. ]
[Footnote J: I cannot suffer this line to pass, without noticing that it
was suggested by Mr. Haydon's noble Picture of Christ's Entry into
Jerusalem. --W. W. 1820. Into the same picture Haydon "introduced
Wordsworth bowing in reverence and awe. " See the essay on "The Portraits
of Wordsworth" in a later volume, and the portrait itself, which will be
reproduced in the volume containing the 'Life' of the poet. --Ed. ]
[Footnote K: The first and second editions of 'Peter Bell' (1819)
contained, as frontispiece, an engraving by J. C.
