In the allegory the Earl of
Leicester
is probably
meant, though by one tradition Sir Philip Sidney is identified with Prince
Arthur.
meant, though by one tradition Sir Philip Sidney is identified with Prince
Arthur.
Spenser - Faerie Queene - 1
.
Gratum opus agricolis, at nunc horrentia Martis. "
Referring to his _Shepheards Calender_ (1579) Spenser thus gracefully
indicates his change from pastoral to epic poetry.
5-9. KNIGHTS AND LADIES. The poet here imitates the opening of Ariosto's
_Orlando Furioso_.
10. O HOLY VIRGIN CHIEFE OF NINE, refers to Clio, the muse of history.
Spenser should have invoked Calliope, the muse of poetry.
14. OF FAERIE KNIGHTS, the the champions of Gloriana, the queen of
Faerieland. FAIREST TANAQUILL, a British princess, daughter of Oberon, king
of Faerieland. In the allegory she is Queen Elizabeth.
15. THAT MOST NOBLE BRITON PRINCE is Prince Arthur, the perfect knight, who
is in love with Gloriana.
In the allegory the Earl of Leicester is probably
meant, though by one tradition Sir Philip Sidney is identified with Prince
Arthur.
19. IMPE OF HIGHEST JOVE, Cupid, the god of love, and son of Jupiter and
Venus. He is represented as armed with an ebony bow (l. 23).
25. TRIUMPHANT MART, Mars, the god of war. The spelling is that of the
Italians and Chaucer.
28. O GODDESSE HEAVENLY BRIGHT, Queen Elizabeth (aged 56), who was fond of
such extravagant flattery, and expected it of all her courtiers.
31. PHOEBUS LAMPE, Apollo, the sun-god.
34. GLORIOUS TYPE OF THINE, the Lady Una, who stands for Truth in the
allegory.
35. THE ARGUMENT OF MINE AFFLICTED STILE, the subject of my humble pen.
Gratum opus agricolis, at nunc horrentia Martis. "
Referring to his _Shepheards Calender_ (1579) Spenser thus gracefully
indicates his change from pastoral to epic poetry.
5-9. KNIGHTS AND LADIES. The poet here imitates the opening of Ariosto's
_Orlando Furioso_.
10. O HOLY VIRGIN CHIEFE OF NINE, refers to Clio, the muse of history.
Spenser should have invoked Calliope, the muse of poetry.
14. OF FAERIE KNIGHTS, the the champions of Gloriana, the queen of
Faerieland. FAIREST TANAQUILL, a British princess, daughter of Oberon, king
of Faerieland. In the allegory she is Queen Elizabeth.
15. THAT MOST NOBLE BRITON PRINCE is Prince Arthur, the perfect knight, who
is in love with Gloriana.
In the allegory the Earl of Leicester is probably
meant, though by one tradition Sir Philip Sidney is identified with Prince
Arthur.
19. IMPE OF HIGHEST JOVE, Cupid, the god of love, and son of Jupiter and
Venus. He is represented as armed with an ebony bow (l. 23).
25. TRIUMPHANT MART, Mars, the god of war. The spelling is that of the
Italians and Chaucer.
28. O GODDESSE HEAVENLY BRIGHT, Queen Elizabeth (aged 56), who was fond of
such extravagant flattery, and expected it of all her courtiers.
31. PHOEBUS LAMPE, Apollo, the sun-god.
34. GLORIOUS TYPE OF THINE, the Lady Una, who stands for Truth in the
allegory.
35. THE ARGUMENT OF MINE AFFLICTED STILE, the subject of my humble pen.
