--Allan lagged behind in
returning to Loudon Castle, and at dinner produced this identical
song.
returning to Loudon Castle, and at dinner produced this identical
song.
Robert Forst
"
&c. &c.
* * * * *
THE LAST TIME I CAME O'ER THE MOOR.
Ramsay found the first line of this song, which had been preserved as
the title of the charming air, and then composed the rest of the
verses to suit that line. This has always a finer effect than
composing English words, or words with an idea foreign to the spirit
of the old title. Where old titles of songs convey any idea at all, it
will generally be found to be quite in the spirit of the air.
* * * * *
JOCKIE'S GRAY BREEKS.
Though this has certainly every evidence of being a Scottish air, yet
there is a well-known tune and song in the north of Ireland, called
"The Weaver and his Shuttle O," which, though sung much quicker, is
every note the very tune.
* * * * *
THE HAPPY MARRIAGE.
Another, but very pretty Anglo-Scottish piece.
* * * * *
THE LASS OF PATIE'S MILL.
In Sinclair's Statistical Account of Scotland, this song is localized
(a verb I must use for want of another to express my idea) somewhere
in the north of Scotland, and likewise is claimed by Ayrshire. --The
following anecdote I had from the present Sir William Cunningham, of
Robertland, who had it from the last John, Earl of Loudon. The then
Earl of Loudon, and father to Earl John before mentioned, had Ramsay
at Loudon, and one day walking together by the banks of Irvine water,
near New-Mills, at a place called Patie's Mill, they were struck with
the appearance of a beautiful country girl. His lordship observed that
she would be a fine theme for a song.
--Allan lagged behind in
returning to Loudon Castle, and at dinner produced this identical
song.
* * * * *
THE TURNIMSPIKE.
There is a stanza of this excellent song for local humour, omitted in
this set. --Where I have placed the asterisms.
"They tak the horse then by te head,
And tere tey mak her stan', man;
Me tell tem, me hae seen te day,
Tey no had sic comman', man. "
* * * * *
HIGHLAND LADDIE.
As this was a favourite theme with our later Scottish muses, there are
several airs and songs of that name. That which I take to be the
oldest, is to be found in the "Musical Museum," beginning, "I hae been
at Crookieden. " One reason for my thinking so is, that Oswald has it
in his collection, by the name of "The Auld Highland Laddie. " It is
also known by the name of "Jinglan Johnie," which is a well-known song
of four or five stanzas, and seems to be an earlier song than Jacobite
times. As a proof of this, it is little known to the peasantry by the
name of "Highland Laddie;" while everybody knows "Jinglan Johnie. " The
song begins
"Jinglan John, the meickle man,
He met wi' a lass was blythe and bonie. "
Another "Highland Laddie" is also in the "Museum," vol. v. , which I
take to be Ramsay's original, as he has borrowed the chorus--"O my
bonie Highland lad," &c. It consists of three stanzas, besides the
chorus; and has humour in its composition--it is an excellent, but
somewhat licentious song.
&c. &c.
* * * * *
THE LAST TIME I CAME O'ER THE MOOR.
Ramsay found the first line of this song, which had been preserved as
the title of the charming air, and then composed the rest of the
verses to suit that line. This has always a finer effect than
composing English words, or words with an idea foreign to the spirit
of the old title. Where old titles of songs convey any idea at all, it
will generally be found to be quite in the spirit of the air.
* * * * *
JOCKIE'S GRAY BREEKS.
Though this has certainly every evidence of being a Scottish air, yet
there is a well-known tune and song in the north of Ireland, called
"The Weaver and his Shuttle O," which, though sung much quicker, is
every note the very tune.
* * * * *
THE HAPPY MARRIAGE.
Another, but very pretty Anglo-Scottish piece.
* * * * *
THE LASS OF PATIE'S MILL.
In Sinclair's Statistical Account of Scotland, this song is localized
(a verb I must use for want of another to express my idea) somewhere
in the north of Scotland, and likewise is claimed by Ayrshire. --The
following anecdote I had from the present Sir William Cunningham, of
Robertland, who had it from the last John, Earl of Loudon. The then
Earl of Loudon, and father to Earl John before mentioned, had Ramsay
at Loudon, and one day walking together by the banks of Irvine water,
near New-Mills, at a place called Patie's Mill, they were struck with
the appearance of a beautiful country girl. His lordship observed that
she would be a fine theme for a song.
--Allan lagged behind in
returning to Loudon Castle, and at dinner produced this identical
song.
* * * * *
THE TURNIMSPIKE.
There is a stanza of this excellent song for local humour, omitted in
this set. --Where I have placed the asterisms.
"They tak the horse then by te head,
And tere tey mak her stan', man;
Me tell tem, me hae seen te day,
Tey no had sic comman', man. "
* * * * *
HIGHLAND LADDIE.
As this was a favourite theme with our later Scottish muses, there are
several airs and songs of that name. That which I take to be the
oldest, is to be found in the "Musical Museum," beginning, "I hae been
at Crookieden. " One reason for my thinking so is, that Oswald has it
in his collection, by the name of "The Auld Highland Laddie. " It is
also known by the name of "Jinglan Johnie," which is a well-known song
of four or five stanzas, and seems to be an earlier song than Jacobite
times. As a proof of this, it is little known to the peasantry by the
name of "Highland Laddie;" while everybody knows "Jinglan Johnie. " The
song begins
"Jinglan John, the meickle man,
He met wi' a lass was blythe and bonie. "
Another "Highland Laddie" is also in the "Museum," vol. v. , which I
take to be Ramsay's original, as he has borrowed the chorus--"O my
bonie Highland lad," &c. It consists of three stanzas, besides the
chorus; and has humour in its composition--it is an excellent, but
somewhat licentious song.
